02513nam a2200433Ii 4500001001600000005001700016006001900033007001500052008004100067020002800108020002500136020001800161029002200179035003900201035001800240040007000258050002400328082001400352245008500366264006200451264001000513300006200523336002600585337002600611338003600637504005100673520079400724506003501518588008301553650004001636650003701676648002001713655002201733655004501755700001701800700002001817776015101837856009101988RMEMarc20thcent20190208114500.0m     o  d        cr bn    mpcma140201r20131999enkac   ob    001 0 eng d  a9781315062051q(e-book)  a1315062054q(e-book)  z97815795807971 aAU@b000062433074  a(OCoLC)874146548z(OCoLC)869520487  a(NNC)13278220  aE7BbengerdaepncE7BdTYFRSdIDEBKdOCLCFdOCLCQdNNCdNyNyRILM 4aML100b.E539 2013eb04a780.322300aEncyclopedia of music in the 20th Century /cedited by Lee Stacy, Lol Henderson. 1aAbingdon, Oxon ;aNew York, New York :bRoutledge,c2013. 4c�1999  a1 online resource (801 pages) :billustrations, portraits  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references and index.  aThis concise, one-volume encyclopedia covers all aspects of 20th-century music from around the world, ranging from classical to popular genres, with entries devoted to composers, performers, genres and styles of music, countries, and regions. In addition to providing biographical and historical context, many articles contain suggestions for further reading and listening and cross-references to other relevant entries. The encyclopedia also features a biographical digest, with sentence-long descriptions of performers and composers, a glossary, a comprehensive bibliography, and an index. With its easy-to-read prose and user-friendly layout, this encyclopedia is particularly well-suited for entry-level students and a general audience seeking basic knowledge about 20th-century music.  aAccess limited to subscribers.0 aOnline resource; title from PDF title page (ebrary, viewed February 08, 2014). 0aMusicy20th centuryvEncyclopedias. 7aMusic.2fast0(OCoLC)fst01030269 7a1900-19992fast 4aElectronic books. 7aEncyclopedias.2fast0(OCoLC)fst014237981 aStacey, Lee.1 aHenderson, Lol.08iPrint version:tEncyclopedia of music in the 20th century.dAbingdon, Oxon ; New York, New York : Routledge, 2013, �1999h800 pagesz9781315062051403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=emt&scope=site02498nam a2200397Ii 4500001001600000005001700016006001900033007001500052008004100067035002200108035001800130040004900148245007600197250002000273264003700293300003500330336002600365337002600391338003200417500007400449504004100523506003500564505017000599520082700769588004701596650003201643650003601675650001701711650003401728650002201762655004401784700002901828700002901857776012301886856009102009RMEMarcAlgemene20190208120900.0m     o  d        cr cn    mpcma171004m19791984nyu           000 0 dut d  a(OCoLC)1035363613  a(NNC)13212477  aLGGbengerdaepncLGGdOCLCOdNNCdNyNyRILM00aAlgemene muziek encyclopedie /choofdred., J. Robijns en Miep Zijlstra.  aSecond edition. 1aHaarlem :bDe Haan,c[1979-1984]  a1 online resource (10 volumes)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resource2rdacarrier  aFirst ed. published 1957-72 under title: Algemene muziekencyclopedie.  aIncludes bibliographical references.  aAccess limited to subscribers.0 av. 1. A-Bot -- v. 2. Bou-Dom -- v. 3. Don-Gip -- v. 4. Gir-Int -- v. 5. Int-Lem -- v. 6. Len-Mot -- v. 7. Mou-Paq -- v. 8. Par-Rus -- v. 9. Rus-Too -- v. 10 Too-Zyl.  aThe Algemene muziek encyclopedie, an encyclopedia of music history and musical terminology, was originally published in six volumes in Ghent, Belgium (1957-72). A large number of prominent musicologists in Belgium and the Netherlands provided contributions, headed by August Corbet and Wouter Paap. The Belgian musicologist Jozef Robijns (1920-93), Professor at Leuven University and librarian of the Bruges Conservatory, edited the second edition together with Miep Zijlstra, expanding it to ten volumes. This edition covers aspects central to the study of music history, organology, and music theory, including music not belonging to the classical canon. With its emphasis on Belgium and the Netherlands the encyclopedia is especially useful for scholars who seek information on the musical culture of the Low Countries.0 aDescription based on print version record. 0aMusicvDictionariesxDutch. 7aMusic2fast0(OCoLC)fst0103026917aMuziek.2gtt 7aMusik2gnd0(DE-588)4040802-407aW�orterbuch.2swd 7aDictionaries.2fast0(OCoLC)fst014238261 aRobijns, Jozef,eeditor.1 aZijlstra, Miep,eeditor.08iPrint versiontAlgemene muziek encyclopedie.dHaarlem : De Haan, [1979]-z9022849309w(DLC)   80483964w(OCoLC)6284075403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=alg&scope=site02953nam a2200445Ia 4500001001600000005001700016006001900033007001500052008004100067020002900108020003200137035002200169035001800191040009000209050002100299082002300320100003300343245010600376264004700482300005600529336002600585337002600611338003600637504009800673506003800771520106500809588002601874650003101900650005801931650004901989650004602038650002702084650004602111650002302157650002102180655004102201700003302242776014102275856009102416RMEMarcBarnPerc20190208145700.0m     o  d        cr bn    mpcma101108s2000    ctua    obdkq 001 0ceng d  z0313296278q(alk. paper)  z9780313296277q(alk. paper)  a(OCoLC)1031719572  a(NNC)13212115  aOCLCEbengepncOCLCEdOCLCQdOCLCAdOCLCQdOCLCOdOCLCQdOCLCFdOCLCQdNNCdNyNyRILM 4aML399b.B38 200004a786.8/092/2aB2211 aBarnhart, Stephen L.,d1950-10aPercussionists :ba biographical dictionary /cStephen L. Barnhart ; John Gillespie, advisory editor. 1aWestport, Conn. :bGreenwood Press,c2000.  a1 online resource (xvi, 429 pages) :billustrations  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references (pages 417-418), discographies, filmographies, and index.  aAccess restricted to subscribers.  aWith this biographical dictionary, Barnhart, a percussionist and Professor at the University of Wyoming, honors the universal language of percussion that transcends ethnic, economic, and sociopolitical boundaries. The volume offers thumbnail sketches of a huge number of percussionists born around 1950 (or earlier) who have performed primarily as soloists (e.g., Keiko Abe, Vida Chenoweth), but also orchestral performers (e.g., Fred Hinger, Vic Firth) and jazz musicians (e.g., Jo Jones, Lionel Hampton). Included are figures who made important contributions to the making and development of percussion instruments (e.g., Avedis Zildjian III). The performers covered are predominantly American and European, with some Asians and South Americans and a very few Africans. Biographies range from a few lines to a page in length and are based on both published sources and correspondence with the subjects. A selected bibliography follows each entry and includes works both by and about the subject; many entries include selected discographies and videographies.0 aPrint version record. 0aPercussionistsvBiography. 6aPercussionnistesxBiographiesxDictionnaires anglais. 6aInstruments �a percussionxBiobibliographie. 6aInstruments �a percussionxBibliographie. 6aMusiquexDiscographie. 7aPercussionists.2fast0(OCoLC)fst0105775807aSchlagzeuger.2swd07aBiographie.2swd 7aBiography.2fast0(OCoLC)fst014236861 aGillespie, John,d1921-2003.08iPrint version:aBarnhart, Stephen L., 1950-tPercussionists.dWestport, Conn. : Greenwood Press, 2000w(DLC)   99046021w(OCoLC)42289731403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=pbd&scope=site02711nam a2200481Ia 4500001001800000005001700018006001900035007001500054008004100069020003500110020003200145020004100177020001800218029002200236035004000258035001800298040012400316043001200440050001400452082001800466100002300484245008000507250002000587264003400607300005700641336002600698337002600724338003600750500002000786504005100806506003500857520072100892588004701613650005601660650006701716650003901783651005801822655002201880655004501902655002201947776016901969856009102138RMEMarcBloomBroad20190208130000.0m     o  d        cr bn    mpcma121128s2012    nyua    obe   001 0ceng d  a9780203644355q(e-book ;qPDF)  a0203644352q(e-book ;qPDF)  z0415937043q(hardback ;qalk. paper)  z97804159370471 aAU@b000062580309  a(OCoLC)826515969z(OCoLC)1044357924  a(NNC)13211555  aCN8MLbengepncCN8MLdOCLCOdCAUOIdE7BdOCLCOdTYFRSdOCLCQdOCLCFdCOOdOCLCQdCOCUFdUABdOCLCQdCEFdNNCdNyNyRILM  an-us-ny 4aPN2277.N704a792.022bB6551 aBloom, Ken,d1949-10aBroadway :bits history, people, and places : an encyclopedia /cKen Bloom.  aSecond edition. 1aNew York :bRoutledge,c2012.  a1 online resource (xvii, 679 pages) :billustrations  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes index.  aIncludes bibliographical references and index.  aAccess limited to subscribers.  aTheater historian Ken Bloom's 1991 first edition of Broadway offered a fact-filled compendium of Broadway's theaters, personalities, awards, publications, and notable concepts (e.g., "stunts"), from the earliest days to the present. This new edition adds corrections and updates, and multiple cross references for easy browsing. The most substantial entries cover theaters, playwrights, composers, directors, performers, and producers; there is a special emphasis on composers and lyricists, because Bloom believes that "they had greater impact on American theatrical history" (Preface). This is not a show-by-show account (only a small number of major shows have solo entries), but a history of the Great White Way.  aDescription based on print version record. 0aTheaterzNew York (State)zNew YorkvEncyclopedias. 0aTheaterzNew York (State)zNew YorkvBiographyvEncyclopedias. 7aTheater.2fast0(OCoLC)fst01149217 7aNew York (State)zNew York.2fast0(OCoLC)fst01204333 4aElectronic books. 7aEncyclopedias.2fast0(OCoLC)fst01423798 0aElectronic books.08iPrint version:aBloom, Ken, 1949-.tBroadway: its history, people, and places: an encyclopedia. b[2nd ed.] dNew York : Routledge, 2012 z9780415937047z0415937043403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=bae&scope=site02953nam a2200397Ia 4500001001800000005001700018006001900035007001500054008004100069020001800110020001500128035002200143035001800165040004700183050002300230100003700253245015800290246004100448250001900489264004000508300003500548336002600583337002600609338003600635506003500671520141800706588004202124650004102166650003802207650004902245650005302294655002702347655004602374655004402420856009102464RMEMarcBrokViolin20190208152700.0m     o  d        cr bn    mpcma180608s2016    gw      ob    000 0 eng d  z9783000500015  z3000500014  a(OCoLC)1039098041  a(NNC)13305085  aZCUbengcZCUdOCLCOdOCLCFdZCUdNyNyRILM 4aML128.V4bB76 20161 aBr�oker, Tobias,d1976-eauthor.14aThe 20th century violin concertante :ba repertoire catalogue of the compositions for violin concertante written between 1894 and 2006 /cTobias Broeker.3 aTwentieth century violin concertante  aThird edition. 1aStuttgart :bTobias Br�oker,c2016.  a1 online resource (2847 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAccess limited to subscribers.  aThe 20th century violin concertante is the only comprehensive repertoire compendium of compositions written in and around the twentieth century for violin in a solo role in combination with an ensemble or other instruments. Br�oker's interpretation of the term "concertante" is very inclusive, embracing any composition that contains at least a solo violin part and an accompaniment by an orchestra or larger ensemble; works featuring the violin within a group of solo instruments; and works that carry the words concerto, concertante, or their derivatives in their titles and feature prominent solo violin parts. The catalogue therefore includes tone poems, concert works, and even short miniatures of less than two minutes. The catalogue lists 13,000 compositions by more than 7000 composers, with additional information on the works. Names of Arab, Armenian, Georgian, Greek, and Persian composers are given in original script as well as in roman transcription. The catalogue does not provide any sources, though in his preface Br�oker assures readers of the accuracy and integrity of the data, which largely stem from bibliographies and from the composers themselves. Because of its comprehensive approach and its wide representation of composers and works, some of which are little known and not represented elsewhere, The 20th century violin concertante is an important addition to any reference collection.  aDescription based on online resource. 0aViolin with orchestravBibliography. 0aConcertos (Violin)vBibliography. 7aConcertos (Violin)2fast0(OCoLC)fst00873990 7aViolin with orchestra.2fast0(OCoLC)fst01167465 7aBibliographies.2lcgft 7aBibliographies.2fast0(OCoLC)fst01919895 7aBibliography.2fast0(OCoLC)fst01423717403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=bvc&scope=site02374nam a2200373Ia 4500001001600000005001700016006001900033007001500052008004100067035002200108035001800130040006700148043001200215050001600227082001300243100003500256245011200291264003200403300005200435336002600487337002800513338002700541588002600568506003500594520088900629588004001518650004401558650002901602650003601631651004501667655004801712776014901760856009101909RMEMarcBrownBio20190208131000.0m     o  d        cr bn    mpcma150206s1886    enk     ob    000 0ceng d  a(OCoLC)1041628262  a(NNC)13277921  aOCLCEbengepncOCLCEdCOOdAMAZNdOCLCFdOCLCQdNNCdNyNyRILM  ae-uk--- 4aML105b.B8704a780.92081 aBrown, James Duff,d1862-1914.10aBiographical dictionary of musiciansbwith a bibliography of English writings on music.cBy James D. Brown. 1aLondon,bA. Gardner,c1886.  a1 online resource (vi pages, 1 leaf, 637 pages)  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebcr2rdacarrier0 aPrint version record.  aAccess limited to subscribers.  aThis single-volume dictionary was compiled by the English librarian James Duff Brown (1862-1914), an early advocate of public music libraries. It features short entries devoted to performers, composers and their works, and instrument makers, and it gives special prominence to British musicians, including many minor figures. As Brown notes in the Preface, he has included only those foreign musicians who either "claim attention by their acknowledged eminence" or have a direct connection with Britain. The entries on many living musicians were revised and corrected by the musicians themselves, with whom Brown corresponded. The volume includes a bibliography of British writings on music, organized by subject. With its emphasis on British musicians and the bibliography of British writings, this dictionary is particularly useful for scholars of 19th-century British musical life.0 aDescription based on print version. 0aMusiczGreat BritainvBio-bibliography. 0aMusicvBio-bibliography. 7aMusic2fast0(OCoLC)fst01030269 7aGreat Britain.2fast0(OCoLC)fst01204623 7aBio-bibliography.2fast0(OCoLC)fst0142368508iPrint version:aBrown, James Duff, 1862-1914.tBiographical dictionary of musicians.dLondon, A. Gardner, 1886w(DLC)   03005994w(OCoLC)2500860403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=bdm&scope=site03064nam a2200565Ii 4500001001800000005001700018006001900035007001500054008004100069020003600110020003300146020001500179020001800194035002100212035001800233040008400251043001200335050002500347082002000372100003000392245006800422250002000490264003500510264001000545300005500555336002600610337002600636338003600662500003700698504006700735506003500802520076800837588002601605650005801631650005501689650006701744650006701811650004801878650003101926650004101957650003701998651004502035650002002080651001402100655002202114655006202136655005502198776015402253856009102407RMEMarcButterAmer20180523154657.0m     o  d        cr cn    mpcma131007t20052005nyua    obd   001 0deng d  a9781136790232q(electronic bk.)  a1136790233q(electronic bk.)  z0415938481  z9780415938488  a(OCoLC)859536607  a(NNC)13211583  aN$TbengerdaepncN$TdIDEBKdOCLCOdTYFRSdOCLCFdYDXCPdOCLCQdNNCdNyNyRILM  an-us--- 4aML106.U3bB87 2005eb04a780/.92/2732221 aButterworth, Neil,d1934-10aDictionary of American classical composers /cNeil Butterworth.  aSecond edition. 1aNew York :bRoutledge,c[2005] 4c�2005  a1 online resource (xi, 548 pages) :billustrations  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aPrevious edition: Garland, 1984.  aIncludes bibliographical references (pages 517-534) and index.  aAccess limited to subscribers.1 aTwenty years after Garland published A dictionary of American composers (1984) this second edition offers a fresh look at 650 composers from the 18th century to the present, with new, expanded, and updated entries. It gives a wealth of information on American-born or naturalized composers and their significant works. Composers of light music, jazz, and popular songs are omitted, with the exception of the historically significant Stephen Foster. An expanded appendix of composers, listed by teacher, is included. Though the entries are similar in scope to those in Grove's music dictionaries, Butterworth (formerly of Napier University, Scotland) has included many entries that do not appear there or in other common reference works. The volume is thus unique.  aPrint version record. 0aMusiczUnited StatesvBio-bibliographyvDictionaries. 0aComposerszUnited StatesvBiographyvDictionaries. 6aMusiquez�Etats-UnisvBiobibliographievDictionnaires anglais. 6aCompositeursz�Etats-UnisvBiographiesvDictionnaires anglais. 7aMUSICxGenres & StylesxClassical.2bisacsh 7aMUSICxReference.2bisacsh 7aComposers.2fast0(OCoLC)fst00871620 7aMusic.2fast0(OCoLC)fst01030269 7aUnited States.2fast0(OCoLC)fst0120415507aKomponist.2swd 7aUSA.2swd 4aElectronic books. 7aBio-bibliographyvDictionaries.2fast0(OCoLC)fst01424029 7aBiographyvDictionaries.2fast0(OCoLC)fst0142382408iPrint version:aButterworth, Neil, 1934-tDictionary of American classical composers.bSecond editionz0415938481w(DLC)  2004021382w(OCoLC)56517451403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dac&scope=site02732nam a2200349Ia 4500001001300000005001700013006001900030007001500049008004100064035002200105035001800127040006200145043001200207050001800219245013100237264005600368300007200424336002600496337002600522338003600548504004100584506003500625520128400660588002601944650003101970650002702001700002602028700003502054700004402089776015802133856009102291RMEMarcCesko20190208131700.0m     o  d        cr bn    mpcma110210m19631965xr ach  ob    000 0 cze d  a(OCoLC)1031763836  a(NNC)13211569  aOCLCEbengepncOCLCEdOCLCQdOCLCOdOCLCQdNNCdNyNyRILM  ae-cs--- 4aML106.C95bC500a�Ceskoslovensk�y hudebn�i slovn�ik osob a instituc�ic[Redakto�ri: Gracian �Cernu�s�ak, Bohum�ir �St�edro�n, Zdenko Nov�a�cek. 1aPraha,bSt�atn�i hudebn�i vydavatelstv�i,c1963-65.  a1 online resource (2 volumes)billustrations, facsimiles, portraits  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references.  aAccess limited to subscribers.  a�Ceskoslovensk�y hudebn�i slovn�ik osob a instituc�i (The Czechoslovak music dictionary of people and institutions) took almost two decades of broad collaboration between leading Czech and Slovak music specialists involved in the academy and general musical life. The dictionary offers 9500 entries in either Czech or Slovak depending on the subject. Articles are devoted to Czech and Slovak personalities active in all kinds of areas of musical life; to institutions, organizations, and performing groups; to editions and publications such as music journals; as well as to individuals and organizations of amateur and folk music production. The dictionary was conceived as a postwar response to the then first modern Czechoslovak music dictionary, Pazd�irkuv hudebn�i slovn�ik nau�cn�y (1933-37 and 1938-40), which was censored by the Nazis and interrupted by World War II. Ceskoslovensk�y hudebn�i correlated with the establishment of the first musicology institutes in Prague and Bratislava. Thus it reflects the beginnings of scholarly activities in postwar Czechoslovakia. The Czech portions have served as the basis for the 2008 online project �Cesk�y hudebn�i slovn�ik osob a instituc�i, published by the Centrum Hudebn�i Lexikografie at the Masarykova Univerzita in Brno.0 aPrint version record. 0aMusicianszCzechoslovakia. 0aMusiczCzechoslovakia.1 a�Cernu�s�ak, Gracian.1 a�St�edro�n, Bohum�ir,eeditor.1 aNov�a�cek, Zdenko,d1923-1987,eeditor.08iPrint version:t�Ceskoslovensk�y hudebn�i slovn�ik osob a instituc�i.dPraha, St�atn�i hudebn�i vydavatelstv�i, 1963-65w(DLC)   64002671w(OCoLC)2789370403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=chs&scope=site03022nam a2200541Ia 4500001001800000005001700018006001900035007001500054008004100069020002200110020002500132020002300157020002600180020002300206020002600229035002200255035001800277040007400295050002000369082002100389100002000410245006900430250004200499264004300541300008200584336002600666337002600692338003600718504003400754504005700788505004900845506003500894520080700929588002601736650004701762650002901809650005501838650003101893650003601924650005801960650002202018650001802040653005902058655004802117655004502165776017902210856009102389RMEMarcCohenWomen20190208152900.0m     o  d        cr bn    mpcma101106s1987    nyucf   obek  000 0ceng d  z0961748524q(set)  z9780961748524q(set)  z0961748508q(v. 1)  z9780961748500q(v. 1)  z0961748516q(v. 2)  z9780961748517q(v. 2)  a(OCoLC)1031766775  a(NNC)13212106  aOCLCEbengepncOCLCEdOCLCQdOCLCFdOCLCOdOCLdOCLCQdNNCdNyNyRILM 4aML105b.C7 198704a780/.92/2aB2191 aCohen, Aaron I.10aInternational encyclopedia of women composers /cAaron I. Cohen.  aSecond edition, revised and enlarged. 1aNew York :bBooks & Music USA,c�1987.  a1 online resource (2 volumes (1151 pages, [48] pages of plates)) :bportraits  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDiscography: pages 1068-1142.  aIncludes bibliographical references (pages 783-816).0 av. 1. A--SAI -- v. 2. SAI--ZYB ; Appendices.  aAccess limited to subscribers.  aIn 1981, Aaron Cohen (b.1906), a retired town planner living in Johannesburg, South Africa, published the first encyclopedia devoted to women composers. Its second, two-volume edition constitutes a significant expansion, comprising 6200 entries and 14 appendices. What makes this encyclopedia so unique is its sheer breadth. The earliest composer represented is Hemre (2723 B.C.E.), an Egyptian leader of court music. The geographical scope is equally broad, with nearly 300 composers from Asia and Central America. To date it is still the only comprehensive collection of nearly every known woman composer, with biographical information, list of compositions, list of publications by the composer, and a bibliography. This second edition also includes a discography and listing of recording companies.0 aPrint version record. 0aWomen composersvBiographyvEncyclopedias. 0aMusicvBio-bibliography. 6aCompositricesxBiographiesxDictionnaires anglais. 6aMusiquexBiobibliographie. 7aMusic2fast0(OCoLC)fst01030269 7aWomen composersxBiography.2fast0(OCoLC)fst0117751217aComponisten.2gtt17aVrouwen.2gtt  aWestern musicaWomen composers, to 1986 - Biographies. 7aBio-bibliography.2fast0(OCoLC)fst01423685 7aEncyclopedias.2fast0(OCoLC)fst0142379808iPrint version:aCohen, Aaron I.tInternational encyclopedia of women composers.b2nd ed., rev and enl.dNew York : Books & Music USA, �1987w(DLC)   86072857w(OCoLC)16714846403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=iew&scope=site03320nam a2200481Ia 4500001001900000005001700019006001900036007001500055008004100070020001500111020001800126035002200144035001800166040007600184043001200260045002100272050002100293082002400314245009400338264003400432300007100466336002600537337002600563338003600589504005100625506003500676520149000711588002602201650004202227650004802269651003702317650002902354650002402383650002202407650002202429651001802451648003002469655004302499700002802542710003802570776013902608856009102747RMEMarcDizItaliani20190208134400.0m     o  d        cr bn    mpcma101110s2000    it af   obdr  001 0 ita d  z8846703588  z9788846703583  a(OCoLC)1031789327  a(NNC)13211704  aOCLCEbengepncOCLCEdOCLCQdOCLCFdOCLCOdOCLCAdOCLCQdNNCdNyNyRILM  ae-it---  av0w1aw1w9ax0x4 4aML405b.D59 200004a070.5/794/0254522100aDizionario degli editori musicali italiani, 1750-1930 /ca cura di Bianca Maria Antolini. 1aPisa :bEdizioni ETS,c�2000.  a1 online resource (427 pages, 32 pages of plates) :billustrations  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references and index.  aAccess limited to subscribers.  aWith the support of CNR (Consiglio Nazionale delle Ricerche) and SIDM (Societ�a Italiana di Musicologia), 30 Italian experts contributed to the first major dictionary (after Claudio Sartori's pioneering Dizionario degli editori musicali italiani of 1958) that comprehensively gathers information on publishers, printers, and booksellers of music, active in Italy between 1750 and 1930, a period hitherto ignored. In her foreword the volume's editor, Bianca Maria Antolini, explains the timeframe: 1770 marks the beginning of a boost in Italian music publishing, while the 1930s constituted a pivotal change (new sound reproduction technologies altered music consumption, which affected the publishing world). The nearly 400 entries provide a structured frame of music publishing, production, and consumption in Italy. Publishers are presented with biographical information and company history (including changes of name, location, and ownership and mergers), modes of dissemination, and technology. The Dizionario is also an essential source for the dating of music publishing, as it includes lists of editorial numbers and plate numbers (such as for Lucca and Ricordi). It provides scientifically accurate and well-documented information on a significant part of European music publishing. As a solid point of reference, and complementing similar international initiatives, it is an important publication for musicologists, librarians, and bibliographers (of music and other topics). 0 aPrint version record. 0aMusic publisherszItalyvDirectories. 7aMusic publishers.2fast0(OCoLC)fst01030593 7aItaly.2fast0(OCoLC)fst0120456517aMuziekuitgeverijen.2gtt07aMusikverleger.2swd07aW�orterbuch.2swd07aMusikverlag.2swd 7aItalien.2swd 7aGeschichte 1750-19302swd 7aDirectories.2fast0(OCoLC)fst014237961 aAntolini, Bianca Maria.2 aSociet�a italiana di musicologia.08iPrint version:tDizionario degli editori musicali italiani, 1750-1930.dPisa : Edizioni ETS, �2000w(DLC)  2001383283w(OCoLC)46631815403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dem&scope=site02494nam a2200409Ia 4500001001600000005001700016006001900033007001500052008004100067020001800108035002200126035001800148040002800166050002100194100004000215245023000255264004600485300004700531336002600578337002600604338003600630500002600666546001500692504004100707506003500748520074400783588004201527650002401569650003301593655002501626655004401651700003701695700002901732710006001761776017201821856009101993RMEMarcEggeTerm20190208141500.0m     o  d        cr bn    mpcma101108s2012    gw a    o     000 0 ger d  z9783515101677  a(OCoLC)1051003676  a(NNC)13305123  aZCUbengcZCUdNyNyRILM 4aML108b.E29 20121 aEggebrecht, Hans Heinrich,eauthor.10aHandw�orterbuch der musikalischen Terminologie :bIm Auftrag der Akademie der Wissenschaften und der Literatur, Mainz /cnach Hans Heinrich Eggebrecht ; herausgegeben von Albrecht Riethm�uller ; Schriftleitung, Markus Bandur. 1aStuttgart :bFranz Steiner Verlag,c2012.  a1 online resource (6 folders (2667 pages))  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aTitle from container.  aIn German.  aIncludes bibliographical references.  aAccess limited to subscribers.  aThe Handw�orterbuch der musikalischen Terminologie is a lexicon specialized in the formation, history, and meaning of musical terms. After extensive preparatory work, it appeared between 1971 and 2006 as a loose-leaf collection in periodic installments, edited initially by Hans Heinrich Eggebrecht (1919-99), and after his death by the musicologist Albrecht Riethm�uller. With the 40th loose-leaf delivery in the fall of 2005, the project has been discontinued. The Handw�orterbuch comprises 247 terms on over 3700 pages (originally organized in six folders). The lexicographical discipline exercised by the contributors is remarkable; the initial summaries of the treatment accorded to the more complex articles are particularly helpful.  aDescription based on DVD-ROM version. 0aMusicvTerminology. 0aMusicvDictionariesxGerman. 7aDictionaries.2lcgft 7aDictionaries.2fast0(OCoLC)fst014238261 aRiethm�uller, Albrecht,eauthor.1 aBandur, Markus,eeditor.2 aAkademie der Wissenschaften und der Literatur (Germany)08iDVD-ROM version:aEggebrecht, Hans Heinrich.tHandw�orterbuch der musikalischen Terminologie.dStuttgart : Franz Steiner Verlag, �2012z9783515101677w(OCoLC)807996683403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=hwt&scope=site04025nam a2200433Ia 4500001001500000005001700015006001900032007001500051008004100066035002200107035001800129040008400147050001600231100003200247245017300279264004700452300003500499336002600534337002600560338003600586500007300622500005400695500014200749500012200891500011601013500027301129506003501402520152201437588002602959650002902985650003603014650001703050650002603067655004803093700003503141740005203176776027203228856009103500RMEMarcEitQuel20190208150200.0m     o  d        cr bn    mpcma120812m19001904gw      o     000 0 ger d  a(OCoLC)1035286055  a(NNC)13210842  aOCLCEbengepncOCLCEdOCLCOdOCLCFdOCLCQdWELdMNDdOCLdOCLCQdNNCdNyNyRILM 4aML105b.E351 aEitner, Robert,d1832-1905.10aBiographisch-Bibliographisches Quellen-Lexikon der Musiker und Musikgelehrten der christlichen Zeitrechnung bis zur Mitte des neunzehnten Jahrhundertscvon Rob. Eitner. 1aLeipzig,bBreitkopf & Haertel,c1900-1904.  a1 online resource (10 volumes)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  a"Verzeichnis der angezogenen neueren Quellenwerke": v. 1, p. [9]-14.  a"Zus�atze zu Band 1 bis 10": v. 10, p. [370]-479.  a"Nachtr�age zu Eitner's Quellen-Lexikon" appeared as "Bellagen" to "Monatshefte f�ur Musikgeschichte", 1904, no. 1, 11-12; 1905, no. 1-5.  aA criticism by Michel Brenet (Marie Bobillier) in La Revue musicale, 1905, p. 480-489, contains numerous corrections.  aSupplemented by "Miscellanea musicae bio-bibliographica", edited by H. Springer, M. Schneider and W. Wolffhelm.  a--Musikgeschichtliche Quellennachweise; bio-bibliographisches Material als Nachtr�age und Verbesserungen zu Eitners Quellenlexikon ... hrsg. von Hermann Springer ... [Eisleben, Druck von E. Schneider] 1911. 1 p. l., 6 numb. l., 20 x 16 cm. "Probedruck als manuskript."  aAccess limited to subscribers.  aRobert Eitner, an autodidact in matters of music, began his musicological activities in 1868 with the foundation of the Gesellschaft f�ur Musikforschung, which is still in existence today. He initiated several publication series before devoting himself to the seminal Quellen-Lexikon-a pioneering work in its size and ambition. At the time when Eitner conducted his work in libraries throughout Europe, many of them did not have a separate music catalogue. Eitner's achievement was truly remarkable, especially in that he recognized the necessity of establishing an inclusive indication of sources. He was a pioneer in music source documentation, coining the famous phrase that "music bibliography is the foundation of all historical knowledge" (Preface). Eitner's work retains its validity even today, even though the premises for source documentation have fundamentally changed through revolutionary technological developments. Numerous collections cited by Eitner were lost or destroyed during the wars, and thus his references remain the only ones (many not even included in RISM). The work is much more than a listing of manuscripts and prints. With its perspective on the sources in their local and supraregional context, it provides insights about known and unknown compositions, personalities, and music institutions. In turn, it is itself a piece of music history. A lexicon of sources, the "Eitner", as it has become known, is a classic in musical source study and an essential reference for musicologists. 0 aPrint version record. 0aMusicvBio-bibliography. 7aMusic2fast0(OCoLC)fst0103026917aMuziek.2gtt17aGeschiedbronnen.2gtt 7aBio-bibliography.2fast0(OCoLC)fst014236851 aSpringer, Hermann,d1872-1945.0 aQuellen-lexikon der musiker und musikgelehrten.08iPrint version:aEitner, Robert, 1832-1905.tBiographisch-bibliographisches quellen-lexikon der musiker und musikgelehrten der christlichen zeitrechnung bis zur mitte des neunzehnten jahrhunderts.dLeipzig, Breitkopf & Haertel, 1900-04w(DLC)   01013563w(OCoLC)400180403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=bql&scope=site02741nam a2200349Ia 4500001001600000005001700016006001900033007001500052008004100067035002200108035001800130040008600148050001500234082001000249100004200259245010300301250002000404264003900424300003400463336002600497337002600523338003600549506003500585520127300620588002601893650002901919650003601948650001601984655004802000776025202048856009102300RMEMarcFetisBio20180618184157.0m     o  d        cr bn    mpcma101107m18661867fr      o     000 0dfredd  a(OCoLC)1032348299  a(NNC)13210822  aOCLCEbengepncOCLCEdOCLCQdOCLCFdOCLCOdOCLdMBBdOCLCQdOCLCAdNNCdNyNyRILM 4aML105b.F404a927.81 aF�etis, Fran�cois-Joseph,d1784-1871.10aBiographie universelle des musiciens et bibliographie g�en�erale de la musique /cpar F.J. F�etis.  aSecond edition. 1aParis :bFirmin Didot,c1866-1867.  a1 online resource (8 volumes)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAccess limited to subscribers.  aThe influential music critic and music educator Fran�cois-Joseph F�etis (1784-1871) published the first edition of his Biographie universelle between 1835 and 1844. The dictionary is one of the most impressive single-author music reference works of the 19th century. The original eight volumes provide detailed biographical entries on Western European musicians. The second edition is expanded by a two-volume bibliographical supplement, compiled by Arthur Pougin between 1878 and 1880. The Biographie universelle is testament to F�etis's personality: he had notoriously strong opinions and was unafraid to express them. F�etis was in an unparalleled position to write a comprehensive biography of musicians. In 1827, he founded the Revue musicale, one of the earliest and most influential specialist music journals of the 19th century, and from 1833 until his death he served as the Director of the Brussels Conservatory. F�etis had a large network of musical colleagues across Europe, and corresponded personally with many of the subjects featured in the Biographie universelle. The Biographie universelle provides an essential window into 19th-century French and European musical life, as distilled through the viewpoint of one writer at the center of that culture.0 aPrint version record. 0aMusicvBio-bibliography. 7aMusic2fast0(OCoLC)fst0103026907aMusik.2swd 7aBio-bibliography.2fast0(OCoLC)fst0142368508iPrint version:aF�etis, Fran�cois-Joseph, 1784-1871.tBiographie universelle des musiciens et bibliographie g�en�erale de la musique.b2. �ed. enti�erement refondue et augment�ee de plus de moiti�e.dParis : Firmin Didot, 1866-1867w(OCoLC)5845494403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=bum&scope=site02960nam a2200397Ia 4500001001700000005001700017006001900034007001500053008004100068035002200109035001800131040002800149050002300177100003200200245017900232264003900411300003400450336002600484337002600510338003600536506003500572520127300607588004701880650002501927650002601952650002901978650003702007655004802044655004402092655004502136655002502181655002602206700004202232776019602274856009202470RMEMarcFetisSupp20190208135500.0m     o  d        cr bn    mpcma090313m18781881fr       d    000 0cfre d  a(OCoLC)1052784946  a(NNC)13232983  aZCUbengcZCUdNyNyRILM 4aML105b.F42 suppl.1 aPougin, Arthur,d1834-1921.10aBiographie universelle des musiciens et bibliographie g�en�erale de la musique par F.-J. F�etis /csuppl�ement et compl�ement, publi�es sous la direction de M. Arthur Pougin. 1aParis :bFirmin-Didot,c1878-1881.  a1 online resource (2 volumes)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAccess limited to subscribers.  aThe influential music critic and music educator Fran�cois-Joseph F�etis (1784-1871) published the first edition of his Biographie universelle between 1835 and 1844. The dictionary is one of the most impressive single-author music reference works of the 19th century. The original eight volumes provide detailed biographical entries on Western European musicians. The second edition is expanded by a two-volume bibliographical supplement, compiled by Arthur Pougin between 1878 and 1880. The Biographie universelle is testament to F�etis's personality: he had notoriously strong opinions and was unafraid to express them. F�etis was in an unparalleled position to write a comprehensive biography of musicians. In 1827, he founded the Revue musicale, one of the earliest and most influential specialist music journals of the 19th century, and from 1833 until his death he served as the Director of the Brussels Conservatory. F�etis had a large network of musical colleagues across Europe, and corresponded personally with many of the subjects featured in the Biographie universelle. The Biographie universelle provides an essential window into 19th-century French and European musical life, as distilled through the viewpoint of one writer at the center of that culture.  aDescription based on print record version. 0aMusicvDictionaries. 0aMusicvEncyclopedias. 0aMusicvBio-bibliography. 7aMusic.2fast0(OCoLC)fst01030269 7aBio-bibliography.2fast0(OCoLC)fst01423685 7aDictionaries.2fast0(OCoLC)fst01423826 7aEncyclopedias.2fast0(OCoLC)fst01423798 7aDictionaries.2lcgft 7aEncyclopedias.2lcgft1 aF�etis, Fran�cois-Joseph,d1784-1871.08iPrint version:aPougin, Arthur, 1834-1921.tBiographie universelle des musiciens et bibliographie g�en�erale de la musique par F.-J. F�etis.dParis : Firmin Didot, 1878-1881w(OCoLC)863515661403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=bum1&scope=site04284nam a2200565Ia 4500001001500000005001700015006001900032007001500051008004100066020004200107020004500149020004200194020004500236020004200281020004500323020004200368020004500410020004200455020004500497020004200542020004500584020004200629020004500671035002200716035001800738040003300756050002100789245012400810250002100934264003400955300006600989336002601055337002601081338003601107504008401143505055101227506003501778520147101813588004203284650003203326650004303358655004503401655002603446655002203472700003403494700002903528700003503557700003503592856009103627RMEMarcGarland20190208135900.0m     o  d        cr bn    mpcma111109s2013    nyua    obkq  001 0 eng d  z0824060350q(v. 1 ;qacid-free paper)  z9780824060350q(v. 1 ;qacid-free paper)  z0824049446q(v. 3 ;qacid-free paper)  z9780824049447q(v. 3 ;qacid-free paper)  z0824060407q(v. 4 ;qacid-free paper)  z9780824060404q(v. 4 ;qacid-free paper)  z0824049462q(v. 5 ;qacid-free paper)  z9780824049461q(v. 5 ;qacid-free paper)  z0824060423q(v. 6 ;qacid-free paper)  z9780824060428q(v. 6 ;qacid-free paper)  z0824060415q(v. 7 ;qacid-free paper)  z9780824060411q(v. 7 ;qacid-free paper)  z0824060342q(v. 8 ;qacid-free paper)  z9780824060343q(v. 8 ;qacid-free paper)  a(OCoLC)1052785939  a(NNC)13212024  aZCUbengcZCUdZCUdNyNyRILM 4aML100b.G16 201304aThe Garland encyclopedia of world music /cBruno Netti, Ruth M. Stone, James Porter, and Timothy Rice, general editors.  aRevised edition. 1aNew York :bRoutledge,c2013.  a1 online resource (10 volumes (7929 pages)) :billustrations.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references, discographies, filmographies, and indexes.1 av. 1. Africa / Ruth M. Stone, editor    --  v. 3. The United States and Canada / Ellen Koskoff, editor -- v. 4. Southeast Asia / Terry E. Miller and Sean Williams, editors -- v. 5. South Asia : the Indian subcontinent / Alison Arnold, editor -- v. 6. The Middle East / Virginia Danielson, Scott Marcus, and Dwight Reynolds, editors -- v. 7. East Asia : China, Japan, and Korea / Robert C. Provine, Yosihiko Tokumaru, and J. Lawrence Witzleben, editors    -- v. 9. Australia and the Pacific Islands / Adrienne L. Kaeppler and J.W. Love, editors --  aAccess limited to subscribers.  aGarland Publishing first issued The Garland encyclopedia of world music between 1988 and 1994 as a ten-volume series of encyclopedias of world music. An updated second edition appeared between 1998 and 2002. It is widely regarded as an authoritative academic source for ethnomusicology. The volumes included in the RILM Music Encyclopedias are Africa (ed. Ruth M. Stone), The United States and Canada (ed. Ellen Koskoff), Southeast Asia (ed. Terry E. Miller and Sean Williams), South Asia: The Indian Subcontinent (ed. Alison Arnold), The Middle East (ed. Virginia Danielson), East Asia: China, Japan, and Korea (ed. Robert Provine), and Australia and the Pacific Islands (ed. Adrienne L. Kaeppler). Each volume consists of three sections that "cover the major topics of a region from broad general issues to specific music practices" (Preface): An introduction to the region, its culture, and its music as well as a survey of previous music scholarship and research; major issues and processes that link the musics of the region; and detailed accounts of individual music cultures. The entries synthesizes exhaustive fieldwork conducted since the 1960s, as well as recording, analysis, and documentation. This publication is a landmark achievement in ethnomusicology. While ethnomusicologists can appreciate The Garland for its critically designed components, non-ethnomusicologists can embrace the encyclopedia for its capacity to serve as a primer on world music.  aDescription based on online resource. 0aWorld musicvEncyclopedias. 7aWorld music.2fast0(OCoLC)fst01181375 7aEncyclopedias.2fast0(OCoLC)fst01423798 7aEncyclopedias.2lcgft 4aElectronic books.1 aNettl, Bruno,d1930-eeditor.1 aStone, Ruth M.,eeditor.1 aPorter, James,d1937-eeditor.1 aRice, Timothy,d1945-eeditor.403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=gew&scope=site02968nam a2200541Ia 4500001002200000005001700022006001900039007001500058008004100073015001900114016001800133016001400151019005000165020001800215020001500233020002600248020002300274020002300297020002600320029002200346029002200368029001800390035002200408035001800430035009600448040002300544050002100567082001400588245010200602264003400704300008200738336002600820337002600846338003600872504005100908505019200959520075501151506003501906588004701941650003201988650003902020650004302059655004502102655002602147700002702173776013502200856009102335RMEMarcGarlandConcise20190208140200.0m     o  d        cr bn    mpcma080430s2008    nyuabg   be   001 0 eng    aGBA7771182bnb7 a0140158432Uk7 a014015843  a237880480a1004793861a1012699546a1027906694  z9780415972932  z0415972930  z9780415994033q(v. 1)  z0415994039q(v. 1)  z0415994047q(v. 2)  z9780415994040q(v. 2)1 aAU@b0000430447181 aAU@b0000436375981 aNZ1b12789186  a(OCoLC)1042105126  a(NNC)13308801  z(OCoLC)227000211z(OCoLC)237880480z(OCoLC)1004793861z(OCoLC)1012699546z(OCoLC)1027906694  aNNCcNNCdNyNyRILM00aML100b.C69 200800a780.322204aThe concise Garland encyclopedia of world music /c[editorial board, Ellen Koskoff [and others]]. 1aNew York :bRoutledge,c2008.  a1 online resource (2 volumes (xxix, 1406 pages) :billustrations, maps, music  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references and index.0 av. 1. Africa ; South America, Mexico, Central America, and the Caribbean ; The United States and Canada ; Europe ; Oceania -- v. 2. The Middle East, South Asia, East Asia, Southeast Asia.  aThe concise Garland encyclopedia of world music remains true to the global inclusiveness and scholarly integrity of the original ten-volume edition, while reducing the page count by 95 percent. Some essays were shortened or updated, in-text references were removed, and scholarly terms were replaced with more familiar ones (such as "wind instrument" instead of "aerophone"). The arrangement is geographic, with a decided emphasis on Asian musical traditions, which take up all of the second volume. The essays focus more on instrumentation, contexts, and genres than on artists or recordings. Ideal for a nonspecialist readership, The concise Garland is also valuable for a specialist readership because of its up-to-date and complementary content..  aAccess limited to subscribers.  aDescription based on print record version. 0aWorld musicvEncyclopedias. 6aMusiques du mondevEncyclop�edies. 7aWorld music.2fast0(OCoLC)fst01181375 7aEncyclopedias.2fast0(OCoLC)fst01423798 7aEncyclopedias.2lcgft1 aKoskoff, Ellen,d1943-08aPrint version:tConcise Garland encyclopedia of world music.dNew York : Routledge, 2008.w(DLC)   2008019670w(OCoLC)ocn227000211403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=cgw&scope=site03714nam a2200349Ia 4500001001500000005001700015006001900032007001500051008004100066035002100107035001800128040006800146050001600214100003800230245036100268264003900629300005800668336002600726337002600752338003600778504004100814505034200855506003501197520170301232588002602935650002902961650003702990655002203027655004803049776017603097856009103273RMEMarcGerbLex20190208140400.0m     o  d        cr bn    mpcma100428m18121814gw acg  ob    000 0cger d  a(OCoLC)609923406  a(NNC)13280976  aUBYbengepncUBYdUBYdOCLCQdOCLCFdOCLdOCLCQdNNCdNyNyRILM 4aML105b.G361 aGerber, Ernst Ludwig,d1746-1819.10aNeues historisch-biographisches lexikon der Tonk�unstler :bwelches Nachrichten von dem Leben und den Werken musikalischer Schriftsteller, ber�uhmter Komponisten, S�anger, Meister auf Instrumenten, kunstvoller Dilettanten, Musikverleger, auch Orgel- und Instrumentenmacher, �alterer und neuerer Zeit, aus allen Nationen enth�alt /cvon Ernst Ludwig Gerber. 1aLeipzig :bA. K�uhnel,c1812-1814.  a1 online resource (4 volumes) :billustrations, music  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references.0 a1. Th. A-D--2. Th. E-J--3. Th. K-R--4. Th. S-Z. Anhang, welcher Nachrichten von Bildnissen, B�usten und Stat�uen ber�uhmter Tonlehrer und Tonk�unstler, desgleichen von Abbildungen ber�uhmter Orgelwerke und ein Register der Erfindungen zur Verbesserung der Kunst und der Instrumente enth�alt. Berichtigungen und Zus�atze zum ganzen Werke.  aAccess limited to subscribers.  aAfter Ernst Ludwig Gerber (1746-1819) completed the two-volume Historisch-biographisches Lexikon der Tonk�unstler (1790-92), J.F. Reichardt and E.F.F. Chladni, among others, contributed substantial additions. Combined with new materials that Gerber himself assembled (in particular the work of Martini, Burney, Forkel, Reichardt, and Chladny), these formed the basis for the four-volume Neues historisch-biographisches Lexikon der Tonk�unstler. The information in Neues historisch-biographisches Lexikon der Tonk�unstler was rethought in light of the new material. Some entries are entirely rewritten, others contain additions; many of the entries found in the Historisch-biographisches Lexikon der Tonk�unstler are omitted. Gerber did not aim at a critical approach: He created a historical and biographical dictionary of musicians that contains news of the life and works of music scholars, famous composers, singers, accomplished amateurs, music publishers, manufacturers of organs, and instruments of ancient and modern times and of all nations. In spite of some flaws, the lexicon has been considered since its publication a unique and valuable source, especially for late-eighteenth-century music, because of the quantity of material drawn from Gerber's personal contacts with the great musicians of his time. Portions of it can be found in translation in music dictionaries by Choron-Fayolle, Sainsbury, and Lichtenthal. It continued to hold the interest of the scholarly world; Gerber himself compiled further additions, and Carl Mainberger (1816) and F.S. Kandler (1817-20), among others, provided supplementary material. A new edition announced in 1825, however, did not come to fruition.0 aPrint version record. 0aMusicvBio-bibliography. 7aMusic.2fast0(OCoLC)fst01030269 4aElectronic books. 7aBio-bibliography.2fast0(OCoLC)fst0142368508iPrint version:aGerber, Ernst Ludwig, 1746-1819.tNeues historisch-biographisches lexikon der Tonk�unstler.dLeipzig, A. K�uhnel, 1812-14w(DLC)   05039341w(OCoLC)5035188403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=gbn&scope=site02680nam a2200457Ii 4500001001400000005001700014006001900031007001500050008004100065020004100106020006900147035002200216035001800238040003800256050002500294245027900319250003400598264003100632300006300663336002600726337002600752338003600778500002500814504002800839506003500867520076800902588003801670650004501708650004401753650004701797650004901844655004401893655002501937655002001962655002501982700003502007700003102042700002802073700003002101856009102131RILMarcGothic20190208141100.0m     o  d        cr bn    mpcma020823s2003    gw ac   ok    000 0dger d  z9783896022776q(print edition, 2002)  z9783896025227q(print edition, Schwarzkopf & Schwarzkopf, �2003)  a(OCoLC)1052785605  a(NNC)13212555  aZCUbengerdacZCUdZCUdNyNyRILM 4aML102.R6bG626 2003b04aDas Gothic- und Dark Wave-Lexikon :bdas Lexikon der Schwarzen Szene-von Ambient bis Industrial, von Neofolk bis Future Pop und von Goth-Rock bis Black Metal /cPeter Matzke & Tobias Seeliger (Hrsg.) ; unter Mitarbeit von Volkmar Kuhnle, Conny Bruckbauer und vielen anderen.  aExpanded and revised edition. 1aBerlin :bLexikon,c[2003]  a1 online resource (598 pages) :bIllustrations, portraits.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aForeword dated 2003.  aIncludes discographies.  aAccess limited to subscribers.  aThis expanded edition of 1400 entries is more than just a compilation of keywords describing the Goth scene. It is a volume that links music and cultural studies through topics such as esotericism and vampirism, role play and death. Das Gothic- und Dark Wave-Lexikon is the brainchild of Peter Matzke, a historian, music journalist, and director of the seventh Wave-Gotik-Treffen (and spokesperson for the tenth and eleventh). He had coauthored and edited several other books on Goth before embarking on this encyclopedia. Goth music and culture are commonly buried in reference works on youth culture and counterculture; this was the first German encyclopedia to cover the subject in depth, considering performers, styles, and concepts, and remains the only one.  aDescription from online resource. 0aGothic rock musicvDictionariesxGerman. 0aDarkwave (Music)vDictionariesxGerman. 7aDarkwave (Music)2fast0(OCoLC)fst00887861 7aGothic rock music.2fast0(OCoLC)fst00945088 7aDictionaries.2fast0(OCoLC)fst01423826 7aDictionaries.2lcgft 7aDark Wave.2swd 7aSchwarze Szene.2swd1 aMatzke, Peter,d1963-eeditor.1 aSeeliger, Tobias,eeditor.1 aKuhnle, Volkmar,d1964-1 aBruckbauer, Conny,d1971-403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=gdw&scope=site03252nam a2200385Ia 4500001001400000005001700014006001900031007001500050008004100065035002200106035001800128040009500146050002200241245017400263264004500437300005100482336002600533337002600559338003600585506003500621520158200656588002602238650002502264650004002289650003602329650004102365655005502406655004402461655002202505655004802527700003102575700005802606776011102664856009102775RMEMarcGrove120190208141300.0m     o  d        cr bn    mpcma101107s1895    paua    od    000 0 eng d  a(OCoLC)1053609828  a(NNC)13212587  aOCLCEbengepncOCLCEdOCLCQdOCLCAdOCLCQdOCLCOdOCLCFdOCLCQdOCLdOCLCQdNNCdNyNyRILM 4aML100b.D527 189500aDictionary of music and musicians :b(A.D. 1450-1889) /cedited by Sir George Grove ; with appendix, edited by J.A. Fuller Maitland ; and index by Mrs. Edmond Wodehouse. 1aPhiladelphia :bTheodore Presser,c1895.  a1 online resource (4 volumes) :billustrations  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAccess limited to subscribers.  aA dictionary of music and musicians is the first edition of Sir George Grove's eponymous music encyclopedia (now continuously updated as Grove Music Online). When the first volume was published in 1879, Grove intended to only publish two volumes, but as work on the dictionary continued, the size of the dictionary expanded to four. In this first edition, Grove limited the content of his dictionary to Western music composed after 1450. Unlike contemporaneous dictionaries such as those compiled by Fétis and Riemann, Grove's did not isolate articles on persons and terms into separate volumes; rather, each volume contains articles on composers, performers, musical terms, music theory, instruments, and musical institutions and societies. Although the dictionary is comprehensive in coverage and international in scope, Grove noted in his Preface that he had thought it "right to treat English music and musicians with special care". Grove, who trained as a lawyer and was self-taught as a music critic, wrote many of the articles himself, most notably the biographies of canonical composers such as Beethoven, Mendelssohn, and Schubert. He also commissioned articles from over 50 writers spread across England, America, and continental Europe. The writers included highly trained amateurs, similar to himself, and music librarians and professors at conservatories and universities. As the first edition of the longest-running and most comprehensive English-language encyclopedia of Western music, A dictionary of music and musicians is an invaluable historical document. 0 aPrint version record. 0aMusicvDictionaries. 0aMusiciansvBiographyvDictionaries. 7aMusic2fast0(OCoLC)fst01030269 7aMusicians.2fast0(OCoLC)fst01030837 7aBiographyvDictionaries.2fast0(OCoLC)fst01423824 7aDictionaries.2fast0(OCoLC)fst01423826 4aElectronic books. 7aBio-bibliography.2fast0(OCoLC)fst014236851 aGrove, George,d1820-1900.1 aFuller-Maitland, J. A.q(John Alexander),d1856-1936.08iPrint version:tDictionary of music and musicians.dPhiladelphia : Theodore Presser, 1895w(OCoLC)37888782403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dmm&scope=site03637nam a2200517Ia 4500001001500000005001700015006001900032007001500051008004100066020003600107020003300143020001800176020002900194035003900223035001800262040012200280043001200402050002500414072002500439082001900464100002600483245011500509264004700624300005900671336002600730337002600756338003600782504006700818506003500885520126300920588002602183505016602209650003402375650005202409650005202461650003602513651003902549650004302588650004502631655002202676655006202698655004402760700002902804776019502833856009103028RMEMarcHillFin20190208135700.0m     o  d        cr cn    mpcma100727s1997    ctuab   obd   001 0deng d  a9780313387753q(electronic bk.)  a0313387753q(electronic bk.)  z9780313277283  z0313277281q(alk. paper)  a(OCoLC)650307035z(OCoLC)647903913  a(NNC)13212095  aN$TbengepncN$TdIDEBKdE7BdOCLCQdEBLCPdMHWdOCLCQdMERUCdOCLCQdOCLCFdOCLCQdOCLdYDXCPdOCLCQdNNCdNyNyRILM  ae-fi--- 4aML101.F5bH55 1997eb 7aMUSx0240002bisacsh04a780/.948972221 aHillila, Ruth-Esther.10aHistorical dictionary of the music and musicians of Finland /cRuth-Esther Hillila and Barbara Blanchard Hong. 1aWestport, Conn. :bGreenwood Press,c1997.  a1 online resource (x, 473 pages) :billustrations, map  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references (pages 461-465) and index.  aAccess limited to subscribers.  aThe brainchild of the third-generation Finnish-American musicologist and music educator Ruth-Esther Hillilä and the musicologist Barbara Blanchard Hong, the Historical dictionary is the only comprehensive English-language reference source devoted to Finnish music culture. It is designed to "unlock Finnish music for scholars and others" (Preface). It provides information on Finnish music history from 50 B.C.E. to the late 20th century. It covers art music, including operatic and orchestral performers, musicologists, and music educators, but excludes popular music. The majority of the entries are biographical about individuals, but there are also entries for musical organizations such as choirs, festivals and competitions, and some entries for general music terms such as cantor. The encyclopedia also includes a pronunciation guide and a map of Finland that pinpoints locations of major music festivals. The authors draw their information from a variety of sources and document them at length. The breadth and quantity of the entries cannot be matched by more general sources. There is very little overlap with other encyclopedias, with the exception of a few composer entries and the Finnish musical elements discussed in Grove's Finland article.0 aPrint version record.0 aAcknowledgments; Introduction; Key to Finnish Pronunciation; Map of Finland and Key to Music Festivals; The Dictionary; Appendices; Selected Bibliography; Index. 0aMusiczFinlandvDictionaries. 0aMusiczFinlandvBio-bibliographyvDictionaries. 7aMUSICxGenres & StylesxInternational.2bisacsh 7aMusic2fast0(OCoLC)fst01030269 7aFinland.2fast0(OCoLC)fst01205503 7aMusiquezFinlandexDictionnaires.2ram 7aMusicienszFinlandexDictionnaires.2ram 4aElectronic books. 7aBio-bibliographyvDictionaries.2fast0(OCoLC)fst01424029 7aDictionaries.2fast0(OCoLC)fst014238261 aHong, Barbara Blanchard.08iPrint version:aHillila, Ruth-Esther.tHistorical dictionary of the music and musicians of Finland.dWestport, Conn. : Greenwood Press, 1997z9780313277283w(DLC)   97006421w(OCoLC)36407803403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=fin&scope=site03876nam a2200709Ia 4500001001500000005001700015006001900032007001500051008004100066019012600107020003300233020003600266020003600302020003300338020003800371020003500409020002400444020002300468020002600491020002300517020002600540020001800566020001500584029002200599029001800621029002100639035002200660035001800682040019500700050002500895072002500920072002500945082001200970084001500982245009900997250002001096264003801116300007001154336002601224337002601250338003601276504007501312506003501387520089801422588002602320505002802346650003602374650004402410650007102454650005902525650005602584650004802640650002502688650002602713655002202739655004402761700003102805700002902836730005702865776015302922856009103075RMEMarcHoffRec20190208150600.0m     o  d        cr cn    mpcma060321s2005    nyua    obd   001 0 eng d  a144519216a183873668a252816204a259514271a271717675a455993304a503064610a690452895a756875567a1000426187a1003690478  a0203484274q(electronic bk.)  a9780203484272q(electronic bk.)  a9780203953358q(electronic bk.)  a0203953355q(electronic bk.)  z9780415938358q(hb ;qalk. paper)  z041593835Xq(hb ;qalk. paper)  z041593835Xq(Cloth)  z0415971209q(v. 1)  z9780415971201q(v. 1)  z0415971217q(v. 2)  z9780415971218q(v. 2)  a9781135002374  a11350023711 aAU@b0000433610671 aNZ1b124708751 aDEBSZb493061088  a(OCoLC)1055620006  a(NNC)13211786  aN$TbengepncN$TdOCLCQdYDXCPdOCLCQdOCLCGdOCLCQdBTCTAdOCLCQdMT4ITdOCLCQdN$TdOCLCFdOCLCQdAU@dIDEBKdOCLCEdOCLCQdUX0dTYFRSdOCLCQdWAUdAGLDBdOCLCQdCOCUFdD6HdNNCdNyNyRILM 4aML102.S67bE5 2005eb 7aBUSx0700602bisacsh 7aTECx0410002bisacsh04a384222  a24.502bcl00aEncyclopedia of recorded sound /cFrank Hoffmann, editor ; Howard Ferstler, ttechnical editor.  aSecond edition. 1aNew York, NY :bRoutledge,c2005.  a1 online resource (2 volumes (xii, 1289 pages)) :billustrations.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references (v. 2, pages 1219-1240) and index.  aAccess limited to subscribers.  aSince the 1993 first edition, the Encyclopedia of recorded sound, written by Frank Hoffmann, a Library Science Professor at Sam Houston State University, has been the most thorough work available on this subject. Topics covered include technical concepts (e.g., oversampling), musical genres (e.g., rock music recordings), key figures in the development of recorded sound (e.g., Ray Dolby), recording groups and artists (e.g., Peerless Quartet), labels (e.g., Naxos), equipment manufacturers (e.g., Victor Talking Machine Co.), and even practical matters such as cleaning. The topics are largely centered on developments in the U.S., although contributions to the nation's musical life from other countries are not ignored. This second edition updates all entries and adds 60 percent new content, including information from the 1990s and early 2000s, such as the merger of AOL and Time Warner.0 aPrint version record.0 av. 1. A-L -- v. 2. M-Z. 0aSound recordingsvDictionaries. 0aSound recording industryvDictionaries. 7aBUSINESS & ECONOMICSxIndustriesxMedia & Communications.2bisacsh 7aTECHNOLOGY & ENGINEERINGxTelecommunications.2bisacsh 7aSound recording industry.2fast0(OCoLC)fst01127019 7aSound recordings.2fast0(OCoLC)fst0112703417aGeluidsopnamen.2gtt17aMuziekindustrie.2gtt 4aElectronic books. 7aDictionaries.2fast0(OCoLC)fst014238261 aHoffmann, Frank W.,d1949-1 aFerstler, Howard,d1943-0 aEncyclopedia of recorded sound in the United States.08iPrint version:tEncyclopedia of recorded sound.b2nd ed.dNew York, NY : Routledge, 2005z041593835Xz0415971209w(DLC)  2003026491w(OCoLC)53903601403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=ers&scope=site02871nam a2200421Ia 4500001001400000005001700014006001900031007001500050008004100065020002500106020002800131020002500159020002800184035002200212035001800234040002300252050001900275245010800294264002900402300012400431336002600555337002600581338003600607490002900643504005800672506003500730520118700765588004701952505002201999650002902021650003302050650003602083655004802119655004402167700002502211776012202236856009102358RMEMarcHonHom20180820123246.0m     o  d        cr bn    mpcma950330s1993    fr afg   bd   000 0 fre d  z204019973Xq(vol. 1)  z9782040199739q(vol. 1)  z2040199721q(vol. 2)  z9782040199722q(vol. 2)  a(OCoLC)1042096091  a(NNC)13277962  aNNCcNNCdNyNyRILM14aML100.D54 199300aDictionnaire de la musique :bles hommes et leurs �uvres /cpubli�e sous la direction de Marc Honegger. 1aParis :bBordas,c�1993.  a1 online resource (2 volumes (xv, vii, 1372 pages, 124 pages of plates)) :billustrations (some color), music, portrait  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aCollection Marc Honegger  aIncludes bibliographical references (v. 1, page xiv).  aAccess limited to subscribers.  aWith the collaboration of more than 200 European, and American musicologists, in 1970 the French musicologist Marc Honegger (1926-2003) assembled the first edition of his comprehensive biographical encyclopedia. This new edition includes 5,500 entries over two volumes. The entries cover a diverse range of musical personalities, from composers and performers to musicologists, music theorists, instrument makers, and music editors. The composer entries include a list of works; most entries feature a bibliography. French musical life is a particular strength of this encyclopedia, which contains entries on French figures who are not included in Grove or MGG. Some 20th-century figures, such as the composer Olivier Messiaen, wrote autobiographical entries for the Dictionnaire de la musique, an uncommon feature that reveal how these composers wished to be remembered. In addition to these unique perspectives, the entries on standard subjects such as Beethoven, Mozart, or Schumann contain original insights that one might not expect to find in an encyclopedia of this length. This makes the Dictionnaire an essential reference tool for any researcher of French musical culture.  aDescription based on print record version.0 a[1] A-K. [2] L-Z. 0aMusicvBio-bibliography. 0aMusicvDictionariesxFrench. 7aMusic2fast0(OCoLC)fst01030269 7aBio-bibliography.2fast0(OCoLC)fst01423685 7aDictionaries.2fast0(OCoLC)fst014238261 aHonegger, Marc.4asn08iPrint version:tDictionnaire de la musique.dParis : Bordas, �1993z9782040199739z9782040199722w(OCoLC)ocn367528157403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dho&scope=site02329nam a2200493Ia 4500001001400000005001700014006001900031007001500050008004100065016002500106020002300131020002600154020002300180020002600203029002200229029002200251035002200273035001800295040002800313050001700341082001100358084001600369245009900385264002900484300010900513336002600622337002600648338003600674500005000710500007100760504005300831505002300884506003500907520044300942588004701385650003301432650003601465650001701501655004401518700002001562730003201582776013001614856009101744RMEMarcHonSci20190208142400.0m     o  d        cr bn    mpcma770516s1976    fr afg   bd   000 0 fre    a(AMICUS)000000214158  z2040051406q(v. 1)  z9782040051402q(v. 1)  z2040055851q(v. 2)  z9782040055851q(v. 2)1 aAU@b0000008839121 aNLCb000000214158  a(OCoLC)1042114063  a(NNC)13302879  aNNCbengcNNCdNyNyRILM00aML100b.S3930 a780/.3  acoll52lacc00aScience de la musique :bformes, technique, instruments /csous la direction de Marc Honegger. 1aParis :bBordas,c�1976.  a1 online resource (2 volumes (xv, 1111 pages, 64 leaves of plates)) :billustrations (some color), music  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAt head of title: Dictionnaire de la musique.  aCompletes and complements the editor's Dictionnaire de la musique.  aIncludes bibliographical references (page 1111).0 a[1] A-K.--[2] L-Z.  aAccess limited to subscribers.  aThis two-volume encyclopedia, devoted to musical terms, complements Honegger's Dictionnaire de la musique: Les hommes et leurs oeuvres. The result of collaboration among 170 French, European, and American musicologists, Science de la musique contains articles on such diverse topics as music theory, aesthetics, form, technique, musical instruments, music history, and countries and cities. Most articles feature extensive bibliographies.  aDescription based on print record version. 0aMusicvDictionariesxFrench. 7aMusic2fast0(OCoLC)fst0103026917aMuziek.2gtt 7aDictionaries.2fast0(OCoLC)fst014238261 aHonegger, Marc.0 aDictionnaire de la musique.08iPrint version:tScience de la musique.dParis : Bordas, �1976.z9782040051402z9782040055851w(DLC)  77468854w(OCoLC)3033496403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=sho&scope=site02547nam a2200505Ia 4500001001400000005001700014006001900031007001500050008004100065020002300106020002600129020002300155020002600178020002300204020002600227035002200253035001800275040004000293050002200333055001100355082001700366084001500383245010700398264003500505300006400540336002600604337002600630338003600656504005300692505002300745506003500768520064500803588004701448650003901495650003501534650004301569650002401612650003901636650002201675655004401697700002001741700002001761776016901781856009101950RMEMarcHonVoc20190208142500.0m     o  d        cr bn    mpcma180404m19911992fr a    obd   001 0 fre d  z2040153950q(v. 1)  z9782040153953q(v. 1)  z2040163409q(v. 2)  z9782040163402q(v. 2)  z204018533Xq(v. 3)  z9782040185336q(v. 3)  a(OCoLC)1032359037  a(NNC)13211693  aZCUbengcZCUdOCLCOdZCUdNyNyRILM00aML102.V6bD5 1991 4aML/10204a782/.003220  a24.612bcl00aDictionnaire des �uvres de l'art vocal /cpubli�e sous la direction de Marc Honegger et Paul Pr�evost. 1aParis :bBordas,c�1991-�1992.  a1 online resource (3 volumes) :billustrations (some color)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references and indexes.0 aA-F -- G-O -- P-Z.  aAccess limited to subscribers.  aThis three-volume encyclopedia, devoted to vocal compositions from any genre from popular song to opera, complements Honegger's Dictionnaire de la musique. Its 3500 entries are organized by work title (composers and librettists are indexed) and provide a history of the work's composition and premiere, a summary of the text, literary and musical commentary, and a list of editions and bibliography. While international in scope, the Dictionnaire des oeuvres de l'art vocal is particularly strong on French vocal repertoire. Given Honegger's research focus on 16th-century music, Renaissance scholars will find it a treasure trove as well.   aDescription based on print record version. 0aVocal musicvDictionariesxFrench. 6aMusique vocalexDictionnaires. 7aVocal music.2fast0(OCoLC)fst0116837917aVocale muziek.2gtt 7aVokalmusik2gnd0(DE-588)4063783-907aW�orterbuch.2swd 7aDictionaries.2fast0(OCoLC)fst014238261 aHonegger, Marc.1 aPr�evost, Paul.08iPrint version:tDictionnaire des �uvres de l'art vocal.dParis : Bordas, �1991-�1992z9782040153953z9782040163402z9782040185336w(DLC)   93118561w(OCoLC)25239400403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dov&scope=site03025nam a2200541Ia 4500001001400000005001700014006001900031007001500050008004100065020004200106020004500148035002200193035001800215040008800233043001200321050002400333082002100357245010700378264004000485300003900525336002600564337002600590338003600616504003200652506003500684520084000719588002601559650005701585650003801642650006001680650003301740650005401773650003701827651004401864650002201908650002101930650002101951650002001972651001901992651002202011653005702033655006202090655004502152700003102197700002202228776014202250856009102392RMEMarcHoRuss20190208151100.0m     o  d        cr bn    mpcma101110s1989    nyu     obdk  001 0 eng d  z0313244855q(lib. bdg. ;qalk. paper)  z9780313244858q(lib. bdg. ;qalk. paper)  a(OCoLC)1031753128  a(NNC)13204973  aOCLCEbengepncOCLCEdOCLCQdOCLCOdOCLCQdOCLCOdOCLCFdOCLdOCLCQdNNCdNyNyRILM  ae-ur--- 4aML106.S68bB56 198904a780/.92/2aB21900aBiographical dictionary of Russian/Soviet composers /ceditors-in-chief, Allan Ho and Dmitry Feofanov. 1aNew York :bGreenwood Press,c1989.  a1 online resource (xxv, 739 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aDiscography: pages 667-698.  aAccess limited to subscribers.  aWith more than 2000 composers (including a supplementary list of composers with over 1300 additional names, each with dates and compositions) and a discography listing over 3400 items, the Biographical dictionary of Russian/Soviet composers is an essential volume for scholars and students of Russian and Soviet music. It is a major addition to the reference field, filling a sizable gap in up-to-date information on Russian and Soviet music before 1989, and is especially useful for scholars who do not possess a reading proficiency in Russian. It is the ideal supplement to other standard sources, as it contains information on many lesser-known composers, not found in other English reference works. The dictionary is an essential source of reference for the more obscure byways and some of the highways of Russian and Soviet music.0 aPrint version record. 0aMusiczSoviet UnionvBio-bibliographyvDictionaries. 0aMusiczSoviet UnionvDiscography. 6aMusiquezURSSxBiobibliographiexDictionnaires anglais. 6aMusiquezURSSxDiscographie. 7aM�usicoszURSSxBiograf�iasvDiccionarios.2embne 7aMusic.2fast0(OCoLC)fst01030269 7aSoviet Union.2fast0(OCoLC)fst0121028117aComponisten.2gtt07aBiographie.2swd07aGeschichte.2swd07aKomponist.2swd 7aRussland.2swd 7aSowjetunion.2swd  aSoviet musicaComposers - Biographies - Collections. 7aBio-bibliographyvDictionaries.2fast0(OCoLC)fst01424029 7aDiscographies.2fast0(OCoLC)fst014238831 aHo, Allan Benedict,d1955-1 aFeofanov, Dmitry.08iPrint version:tBiographical dictionary of Russian/Soviet composers.dNew York : Greenwood Press, 1989w(DLC)   88034810w(OCoLC)19065298403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=brs&scope=site02399nam a2200373Ia 4500001001600000005001700016006001900033007001500052008004100067040002300108035005800131043001200189050002400201082002300225100003000248245009100278264003800369264001100407300005600418336002600474337002600500338003600526504006900562506003500631520089700666588004701563650004901610650004501659651004501704655004501749655002201794776011801816856009101934RMEMarcJasenTin20190208152500.0m     o  d        cr bn    mpcma050208r20122003nyua     be   001 0deng d  aNNCcNNCdNyNyRILM  z(OCoLC)919449506z(OCoLC)921267170z(OCoLC)1051032105  an-us---14aML102.P66bJ37 201204a782.42164/09732231 aJasen, David A.,eauthor.10aTin Pan Alley :ban encyclopedia of the golden age of American song /cDavid A. Jasen. 1aNew York, NY :bRoutledge,c2012. 4c�2003.  a1 online resource (xvi, 475 pages) :billustrations  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references (pages 453-457) and indexes.  aAccess limited to subscribers.  aIn Tin Pan Alley, David Jasen, a Professor of Communications at C.W. Post College (Long Island University) and an authority on ragtime and popular song, tells the story of American popular song, as it was composed, published, and marketed from its heyday in the 1880s to Tin Pan Alley's demise in the 1950s. It does this through over 400 individual entries, each featuring a composer, lyricist, performer, publisher, style, or song title. One entry of particular interest is headed Hit Songs. Twenty pages cover the years from the 1890s to 1955; for each year, four or five successes are described with recording details and annotated entries for the era's blockbusters. Since Tin Pan Alley was essentially a publishing movement, Jasen includes publisher entries, often with dates and addresses. Tin Pan Alley is a unique compendium on American popular song and the business of selling music.  aDescription based on print record version. 0aPopular musiczUnited StatesvEncyclopedias. 7aPopular music.2fast0(OCoLC)fst01071422 7aUnited States.2fast0(OCoLC)fst01204155 7aEncyclopedias.2fast0(OCoLC)fst01423798 4aElectronic books.08iPrint versionaJasen, David A.tTin Pan Alley.dNew York : Routledge, 2012.z9781138870215wz(OCoLC)ocn919449506403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=tpa&scope=site02568nam a2200457Ia 4500001001400000005001700014006001900031007001500050008004100065020002200106020002500128020002300153035002200176035001800198040006900216043001200285050002100297082002300318100003000341245006800371264006100439300005100500336002600551337002600577338003600603504005800639506003500697520076500732588002601497650004801523650003501571650004601606650004501652651004501697650002101742650002301763651001401786655004401800776017501844856009102019RMEMarcJunOrg20190208152300.0m     o  d        cr bn    mpcma101107m19859999caua    obd   001 0 eng d  z0917800036q(set)  z9780917800030q(set)  z0917800028q(v. 1)  a(OCoLC)1041769652  a(NNC)13211810  aOCLCEbengepncOCLCEdOCLCQdOCLCFdOCLCOdOCLCQdNNCdNyNyRILM  an-us--- 4aML561b.J86 198504a786.6/273/03212191 aJunchen, David L.,d1946-10aEncyclopedia of the American theatre organ /cDavid L. Junchen. 1aPasadena, Calif. :bShowcase Publications,c�1985-�1995.  a1 online resource (3 volumes) :billustrations  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references (v. 1, page 421).  aAccess limited to subscribers.  aThis three-volume encyclopedia provides a wealth of primary source material on the American theater organ, an instrument designed for the movie theaters of the silent film era that has now all but disappeared from American pop culture. The first two volumes contain articles about organ manufacturing companies. The third volume is devoted to "the mighty Wurlitzer". Each entry is documented with primary source material such as photos, company records, stop lists, advertisements, drawings, and interviews and correspondence with organ makers. In addition, Junchen has provided an opus list detailing the histories of all of the organs built by each company. These materials will prove indispensable to anyone researching popular music in the silent-film era.0 aPrint version record. 0aTheater organzUnited StatesvDictionaries. 0aOrgan builderszUnited States. 7aOrgan builders.2fast0(OCoLC)fst01047586 7aTheater organ.2fast0(OCoLC)fst01149352 7aUnited States.2fast0(OCoLC)fst0120415507aOrgelbauer.2swd07aTheaterorgel.2swd 7aUSA.2swd 7aDictionaries.2fast0(OCoLC)fst0142382608iPrint version:aJunchen, David L., 1946-tEncyclopedia of the American theatre organ.dPasadena, Calif. : Showcase Publications, �1985-w(DLC)   85051070w(OCoLC)12163285403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=eat&scope=site02818nam a2200433Ia 4500001001100000005001700011006001900028007001500047008004100062020001500103020001800118035002200136035001800158040002300176245010100199264004600300300005400346336002600400337002600426338003600452506003500488500004300523504007600566520107500642588004701717650001501764650003301779650004801812650004101860650003601901650004101937648002001978655004801998655006202046700003402108700003002142776012102172856009102293RMEMarcKDG20190208142700.0m     o  d        cr bn    mpcma001204m19929999gw g     bk   000 0cgerxd  z3883776343  z9783883776347  a(OCoLC)1042103218  a(NNC)13280938  aNNCcNNCdNyNyRILM00aKomponisten der Gegenwart /cherausgegeben von Hanns-Werner Heister und Walter-Wolfgang Sparrer. 1aMunchen :bEdition Text + Kritik,c�1992-  a1 online resource (volumes (loose-leaf)) :bmusic  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAccess limited to subscribers.  aKept up to date by loose-leaf inserts.  aBiographies with selected bibliographies, discographies and work-lists.  aThe Komponisten der Gegenwart is the only music lexicon that focuses exclusively on 20th- and 21st-century composers. Musicologists Hanns-Werner Heister and Walter Wolfgang Sparrer founded the lexicon in 1992 and conceived it in loose-leaf format to ensure that its content could be continuously updated and expanded. It currently contains biographical and work-related information on about 850 composers. Each entry is divided into two sections: the first is biographical, providing an overview of life and achievement; the second is work-oriented, with information on aesthetic and compositional technique based on historical and analytical assessment. Over 200 entries feature works, a selective discography, and a selective bibliography. The KDG contains a wealth of information, especially on lesser known composers who have recently emerged and, when included, contain the most complete published worklists; it is unique as it is updated quarterly (these updates will be included in the RILM Music Encyclopedias), thus being not only a bestseller but a longseller.  aDescription based on print record version. 0aComposers. 0aMusiciansvBio-bibliography. 0aMusicy20th centuryxHistory and criticism. 7aComposers.2fast0(OCoLC)fst00871620 7aMusic2fast0(OCoLC)fst01030269 7aMusicians.2fast0(OCoLC)fst01030837 7a1900-19992fast 7aBio-bibliography.2fast0(OCoLC)fst01423685 7aCriticism, interpretation, etc.2fast0(OCoLC)fst014116351 aHeister, Hanns-Werner,d1946-1 aSparrer, Walter-Wolfgang.08iPrint version:tKomponisten der Gegenwart.dMunchen : Edition Text + Kritik, �1992-z9783883776347w(OCoLC)664572140403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=kdg&scope=site02827nam a2200481Ia 4500001001900000005001700019006001900036007001500055008004100070020003600111020003700147020003700184020003100221020001800252029003600270035003900306035001800345040011300363043001200476050002500488082001900513245005600532264003400588300007600622336002600698337002600724338003600750504005100786505004200837506003500879520089700914588002601811650003401837650004601871650004401917650004701961655002202008655005502030655004502085700003002130776009402160856009102254RMEMarcKomaraBlues20190208122500.0m     o  d        cr cn    mpcma050602s2006    nyua    obde  001 0deng d  z0415926998q(set ;qalk. paper)  z0415927005q(v. 1 ;qalk. paper)  z0415927013q(v. 2 ;qalk. paper)  z9780415926997q(Hardcover)  z97802039507221 aDKDLAb820120-katalog:000772459  a(OCoLC)648333448z(OCoLC)712977204  a(NNC)13211913  aE7BbengepncE7BdOCLCQdOCLCFdOCLCQdOCLCOdTYFRSdYDXCPdOCLCQdLOAdCOCUFdICGdK6UdU3WdNNCdNyNyRILM  an-us--- 4aML102.B6bE53 2006eb04a781.643/0322200aEncyclopedia of the blues /cEdward Komara, editor. 1aNew York :bRoutledge,c2006.  a1 online resource (2 volumes in 1 (lxiii, 1100 pages)) :billustrations  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references and index.0 av. 1. A-J, index -- v. 2. K-Z, index.  aAccess limited to subscribers.  aKomara, the Crane Librarian at SUNY at Potsdam, assembled more than 2,000 articles for this two-volume blues encyclopedia. The exhaustive catalogue of biographical entries features blues artists, historians, songwriters, and label owners from all time periods and includes items that might seem obscure (e.g., the Chicago-based R&B band Big Twist and the Mellow Fellows). The encyclopedia also provides entries for important record labels, instruments, musical styles, individual songs, geographic regions, historiography, aspects of the business, and additional topics that have been lacking in other encyclopedic efforts: "cultural" entries such as Blues Folklore and Juke Joints. The blues often gets lumped together with jazz, folk, or gospel; it is rare to see it stand on its own as an encyclopedic subject. This title clearly fills a gap by offering multifaceted coverage in one place.0 aPrint version record. 0aBlues (Music)vEncyclopedias. 0aBlues musiciansvBiographyvDictionaries. 7aBlues (Music)2fast0(OCoLC)fst00835056 7aBlues musicians.2fast0(OCoLC)fst00835072 4aElectronic books. 7aBiographyvDictionaries.2fast0(OCoLC)fst01423824 7aEncyclopedias.2fast0(OCoLC)fst014237981 aKomara, Edward M.,d1966-08iPrint version:tEncyclopedia of the blues.dNew York : Routledge, 2006w(DLC)  2005044346403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=etb&scope=site03002nam a2200529Ia 4500001001700000005001700017006001900034007001500053008004100068020002200109020002500131020001800156020001500174035002200189035001800211037001600229040010500245050002300350082001700373100002600390245011500416250002000531264003400551300009100585336002600676337002600702338003600728500006700764504005300831520089700884506003501781588002601816650004601842650006701888650003801955650003901993650004402032650005502076648002002131655002202151655005502173655004402228655003902272700002002311776005002331856009102381RMEMarcKostAvant20190208121900.0m     o  d        cr bn    mpcma180406r20012000nyuaf   obd   001 0ceng d  a1299287174q(ebk)  a9781299287174q(ebk)  a9780203828120  a0203828127  a(OCoLC)1053584499  a(NNC)13213540  a459967bMIL  aIDEBKbengepncIDEBKdOCLCOdE7BdOCLCFdOCLCOdTYFRSdOCLdOCLCQdOCLCOdOCLCQdLNDdNNCdNyNyRILM 4aNX456b.K67 2001eb04a700/.4112211 aKostelanetz, Richard.12aA dictionary of the avant-gardes /cby Richard Kostelanetz with contributions from H.R. Brittain [and others].  aSecond edition. 1aNew York :bRoutledge,c2001.  a1 online resource (xxii, 708 pages, [8] pages of plates) :billustrations (some color)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aOriginally published: New York : Schirmer Books, 2000. 2nd ed.  aIncludes bibliographical references and indexes.  aThe encyclopedia by Richard Kostelanetz, an independent writer, filmmaker, and performing artist, brings together a wealth of information on aesthetic innovation in the arts, including music, film, literature, the visual arts, dance, and theater. The artists included were mainly active in the 20th century, with no birth date earlier than Edward Lear's (1812-88). They include such well-known subjects as Charles Ives, John Lennon, Igor Stravinsky, Edgard Varèse, and contemporary figures as environmental-artist Christo and performance-artist Laurie Anderson. The entries for Kinetic Art, Serial Musk, Mixed-Means Theater, Zaum (poetry), SoHo, and Something Else Press create a rich image of a period. The second edition is enlarged and revised, with an added photo insert. It makes the avant-garde art easily accessible to au courant researchers and fills a gap in reference collections.  aAccess limited to subscribers.0 aPrint version record. 0aArts, Moderny20th centuryvDictionaries. 0aAvant-garde (Aesthetics)xHistoryy20th centuryvDictionaries. 0aArtistsvBiographyvDictionaries. 7aArtists.2fast0(OCoLC)fst00817559 7aArts, Modern.2fast0(OCoLC)fst00818137 7aAvant-garde (Aesthetics)2fast0(OCoLC)fst00824280 7a1900-19992fast 4aElectronic books. 7aBiographyvDictionaries.2fast0(OCoLC)fst01423824 7aDictionaries.2fast0(OCoLC)fst01423826 7aHistory.2fast0(OCoLC)fst014116281 aBrittain, H. R.08iPrint version:z0415937647w(DLC)  2001019929403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dag&scope=site03637nam a2200433Ia 4500001001500000005001700015006001900032007001500051008004100066020003400107020003700141035003900178035001800217040006700235050002100302082002500323100001800348245009400366250003700460264003400497300006800531336002600599337002600625338003600651504007700687505017600764506003500940520170600975588002602681650003802707650005302745650003902798650001802837655005502855700001802910700002802928776015602956856009103112RMEMarcKutSang20190208151300.0m     o  d        cr un    mpcma110930s2003    gw a    obdk  000 0cger d  z3598115989q(acid-free paper)  z9783598115981q(acid-free paper)  a(OCoLC)755192706z(OCoLC)794491451  a(NNC)13212089  aOCLCEbengepncOCLCEdOCLCQdOCLCFdE7BdOCLCQdNNCdNyNyRILM 4aML105b.K83 200304a728/ /.0092/2aB2221 aKutsch, K. J.10aGrosses S�angerlexikon /cK.J. Kutsch, Leo Riemens ; unter Mitwirkung von Hansj�org Rost.  a4., erw. und aktualisierte Aufl. 1aM�unchen :bK.G. Saur,c2003.  a1 online resource (7 volumes (xv, 5371 pages)) :billustrations  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references (pages 5355-5371) and discographies.0 av. 1. Aarden-Castles -- v. 2. Castori-Frampoli -- v. 3. Franc-Kaidanoff -- v. 4. Kainz-Menkes -- v. 5. Menni-Rappold -- v. 6. Rasa-Sutton -- v. 7. Suvanny-Zysset ; Anhang.  aAccess limited to subscribers.  aThe Grosses S�angerlexikon (usually briefly cited as Kutsch/Riemens, after its founding editors) is considered the world's most comprehensive dictionary of singers-the famous, the less well-known, and the almost forgotten-from all over the world, active in opera, operetta, oratorio, religious and art song, and other mostly Western classical forms of vocal music. Karl Josef Kutsch (b.1924), a collector of records and singer biographies, and the Dutch musicologist Leo Riemens (1910-85) started this endeavor in the 1950s. After Riemens's death, the high school teacher Hansj�org Rost (b.1942) played a major role, becoming an official coeditor in 1994. The fourth edition is updated and vastly expanded, especially when compared with the 429-page first edition (1962). It spans seven volumes that contain nearly 20,000 biographies of singers from the 16th century to the present. The detail is unique: Each biographical article contains stage name, common name, register of voice, and biographical dates. This information is followed by details on the artist's background and musical career organized by places of work, major works, a short list of biographically significant engagements and appearances, a voice characterization and, in the case of major artists, bibliographical details and references to recordings. The Grosses S�angerlexikon is remarkable not only for the vast scope of its material but also for the extensive period of time and variety of genres that have dominated the art of singing since the late 16th century-opera, oratorio, aria, cantata, lied, religious vocal music-whilst remaining as up-to-date as possible. It is the standard reference work for any lover of singing.0 aPrint version record. 0aSingersvBiographyvDictionaries. 6aChanteursxBiographiesxDictionnaires allemands. 7aSingers.2fast0(OCoLC)fst0111930107aS�anger.2swd 7aBiographyvDictionaries.2fast0(OCoLC)fst014238241 aRiemens, Leo.1 aRost, Hansj�org,d1942-08iPrint version:aKutsch, K.J.tGrosses S�angerlexikon.b4., erw. und aktualisierte Aufl.dM�unchen : K.G. Saur, 2003w(DLC)  2005560832w(OCoLC)53376542403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=gsl&scope=site04284nam a2200421Ia 4500001001600000005001700016006001900033007001500052008004100067035002200108035001800130040002800148245006900176264003600245300007400281336002600355337002600381338003600407500007100443504004100514505101200555506003501567520157701602588004703179650002503226650002903251650003603280655004803316655004403364655002503408655002603433655002203459700004303481700005003524710006603574776013103640856009103771RMEMarcLavignac20190208142900.0m     o  d        cr bn    mpcma101108m19201931fr ag    bd   000 0 fre d  a(OCoLC)1051237219  a(NNC)13217745  aZCUbengcZCUdNyNyRILM00aEncyclop�edie de la musique et dictionnaire du Conservatoire ... 1aParis,bC. Delagrave,c1920-31.  a1 online resource (11 volumes)billustrations, music, diagramsc30 cm  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aEdited by A. Lavignac and, after his death, by L. de La Laurencie.  aIncludes bibliographical references.0 a1. ptie. Histoire de la musique: [v. 1] Antiquit�e--moyen �age. 1921. [v. 2] Italie--Allemagne. 1921. [v. 3] France--Belgique--Angleterre. 1921. [v. 4] Espagne--Portugal. 1920. [v. 5] Russie--Pologne--Finlande--Scandinavie-- Suisse--Autriche-Hongrie--Boh�eme--Tziganes--Roumanie--Arabes--Turquie--Perse--Thibet--Birmanie--Indo-Chine--Indes N�eerlandaises--�Ethiopie--Afrique M�eridionale--Madagascar--Canaries--�Etats-Unis--Indiens--Mexique--P�erou--�Equateur--Bolivie. 1922.--2. ptie. Technique, esth�etique, p�edagogie: [v. 1] Tendances de la musique, technique g�en�erale. [c1925] [v. 2] Physiologie vocale et auditive, technique vocale et instrumentale (voix--instruments �a r�eservoir d'air) 1926. [v. 3] Technique instrumentale: Instruments �a vent. Instruments �a percussion. Instruments �a cordes. Instruments automatiques. 1927. [v. 4] Orchestration. Musique liturgique des diff�erents cultes. 1929. [v. 5] Esth�etique. [Chor�egraphie] 1930. [v. 6] P�edagogie. �Ecoles. Concerts. The�e�atres. 1931.  aAccess limited to subscribers.  aThe French musicologist Albert Lavignac (1846-1916) conceived the Encyclop�edie de la musique et dictionnaire du Conservatoire as a monumental encyclopedic undertaking with monograph-length studies by reputable French scholars. After Lavignac's death, Lionel de La Laurencie (1861-1931) continued the project, but with his passing in 1933 the Encyclop�edie was abandoned. The work as its stands consists of two parts. The first (comprising five volumes, first published between 1913 and 1922) concerns the history of music, with specific sections on periods (antiquity to Middle Ages) and on selected countries in Africa, Asia, Europe, and the Americas. The number of entries allocated to non-European music is especially noteworthy. Joanny Grosset's major article on India may be counted the beginning of modern interest in Indian music in the French-speaking world. Similarly notable is Maurice Courant's Essai sur la musique classique des Chinois. The second part (comprising six volumes, published between 1925 and 1931) focuses on aesthetics and theory, instruments and performance, religious music and venues. La Laurencie's expertise in French music from Lully to Gluck led to well-balanced contributions in that subject area. The Encyclop�edie is a work of universal musicology written from the French perspective after the fin-de-sie�cle. It has enjoyed considerable reputation among historical musicologists and ethnomusicologist alike [see Robert Lachmann's review in Music & letters 4, no. 3 (1923): 290-291] and is indispensable for historiographic research.   aDescription based on print record version. 0aMusicvDictionaries. 0aMusicvBio-bibliography. 7aMusic2fast0(OCoLC)fst01030269 7aBio-bibliography.2fast0(OCoLC)fst01423685 7aDictionaries.2fast0(OCoLC)fst01423826 7aDictionaries.2lcgft 7aEncyclopedias.2lcgft 4aElectronic books.1 aLavignac, Albert,d1846-1916,eeditor.1 aLa Laurencie, Lionel de,d1861-1933,eeditor.2 aConservatoire national de musique et de d�eclamation (France)08iPrint version:tEncyclop�edie de la musique et dictionnaire du Conservatoire ...dParis, C. Delagrave 1920-31w(OCoLC)10281674403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=lav&scope=site02831nam a2200385Ia 4500001001900000005001700019006001900036007001500055008004100070035002200111035001800133040006000151050002100211100003600232245007800268264003300346300004300379336002600422337002600448338003600474505007800510588002600588506003500614520130800649650002501957650002901982650003602011650001702047655002202064655004802086655004402134700004102178776013502219856009102354RMEMarcLichtenthal20190208143100.0m     o  d        cr bn    mpcma160724s1836    it g    od    001 0 ita d  a(OCoLC)1041800989  a(NNC)13278169  aOCLCEbengepncOCLCEdUBYdOCLCFdOCLCQdNNCdNyNyRILM 4aML100b.L69 19361 aLichtenthal, Peter,d1780-1853.10aDizionario e bibliografia della musica /cdel dottore Pietro Lichtenthal. 1aMilano :bA. Fontana,c1836.  a1 online resource (4 volumes) :bmusic  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 av. 1-2. Dizionario di musica.--v. 3-4. Letteratura generale della musica.0 aPrint version record.  aAccess limited to subscribers.  aBorn in Pressburg (today Bratislava), Peter Lichtenthal (1780-1853) studied medicine at the University of Vienna and in 1810 moved to Milan, where he acted as a censor of the Kingdom of Lombardy-Venetia. A composer and music theorist by passion (and an early writer on music therapy), he published his seminal first edition of the Dizionario in 1826 (with a reprint in 1836). According to F�etis, who met Lichtenthal in 1841, the Dizionario was the result of 12 years of hard work. Its four volumes are divided into two parts, the first being a music dictionary, the second a general bibliography based on Johann Nikolaus Forkel's Allgemeine Litteratur der Musik, translated with additions. Lichtenthal's mission was to create an all-inclusive music encyclopedia, considering the theoretical and practical, the ancient and modern, the anthropological and historical, the aesthetic and philosophical, and not excluding the sciences, particularly physics and mathematics. Although full of factual errors, and being largely a translation of the dictionaries of Gerber (1790-92), Koch (1802), and Castil-Blaze (1821), and the bibliography of Forkel (1792), it is nevertheless a landmark in the development from dilettantism to modern, systematic bibliographic method and contains valuable genre definitions. 0aMusicvDictionaries. 0aMusicvBio-bibliography. 7aMusic2fast0(OCoLC)fst0103026917aMuziek.2gtt 4aElectronic books. 7aBio-bibliography.2fast0(OCoLC)fst01423685 7aDictionaries.2fast0(OCoLC)fst014238261 aForkel, Johann Nikolaus,d1749-1818.08iPrint version:aLichtenthal, Peter, 1780-1853.tDizionario e bibliografia della musica.dMilano : A. Fontana, 1836w(OCoLC)5130880403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dbm&scope=site03507nam a2200433Ia 4500001001900000005001700019006001900036007001500055008004100070020001500111020001800126035002200144035001800166040006900184050002200253082001300275100002400288245012700312250004200439264005100481300004800532336002600580337002600606338003600632506003500668520178500703588002602488650002502514650002602539650004102565650003702606650005202643650002102695650001502716648003102731655004402762776017602806856009102982RMEMarcLoewenOpera20190208121500.0m     o  d        cr bn    mpcma101113s1978    nju     od    000 0 eng d  z0874718511  z9780874718515  a(OCoLC)1042096427  a(NNC)13277905  aOCLCEbengepncOCLCEdOCLCQdOCLCFdOCLCOdOCLCQdNNCdNyNyRILM 4aML102.O6bL6 197804a782.1/091 aLoewenberg, Alfred.10aAnnals of opera, 1597-1940 /ccompiled from the original sources by Alfred Loewenberg ; with an introd. by Edward J. Dent.  aThird edition, revised and corrected. 1aTotowa, N.J. :bRowman and Littlefield,c1978.  a1 online resource (xxv pages, 1756 columns)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAccess limited to subscribers.  aWith Annals of Opera (1st ed., 1943; 2nd ed., 1955) the German-born British musicologist Alfred Lœwenberg (1902-49) created a monumental work that contains information on 4,000 operatic works. It details premieres and international performances of operas from Monteverdi's day to 1940. In the print edition, individual entries are organized by country, subdivided by composer and opera, and specify title, details of the premiere, librettist and source of libretto, cast list, conductor, director, and other key aspects related to production and performance history. The author himself was aware of the daunting task, introducing it as "a skeleton history of opera, in dates and fact" (Preface). But it is more than that, as it provides all basic facts on opera. The third edition is in essence a reprint of the previous ones, with revisions and updates by Harold Rosenthal (Loewenberg died before the completion of the second edition). Edward J. Dent, who wrote the preface to the third edition, states that "Some alterations and fairly numerous corrections have been made, and many new dates and other facts added from the author's notes. Further corrections from other sources have been accepted and incorporated, but essentially the Annals remain Loewenberg's work, presented here as far as possible in his own revision. No attempt has been made to carry the records beyond 1940". Operas that have been recently revived or performed in newer versions are marked with an asterisk. Although the volume contains only a fraction of the operas performed between 1597 and 1940, it is still the most comprehensive listing for this time period: an exhaustive work, indispensable as reference book. Similar in format, but including some 60,000 titles, is Franz Stieger's Opernlexikon.0 aPrint version record. 0aOperavDictionaries. 0aOperasxPerformances. 6aOp{acute}eraxDictionnaires anglais. 7aOpera.2fast0(OCoLC)fst01046145 7aOperasxPerformances.2fast0(OCoLC)fst0104622307aGeschichte.2swd07aOper.2swd 7aGeschichte 1597-1940.2swd 7aDictionaries.2fast0(OCoLC)fst0142382608iPrint version:aLoewenberg, Alfred.tAnnals of opera, 1597-1940.b3d ed. rev. and corrected.dTotowa, N.J. : Rowman and Littlefield, 1978w(DLC)   79105243w(OCoLC)5222103403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=aoo&scope=site02375nam a2200385Ia 4500001002000000005001700020006001900037007001500056008004100071035002200112035001800134040003300152043001200185050002300197245012100220250002000341264004400361300004000405336002600445337002600471338003600497504004100533506003500574520092000609588005501529650003401584650003701618650003701655651003801692655004801730655004501778655002601823700004901849856009101898RMEMarcMarconBrasil20190208123100,0m     o  d        cr bn    mpcma101117s2010    bl      obe   000 0dpor d  a(OCoLC)1052783365  a(NNC)13305949  aZCUbengcZCUdZCUdNyNyRILM  as-bl--- 4aML101.B7bE53 201000aEnciclop�edia da m�usica brasileira :berudita, folcl�orica, popular /c[general editor, Marcos Ant�onio Marcondes].  aFourth edition. 1aS�ao Paulo :bArt Editora Ltda.,c2010.  a1 online resource (xix, 1049 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references.  aAccess limited to subscribers.  aThis revised and expanded edition of Marcondes's ultimate reference work on music in Brazil covers all musical manifestations from ca. 1500 until the present day. It contains biographies of composers, musicians, and performers of classical music, from Villa-Lobos and Bidu Sai�ao to contemporary artists such as Almeida Prado and Nelson Freire; definitions of national rhythms and dances; and entries on performing organizations, each with additional references to facilitate further research. The Enciclop�edia da m�usica brasileira also features great interpreters and composers of Brazilian popular music, from Ari Barroso and Noel Rosa to Jo�ao Gilberto and Chico Buarque, including names of the newer generation such as Marisa Monte. With more than 35,000 entries, the Enciclop�edia da m�usica brasileira is an essential reference work for those interested in the classical, popular, and folk musics of Brazil.  aDescription based on citation for online resource. 0aMusiczBrazilvEncyclopedias. 0aMusiczBrazilvBio-bibliography. 7aMusic.2fast0(OCoLC)fst01030269 7aBrazil.2fast0(OCoLC)fst01206830 7aBio-bibliography.2fast0(OCoLC)fst01423685 7aEncyclopedias.2fast0(OCoLC)fst01423798 7aEncyclopedias.2lcgft1 aMarcondes, Marcos Ant�onio,egeneral editor.403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=emb&scope=site03511nam a2200325Ii 4500001002200000003000900022005001700031006001900048007001500067008004100082040003700123041000800160050001900168082001300187100002000200245005500220250001900275264004300294300005400337336002600391337002600417338003600443504006300479506003500542520231400577588002702891650003802918776013802956856009103094RMEMarcMarcuseMusicalNyNyRILM20190208112800.0m     o  d        cr bn    mpcma190119s1964    nyua    od    00  0 eng d  aNyNyRILMbengerdaepncNyNyRILM0 aeng00aML102.I5 bM3700a781.91031 aMarcuse, Sibyl.00aMusical instruments; ba comprehensive dictionary.  aFirst edition. 1aGarden City, N.Y., bDoubleday, c1964  a1 online resource (xiv, 608 pages) :b 24 plates.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  a"Sources referred to by number in the text": p. [603]-608.1 aAccess limited to subscribers.3 a Sibyl Marcuse's dictionary incorporates most of Sachs's material published in the Real-Lexikon, revises and expands it where necessary, and adds a vast number of new entries with copious cross-references leading the reader to additional information. Indeed, Marcuse offers thousands of entries on instruments from prehistoric times to the electronic instruments of today, and from all over the world. Entries include definitions and descriptions of instruments used in the Orient, Africa, the Americas, Polynesia, and beyond, as well as a broad treatment of instruments of the Western world. Marcuse has gone out of her way to offer information on instruments from remote places: the ha, a musical bow of the African bushman; the lumbambam, a small cylindrical drum, and the ndingi, a wooden cowbell, both of the Congo; the wurumbumba, a musical bow of the Congo and Angola; the abeng, a cane pipe of the Gabon Republic played through one nostril; the yurupuri, a wooden trumpet played in pairs by youths of the Amazon valley, and the xaque-xaque, one of a number of different Brazilian rattles; the bum-bum, a musical bow of Honduras; the ehecacozcatl, a shell trumpet of the pre-Columbian Toltec culture; the yan-ljin, the Tibetan cousin to a dulcimer; the wani-guchi, a ritual gong hung at the entrance to Japanese shrines and struck by worshippers; the zuffolo, a whistle flute of Lombardy; the zurrumbera, a bull-roarer of northern Spain; the German wurstfagott, a "sausage bassoon"; the abilosen adar, a Basque horn sounded at night to frighten away wild animals; and the eunuch flute found in Europe and resembling the kazoo (which is also called the bazoo). Marcuse's comprehensive approach includes eclectic noisemakers, from signaling devices and bull-roarers to walkingstick violins, raft zithers, humming tops, and pibgorns. All entries are cross-referenced, etymologies are offered, and the foreign-language equivalents of the English terms are entered alphabetically in their own right. The plates of the 1964 edition show various instruments, well reproduced. In its comprehensiveness, the dictionary is indispensable for musicians, musicologists, ethnomusicologists, and curators. Anthropologists, archaeologists, sociologists, and other researchers will find much useful information as well.  aPrint version record.  0aMusical instrumentsvDictionaries1 iPrint version:a Marcuse, Sibyl.t Musical instruments: a comprehensive dictionary. b[1st ed.] dGarden City, N.Y. : Doubleday, 1964403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=mcd&scope=site02935nam a2200337Ii 4500001002100000003000900021005001700030006001900047007001500066008004100081040003700122041000800159050002100167082001500188100002000203245003700223250001900260264003800279300005800317336002600375337002600401338003600427504003000463506003500493520178000528588002602308650002402334650003402358776011402392856009102506RMEMarcMarcuseSurveyNyNyRILM20190208112000.0m     o  d        cr bn    mpcma190119s1975    nyua    oe    00  0 eng d  aNyNyRILMbengerdaepncNyNyRILM0 aeng00aML460.M365 bS9400a781.9/1/091 aMarcuse, Sibyl.02aA survey of musical instruments.  aFirst edition. 1aNew York, bHarper & Row c[1975]  a1 online resource (xii, 863 pages) :b illustrations.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aBibliography: p. 833-842.1 aAccess limited to subscribers.3 aBuilding on Curt Sachs's Real-Lexikon, but using a systematic rather than alphabetical order, Sibyl Marcuse's compendium focuses on musical instruments of the Western world and considers to some extent their non-Western counterparts. Structured on the organological classification devised by Erich von Hornbostel and Sachs, it is divided into four parts: Idiophones such as the triangle, xylophone, bells, scrapers, rattles, and the Jew's harp; membranophones, covering a wide range of drums and drum-like instruments; chordophones of a broad variety from ground zithers to player pianos, harps to double basses; and aerophones such as flutes and reed pipes, and the organ. Marcuse omits the fifth section in the Hornbostel-Sachs system-electrophones. For each instrument, Marcuse provides its history and morphology with emphasis on the instrument's evolution as a mechanical device for producing sound and playing techniques. The vast amount of knowledge conveyed is rooted in the study of primary sources: musical treatises, literature, iconographical evidence, and archival documents. Marcuse includes countless facts that are also of interest to those not engaged in the study of instruments: for example, the Ferrarese chancellor Bernardo Prospero wrote about Spanish musicians in Italy who, in 1493, played viols about as large as a man; a manuscript notation made about 1536 by the unidentified owner of a 1515 cookbook reveals how Alfonso della Viola preferred to tune his viol-both fascinating facts with possible implications about a number of aspects of performing practice in the 15th and 16th centuries. (Neither of these names is listed in the index of the printed book, but they can be conveniently found through a keyword search in RILM Music Encyclopedias).  aPrint version record. 0aMusical instruments 0aMusical instruments xHistory08iPrint version: aMarcus, Sibyl.tA survey of musical instruments. b[1st ed.]dNew York: Harper & Row, [1975]403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=smi&scope=site03182nam a2200529Ia 4500001001800000005001700018006001900035007001500054008004100069020001800110020002600128020001800154035002200172035001800194040002800212043001200240050002300252245006600275264003400341300005800375336002600433337002600459338003600485500003700521504007000558506003500628520100700663588004701670650003301717650003601750650004901786650007101835650006001906650006401966650004402030651004502074650005802119650006102177651005102238655004802289655004502337655002602382655002202408700004002430776009102470856009102561RMEMarcMcNeilGosp20190208140900.0m     o  d        cr bn    mpcma180404s2010    nyua     bk   001 0 eng d  z9780415941792  z9780415875691q(pbk.)  z9780203954072  a(OCoLC)1051223327  a(NNC)13211741  aZCUbengcZCUdNyNyRILM  an-us--- 4aML102.G6bE63 201000aEncyclopedia of American gospel music /cW.K. McNeil, editor. 1aNew York :bRoutledge,c2010.  a1 online resource (xviii, 489 pages) :billustrations  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aPrevious edition published 2005.  aIncludes discographical and bibliographical references and index.  aAccess limited to subscribers.  aWith more than 60 contributors from universities and libraries as well as from gospel and folk-music organizations, the Encyclopedia of American gospel music provides historic and biographical information for hundreds of artists who have shaped gospel music for more than 100 years. Edited by W.K. McNeil, formerly Director of the Ozark Folk Center in Arkansas, the encyclopedia covers American gospel music in its entirety from the historical foundations in post-Colonial America to today: black and white gospel music (it is one of few comprehensive, scholarly reference works to combine the two), contemporary Christian artists, record labels, religious organizations, major song collections like The sacred harp, and musical styles. Brief bibliographies (including historical and current print titles), Internet sites, and selective discographies accompany most entries. This title is the definitive work on the subject and fills a gap in a field that has had only sporadic reference documentation.  aDescription based on print record version. 0aGospel musicvEncyclopedias. 0aGospel musicvBio-bibliography. 0aContemporary Christian musicvEncyclopedias. 0aContemporary Christian musicianszUnited StatesvBio-bibliography. 7aContemporary Christian music.2fast0(OCoLC)fst00876620 7aContemporary Christian musicians.2fast0(OCoLC)fst00876627 7aGospel music.2fast0(OCoLC)fst00945026 7aUnited States.2fast0(OCoLC)fst01204155 70(DE-601)1056509780(DE-588)4137312-1aGospelsong2gnd 70(DE-601)2311068230(DE-588)4462779-8aGospels�anger2gnd 70(DE-601)1060766120(DE-588)4078704-7aUSA2gnd 7aBio-bibliography.2fast0(OCoLC)fst01423685 7aEncyclopedias.2fast0(OCoLC)fst01423798 7aEncyclopedias.2lcgft 4aElectronic books.1 aMcNeil, W. K.,d1940-2005,eeditor.08iPrint version:tEncyclopedia of American gospel musicz9780415941792w(OCoLC)612400696403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=eag&scope=site03461nam a2200529Ia 4500001001900000005001700019006001900036007001500055008004100070020003500111020003200146020003000178035002100208035001800229040007600247050002100323082002300344100002100367245016700388264003400555300005300589336002600642337002600668338003600694500006500730504005100795506003500846505016900881520120801050650003702258650004002295650003202335650003502367650002602402650003502428650004102463650004902504650004802553650004502601655002202646655004802668655004102716655004502757700002002802700001802822856009102840RMEMarcMusikerCond20190208131300.0m     o  d        cr bn    mpcma140328r20131998nyuc    obk   001 0ceng d  a9781315061634q(e-book ;qPDF)  a1315061635q(e-book ;qPDF)  z9781579580131q(hardback)  a(OCoLC)897454850  a(NNC)13277945  aTYFRSbengepncTYFRSdOCLCQdOCLCOdOCLCFdOCLCOdOCLCQdNNCdNyNyRILM 4aML105b.M87 201314a784.21640922bM9871 aMusiker, Reuben.10aConductors and composers of popular orchestral music :ba biographical and discographical sourcebook /cReuben Musiker and Naomi Musiker ; foreword by David Ades. 1aNew York :bRoutledge,c2013.  a1 online resource (xxiv, 335 pages) :bportraits  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aOriginally published in 1998 by Fitzroy Dearborn Publishers.  aIncludes bibliographical references and index.  aAccess limited to subscribers.0 aBiographies and discographies of conductors and composers -- Select discography of conductors not included in the main biographical sequence -- Select bibliography.  aReuben Musiker, formerly a Professor of Librarianship and University Librarian at the University of the Witwatersrand, and his wife, Naomi Musiker, who is also a trained librarian, provide biographical information and a discography for around 500 individuals who have written popular and mood music for film, show, and the theater. First published in 1998, this sourcebook delves deeply into the recent history of popular orchestral music, covering the latter half of the 20th century. The main focus is on the peak period for such music, the 1940s through the 1960s. The key players are from the U.S. and Great Britain, or became popular there. They include classically trained conductors (Morton Gould, Andre Kostelanetz), swing-era conductors and arrangers, composers for film and theater (Alfred Newman, John Williams), mood or background music composers, and relevant institutions (101 Strings, Reader's Digest). Those who composed for military and brass bands, dance bands, or jazz ensembles are, for the most part, excluded. While some of the more well-known names here can be found in other sources, this title is a useful addition to larger music collections due to its unique and narrow focus. 0aPopular musicvBio-bibliography. 0aOrchestral musicvBio-bibliography. 0aPopular musicvDiscography. 0aOrchestral musicvDiscography. 0aComposersvBiography. 0aConductors (Music)vBiography. 7aComposers.2fast0(OCoLC)fst00871620 7aConductors (Music)2fast0(OCoLC)fst00874600 7aOrchestral music.2fast0(OCoLC)fst01047289 7aPopular music.2fast0(OCoLC)fst01071422 4aElectronic books. 7aBio-bibliography.2fast0(OCoLC)fst01423685 7aBiography.2fast0(OCoLC)fst01423686 7aDiscographies.2fast0(OCoLC)fst014238831 aMusiker, Naomi.1 aAd�es, David.403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=ccp&scope=site03396nam a2200337Ii 4500001001700000003000900017005001700026006001900043007001500062008004100077040003700118041000800155050001700163082001300180100003400193245041600227250008300643264003400726300008900760336002600849337002600875338003600901500008600937506003501023520131601058588002602374650003402400700003402434776049902468856009102967RMEMarcPanStringNyNyRILM20190208111300.0m     o  d        cr bn    mpcma190119r19341915enkag   oe    00  0 eng d  aNyNyRILMbengerdaepncNyNyRILM1 aeng00aML760 b.P1600a787.09021 aPanum, Hortense, d1856-1933.04aThe stringed instruments of the Middle Ages, btheir evolution and development, ca detailed and comprehensive history, with illustrations, of the evolution of the mediaeval stringed musical instruments from their first appearance in the records of the earliest civilisations, through their gradual development in the Greek, Roman and Christian eras down to more recent times. From the Danish of Hortense Panum.  aEnglish ed., brev. and edited by Jeffrey Pulver. With over 400 illustrations. 1aLondon, bW. Reeves c[1939?]  a1 online resource (ix, 511 pages) :b frontispiece, illustrations (including music).  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aTranslation of Middelalderens strengeinstrumenter og deres forløbere i oldtiden.1 aAccess limited to subscribers.3 aThe Danish musicologist Hortense Panum (1856-1933) published Middelalderens strengeinstrumenter og deres forløbere i oldtiden in three volumes over a period of 16 years (1915, 1928, 1931). The long publication process allowed Panum to consider newly published literature on the subject, which gave her an opportunity to enter into dialogue with colleagues who held different opinions, among them Curt Sachs and Francis Galpin. Indeed, Panum refused to accept the widely held assumption that instruments had arisen independently in two distinct times and places, and in a Darwinian approach she decided to find the missing links between the two seemingly unrelated parts of string instruments' history. As few instruments or fragments of instruments had been preserved, her research relied on iconographic and literary sources. Panum's opus contains an impressive number of over 400 images that depict stringed instruments of antiquity and the Middle Ages, many of them less familiar to the music researcher. The section on specific Nordic instruments is a particularly pioneering work. Jeffrey Pulver (1884-1984), author of the valuable Biographical dictionary of Old English music (1927), recognizing Middelalderens strengeinstrumenter as a standard reference work, created the one-volume English translation.  aPrint version record. 0aStringed instrumentsxHistory1 aPulver, Jeffrey, d1884-1984.1 iPrint version: aPanum, Hortense, 1856-1933.tThe stringed instruments of the Middle Ages, their evolution and development, a detailed and comprehensive history, with illustrations, of the evolution of the mediaeval stringed musical instruments from their first appearance in the records of the earliest civilisations, through their gradual development in the Greek, Roman and Christian eras down to more recent times. From the Danish of Hortense Panum.bEnglish ed.dLondon: W. Reeves, [1939?]403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=psi&scope=site02832nam a2200565Ia 4500001001900000005001700019006001900036007001500055008004100070020003600111020003900147020003700186020004000223020003700263020004000300020003700340020004000377035002200417035001800439040006900457043001200526050002200538082002900560100002600589245013600615250002000751264003400771300005100805336002600856337002600882338003600908504005600944505008501000506003501085520049501120588002601615650003901641650006701680650006701747650003901814651004501853650002701898650001801925650001801943651001401961655004101975700002202016776013702038856009102175RMEMarcParishHolly20190208141800.0m     o  d        cr bn    mpcma101215s2003    nyua    okq   001 0ceng d  z0415937752q(set ;qalk. paper)  z9780415937757q(set ;qalk. paper)  z0415943329q(v. 1 ;qalk. paper)  z9780415943321q(v. 1 ;qalk. paper)  z0415943337q(v. 2 ;qalk. paper)  z9780415943338q(v. 2 ;qalk. paper)  z0415943345q(v. 3 ;qalk. paper)  z9780415943345q(v. 3 ;qalk. paper)  a(OCoLC)1042099257  a(NNC)13280908  aOCLCEbengepncOCLCEdOCLCQdOCLCFdOCLCOdOCLCQdNNCdNyNyRILM  an-us--- 4aML400b.P295 200304a782.42164/092/273aB2211 aParish, James Robert.10aHollywood songsters :bsingers who act and actors who sing : a biographical dictionary /cJames Robert Parish and Michael R. Pitts.  aSecond edition. 1aNew York :bRoutledge,c2003.  a1 online resource (3 volumes) :billustrations  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes filmographies, discographies, and indexes.0 av. 1. Allyson to Funicello -- v. 2. Garland to O'Connor -- v. 3. Parton to West.  aAccess limited to subscribers.  aThis dictionary on the careers of singers who appeared in Hollywood motion pictures provides specialized information while also creating a broader overview of the subject area. The authors, who have worked in the entertainment field, have given 104 singers individual attention (among them familiar names such as Frank Sinatra, Sophie Tucker, and Mae West) with information on their recording activities and appearances in film. The volumes cover the first nine decades of the 20th century.0 aPrint version record. 0aSingerszUnited StatesvBiography. 0aMotion picture actors and actresseszUnited StatesvBiography. 7aMotion picture actors and actresses.2fast0(OCoLC)fst01027096 7aSingers.2fast0(OCoLC)fst01119301 7aUnited States.2fast0(OCoLC)fst0120415507aFilmschauspieler.2swd07aMusical.2swd07aS�anger.2swd 7aUSA.2swd 7aBiography.2fast0(OCoLC)fst014236861 aPitts, Michael R.08iPrint version:aParish, James Robert.tHollywood songsters.b2nd ed.dNew York : Routledge, 2003w(DLC)  2003267579w(OCoLC)50748059403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=hws&scope=site03803nam a2200757Ia 4500001001800000005001700018006001900035007001500054008004100069020003300110020003600143020002200179020002500201020003600226020003900262020003600301020003900337020002200376020002500398020002200423020002500445035002200470035001800492037006400510040009700574043001200671050002500683082002300708100002500731245010200756264005300858300003900911336002600950337002600976338003601002504005301038505016601091506003501257520083701292588002602129610003002155650004102185610003102226650005002257650004302307610004702350650003702397651004502434650002602479650001802505650002202523650001702545610002402562650001502586651001602601648002002617648003002637653001202667653001202679653001902691655002202710655004502732655003902777776013802816856009102954RMEMarcPitouParis20190208145500.0m     o  d        cr bn    mpcma110930m19831990ctu     obe   001 0 eng d  a0313042578q(electronic bk.)  a9780313042577q(electronic bk.)  z0313262187q(set)  z9780313262180q(set)  z0313214204q(lib. bdg. ;qv. 1)  z9780313214202q(lib. bdg. ;qv. 1)  z0313243948q(lib. bdg. ;qv. 2)  z9780313243943q(lib. bdg. ;qv. 2)  z0313277834q(M-Z)  z9780313277832q(M-Z)  z0313277826q(A-L)  z9780313277825q(A-L)  a(OCoLC)1041764571  a(NNC)13280984  bGreenwood eBooksnhttp://www.ebooks.greenwood.com/about.asp  aOCLCEbengepncOCLCEdLUCPPdOCLCQdOCLCOdOCLCFdOCLCQdOCLCOdOCLCQdOCLCAdNNCdNyNyRILM  ae-fr--- 4aML1727.8.P2bP5 198304a782.1/0944/3612191 aPitou, Spire,d1912-14aThe Paris Op�era :ban encyclopedia of operas, ballets, composers, and performers /cSpire Pitou. 1aWestport, Conn. :bGreenwood Press,c�1983-1990.  a1 online resource (3 volumes in 4)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references and indexes.0 a[1] Genesis and glory, 1671-1715 -- [2] Rococo and Romantic, 1715-1815 -- [3/1] Growth and Grandeur, 1815-1914, A-L -- [3/2] Growth and grandeur, 1815-1914, M-Z.  aAccess limited to subscribers.  aSpire Pitou, who served as Professor of French Language and Literature at the University of Delaware, produced in this book an exhaustively detailed encyclopedia of every opera and ballet produced at the Paris Op�era, or the later Op�era-Comique, from 1671 to the 1980s. It is of special value to those who requiring in-depth information on opera in France. Entries for operas and ballets include composer, librettist, choreographer, costumer, set designer, important performers, and a scene-by-scene/act-by-act analysis. Separate entries are also devoted to performers, composers, choreographers, librettists, genres, and scenographers. Each of the three volumes begins with a concise historical overview for its assigned time period, which is informative and helpful for anyone requiring orientation on French operatic tradition. 0 aPrint version record.20aOp�era de ParisxHistory. 0aOperazFrancezParisvEncyclopedias.26aOp�era de ParisxHistoire. 6aOp�erazFrancezParisvDictionnaires anglais. 6aOp�erazFrancezParisvEncyclop�edies.27aOp�era de Paris.2fast0(OCoLC)fst00550202 7aOpera.2fast0(OCoLC)fst01046145 7aFrancezParis.2fast0(OCoLC)fst0120528317aOp�era de Paris.2gtt17aOpera's.2gtt17aComponisten.2gtt17aBallet.2gtt17aParisxOp�era.2swd07aOper.2swd 7aParis.2swd 7aGeschichte2swd 7aGeschichte 1671-18152swd  aOperas.  aBallet.  aParis (France) 4aElectronic books. 7aEncyclopedias.2fast0(OCoLC)fst01423798 7aHistory.2fast0(OCoLC)fst0141162808iPrint version:aPitou, Spire, 1912-tParis Op�era.dWestport, Conn. : Greenwood Press, �1983-<1990>w(DLC)   82021140w(OCoLC)9081672403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=par&scope=site03441nam a2200337Ii 4500001001600000003000900016005001700025006001900042007001500061008004100076040003700117041000800154050001800162100001900180245026400199264005700463300005200520336002600572337002600598338003600624504003600660504008500696506003500781520176200816588002602578650001102604650002802615650002402643776034502667856009103012RMEMarcPratDiccNyNyRILM20190208113300.0m     o  d        cr bn    mpcma190119s1934    ag a    od    00  0dspa d  aNyNyRILMbengerdaepncNyNyRILM0 aspa00aML128.G8 bP71 aPrat, Domingo.00aDiccionario biogr{acute}afico--bibliogr{acute}afico--hist{acute}orico --cr{acute}itico de guitarras :b (instrumentos afines), guitarristas (profesores--compositores--concertistas--lahudistas--amateurs), guitarreros (luthiers)--Danzas y cantos-terminología. 1aBuenos Aires :b Romero y Fern{acute}andez, c[1934]  a1 online resource (468 pages) :billustrations.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  a"Bibliografía": p. [465]-468.  a"Obras para guitarra, originales y transcripciones, por Domingo Prat": p. [471].1 aAccess limited to subscribers.  aA noted teacher of the guitar, Domingo Prat (1886-1944) published the Diccionario de guitarristas in July 1934 in a limited edition of 1605 copies, all of which he personally signed. He built on a number of earlier lexicons and histories of the guitar, such as Philip J. Bone's The guitar and mandolin of 1914, and Josef Zuth's Handbuch der Gitarre und Laute, Maria Rita Brondi's Il liuto e la chitarra, and Fritz Buek's Die Gitarre und ihre Meister, all three published in 1926, as well as Ricardo Muñoz's Historia de la guitarra of 1930. Acutely aware of these publications, Prat did not deem them entirely successful in their respective missions and aimed at ameliorating the work of his predecessors by providing a systematic account of his sources. Many entries contain quotations from such valuable source materials as newspapers and treatises. The Diccionario de guitarristas covers a wealth of information on the guitar and related subjects-the recognized masters of the past and present, Prat's colleagues in Buenos Aires and abroad, obscure amateurs, celebrities, students in whom he saw a promise, mythological figures, and even fictional personalities from general literature-from the earliest times, through the Renaissance, Baroque, and the Classic era up to and including the early 20th century. It covers four main areas of interest: South American guitar music in general and Argentine guitar music in particular; the guitar in Spain; contemporary guitar; and guitar history. Numerous references pertain to individuals from the world of flamenco, or género andaluz as Prat called it. The Diccionario offers separate sections on luthiers, instruments, dance, and terminology. The exhaustive appendix exclusively focuses on guitar makers.  aPrint version record. 0aGuitar 0aMusicvBio-bibliography 0aMusicvDictionaries08iPrint version: aPrat, Domingo.tDiccionario biogr{acute}afico--bibliogr{acute}afico--hist{acute}orico --cr{acute}itico de guitarras : (instrumentos afines), guitarristas (profesores--compositores--concertistas--lahudistas--amateurs), guitarreros (luthiers)--Danzas y cantos-terminología.dBuenos Aires : Romero y Fern{acute}andez, [1934]403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=pdg&scope=site02768nam a2200409Ia 4500001001400000005001700014006001900031007001500050008004100065035002200106035001800128040006900146050002100215082001400236100003100250245003300281250002200314264003000336300005700366336002600423337002600449338003600475504004100511506003500552520122200587588002601809650002901835650002501864650003701889650004001926650002201966655004801988655004402036700004302080776014402123856009102267RMEMarcRieLex20190208150800.0m     o  d        cr bn    mpcma101115s1929    gw ag   obd   000 0 ger d  a(OCoLC)1031784180  a(NNC)13212103  aOCLCEbengepncOCLCEdOCLCQdOCLCOdOCLCFdOCLCQdNNCdNyNyRILM 4aML100b.R52 192904a780.32201 aRiemann, Hugo,d1849-1919.10aHugo Riemanns Musik lexikon.  aEleventh edition. 1aBerlin,bM. Hesse,c1929.  a1 online resource (2 volumes)billustrations (music)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references.  aAccess limited to subscribers.  aRiemanns Musik-Lexikon is one of the last comprehensive music encyclopedic endeavors undertaken by a single person: German musicologist and theorist Hugo Riemann (1849-1919). He published the first edition in 1882. Subsequent editions constantly expanded scope and, until the eighth edition of 1916, were largely edited and published by Riemann himself. His last edition, the ninth of 1919, appeared after his death. Musicologist Alfred Einstein completed it, and also enlarged and revised the subsequent editions, until his forced emigration from Nazi Germany. Because of Einstein's later work in the English-speaking world, the lexicon became known and respected in Anglo-American musicology. The eleventh edition is of note because it is the first to appear in two volumes, showing the lexicon's ever expanding scope. Yet at the same time, Einstein eliminated a great number of biographical entries from the previous edition, for names he deemed unimportant; this edition thus represents both expansion and selection in accordance with the zeitgeist of the late 1920s. It is an excellent source of information for research on musical life in Germany (and to some extent also other European countries) in the 1920s.  aPrint version record. 0aMusicvBio-bibliography. 0aMusicvDictionaries. 7aMusic.2fast0(OCoLC)fst01030269 7aMusica (dic enciclopedias)2larpcal 7aMusicos.2larpcal 7aBio-bibliography.2fast0(OCoLC)fst01423685 7aDictionaries.2fast0(OCoLC)fst014238261 aEinstein, Alfred,d1880-1952,eeditor.08iPrint version:aRiemann, Hugo, 1849-1919.tHugo Riemanns Musik lexikon.b11. Aufl.dBerlin, M. Hesse, 1929w(DLC)   29013080w(OCoLC)378525403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=rmn&scope=site02306nam a2200337Ia 4500001001600000005001700016006001900033007001500052008004100067035001800108040002300126050002200149100004000171245005000211264004400261300004300305336002600348337002600374338003600400506003500436520098800471588004601459650005401505650004501559650003601604655004301640655004401683655004601727776010401773856009101877RMEMarcRousseau20190208150900.0m     o  d        cr bn    mpcma830923s1775    fr g     d    000 0 fre d  a(NNC)13277974  aNNCcNNCdNyNyRILM 4aML108.A2bR7 17751 aRousseau, Jean-Jacques,d1712-1778.10aDictionnaire de musique /cpar J.J. Rousseau. 1aParis :bChez la veuve Duchesne,c1775.  a1 online resource (2 volumes) :bmusic  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAccess limited to subscribers.  aFirst printed around 1767/68, Rousseau's Dictionnaire de musique is one of the early music reference works. It has been considered radical and traditional at the same time; radical, because Rousseau advanced in it an idiosyncratic philosophy on opera and revealed his rejection of French music tradition; traditional in that he held on to existing categories-music as art and music as science-and to views on music theory accepted in the 18th century. As a historiographer Rousseau is far from outdated. His entry for "monologue" marks the first appearance of the term in French musical lexicography. It synthesizes principles drawn from poetics and dramaturgy with stylistic arguments developed during the Querelle des Bouffons. Rousseau also makes the first effort to overcome Eurocentrism in music lexicography. Rousseau's volume is a rich source of information on contemporary reception of Bach, Handel, Haydn, and Mozart. The RILM Music Encyclopedias features the 1775 printing.  aDescription based on print record version 0aMusicvDictionariesxFrenchvEarly works to 1800. 0aMusicvTerminologyvEarly works to 1800. 7aMusic2fast0(OCoLC)fst01030269 7aEarly works.2fast0(OCoLC)fst01411636 7aDictionaries.2fast0(OCoLC)fst01423826 7aTerminology.2fast ǂ0 (OCoLC)fst0142388008iPrint version:tDictionnaire de musique.dParis : Chez la veuve Duchesne, 1775.w(OCoLC)ocm09942102403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dmq&scope=site02521nam a2200349Ii 4500001001700000003000900017005001700026006001900043007001500062008004100077040003700118041000800155050002300163082001100186100003000197245010200227250003400329264004800363300006600411336002600477337002600503338003600529490007600565504002900641506003500670520108800705588002601793650002401819650003201843776020501875856009102080RMEMarcSachsRealNyNyRILM20190208101500.0m     o  d        cr bn    mpcma190119r19641913nyuag   oe    00  0 ger d  aNyNyRILMbengerdaepncNyNyRILM0 ager00aML102.I5 bS2 196400a785.031 aSachs, Curt, d1881-1959.00aReal-Lexikon der Musikinstrumente, bzugleich ein Polyglossar f�ur das gesamte Instrumentengebiet  aRevised and enlarged edition. 1aNew York, NY :bDover Publications c[1964]  a1 online resource (xxiii, 451 pages) :billustrations, music.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aAmerican Musicological Society-Music Library Association reprint series  aBibliography: p. xv-[xx]1 aAccess limited to subscribers.3 aIn 1913 Curt Sachs (1881-1959) saw the publication of his book Real-Lexikon der Musikinstrumente, probably the most comprehensive survey of musical instruments in 200 years, conceived by the German pioneer of instrument research. The value of Sachs's Real-Lexikon hardly needs mentioning: it covers instruments from all peoples and nations from Greek auloi to Chinese temple instruments to Peruvian silvadores; it emphasizes philological aspects of the names of instruments, rendering their names in Arabic, Cyrillic, Greek, Hebrew, and Sanskrit. Over the course of many decades, Sachs annotated his personal copy with corrections and additions. Based on this work, his wife Irene Sachs issued a second edition five years after his passing. It contains 600 emendations incorporated into the body of the book and 500 new entries dedicated to folk and non-European instruments that are grouped together alphabetically in a supplement at the end, along with the requisite supplementary bibliography. The revised and enlarged version preserves the 200 line drawings of the first edition.  aPrint version record. 0aMusical instruments 0aMusicvDictionariesxGerman08iPrint version:aSachs, Curt, 1881-1959. tReal-Lexikon der Musikinstrumente, zugleich ein Polyglossar f�ur das gesamte Instrumentengebiet. b[Rev. and enl. ed.] dNew York : Dover Publications, [1964]403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=srl&scope=site01881nam a2200325Ia 4500001001500000005001700015006001900032007001500051008004100066035002200107035001800129040006900147050001600216100003200232245004400264250002000308264003500328300006700363336002600430337002600456338003600482506003500518520063800553588002601191650002901217650003701246655004801283776013301331856009101464RMEMarcSchmidl20190208151500.0m     o  d        cr bn    mpcma101110m19371938it acg  ob    000 0 ita d  a(OCoLC)1054451197  a(NNC)13278196  aOCLCEbengepncOCLCEdOCLCQdOCLCOdOCLCFdOCLCQdNNCdNyNyRILM 4aML105b.S361 aSchmidl, Carlo,d1859-1943.10aDizionario universale dei musicisti ...  aSecond edition. 1aMilano,bSonzognoc[1937-1938]  a1 online resource (2 volumes)billustrations (portrait, music)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAccess limited to subscribers.  aThe Dizionario universale dei musicisti by the publisher and music historian Carlo Schmidl (1859-1943) is widely recognized as an important early biographical dictionary for Italian musicians. The second edition, published nearly a half-century after the first, constitutes a significant expansion, it contains two volumes rather than the original one and has a supplement. Articles on composers include lists of their works and details of first performances. The Dizionario is especially notable for its articles on Italian literary figures and their relationship to music, a feature uncommon among biographical music dictionaries. 0 aPrint version record. 0aMusicvBio-bibliography. 7aMusic.2fast0(OCoLC)fst01030269 7aBio-bibliography.2fast0(OCoLC)fst0142368508iPrint version:aSchmidl, Carlo, 1859-1943.tDizionario universale dei musicisti ...dMilano, Sonzogno [1937-38]w(OCoLC)10339224403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dum&scope=site01844nam a2200313Ia 4500001001900000005001700019006001900036007001500055008004100070035002100111035001800132040006900150050001600219100003200235245005800267264003000325300003900355336002600394337002600420338003600446588002600482506003500508520063700543650002901180650003701209655004801246776014401294856009201438RMEMarcSchmidlSupp20190208151700.0m     o  d        cr bn    mpcma111109s1938    it      od    000 0cita d  a(OCoLC)760066413  a(NNC)13278201  aOCLCEbengepncOCLCEdOCLCQdOCLCOdOCLCFdOCLCQdNNCdNyNyRILM 4aML105b.S361 aSchmidl, Carlo,d1859-1943.10a... Dizionario universale dei musicisti.pSupplement. 1aMilano,bGonzognoc[1938]  a1 online resource (806, [4] pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aPrint version record.  aAccess limited to subscribers.  aThe Dizionario universale dei musicisti by the publisher and music historian Carlo Schmidl (1859-1943) is widely recognized as an important early biographical dictionary for Italian musicians. The second edition, published nearly a half-century after the first, constitutes a significant expansion, it contains two volumes rather than the original one and has a supplement. Articles on composers include lists of their works and details of first performances. The Dizionario is especially notable for its articles on Italian literary figures and their relationship to music, a feature uncommon among biographical music dictionaries. 0aMusicvBio-bibliography. 7aMusic.2fast0(OCoLC)fst01030269 7aBio-bibliography.2fast0(OCoLC)fst0142368508iPrint version:aSchmidl, Carlo, 1859-1943.t... Dizionario universale dei musicisti. Supplement.dMilano, Gonzogno [1938]w(OCoLC)123178164403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dum2&scope=site03311nam a2200457Ia 4500001001700000005001700017006001900034007001500053008004100068020001500109020001800124035002100142035001800163040006900181043001200250045000900262050002300271082002200294100001900316245010300335264003600438300004000474336002600514337002600540338003600566490004900602504005700651506003500708520159200743588002602335650007302361650002002434650001502454651001802469650003702487651003702524648002002561776013402581830004702715856009102762RMEMarcSessaMelo20190208143500.0m     o  d        cr bn    mpcma100810s2003    it      obd   000 0dita d  z8822252136  z9788822252135  a(OCoLC)655224784  a(NNC)13280920  aOCLCEbengepncOCLCEdOCLCQdOCLCOdOCLCQdOCLCFdNNCdNyNyRILM  ae-it---  aw1w9 4aML102.O6bS43 200304a782.1/092/2452221 aSessa, Andrea.13aIl melodramma italiano, 1861-1900 :bdizionario bio-bibliografico dei compositori /cAndrea Sessa. 1aFirenze :bL.S. Olschki,c2003.  a1 online resource (vii, 533 pages).  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aHistoriae Musicae Cultores,x0073-2516 ;v97  aIncludes bibliographical references (pages 513-531).  aAccess limited to subscribers.  aIl melodramma italiano is an unequalled source of detailed information about the figures who defined the golden age of Italian opera. It was conceived with the intention of satisfying scholars and enthusiasts interested in little-known aspects of a period of transition in theater history-from the unification of Italy to the advent of fascism. In addition to familiar composers such as Verdi and Puccini, lesser-known figures, whose careers were intertwined with those of their more famous colleagues but whose memory survives (at best) at the local level, are included; among them are not only musicians-conductors, bandleaders and kapellmeister, organists, and music teachers-but lawyers, judges, doctors, and engineers who had a passion for the stage. Entries on Italian and foreign composers working in the chosen time period and active in the Mediterranean theater circuit (particularly in Nice, Malta, Corfu, Dalmatia) represent the most important body of material in these volumes. Each quoted work contains a description of literary sources and the plot. The two volumes count altogether 1323 biographical entries from Gennaro Abbate (1874-1954) to Guglielmo Zuelli (1859-1941). They are enriched with a comprehensive bibliography. The first volume ends with an appendix that lists repertoire and other relevant information published in the Gazzetta musicale and Trovatore between 1861 and 1900. In this way the two volumes constitute a complete and comprehensive guide to 60 years of Italian opera, specifically highlighting those who made larger and small contributions to it.0 aPrint version record. 0aOperazItalyy19th centuryvBio-bibliographyvDictionariesxItalian.07aKomponist.2swd07aOper.2swd 7aItalien.2swd 7aOpera.2fast0(OCoLC)fst01046145 7aItaly.2fast0(OCoLC)fst01204565 7a1800-18992fast08iPrint version:aSessa, Andrea.tMelodramma italiano, 1861-1900.dFirenze : L.S. Olschki, 2003w(DLC)  2003382438w(OCoLC)53880125 0aHistoriae Musicae Cultores (Series) ;v97.403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=ssa&scope=site03352nam a2200409Ii 4500001001800000005001700018006001900035007001500054008004100069035002200110035001800132040003300150043001200183100002800195245010300223264004700326300005100373336002600424337002600450338003600476490005200512504005800564506003500622520159200657588004702249650007302296650006802369650004102437650003702478651003702515648002002552655006202572655002502634776014302659830004802802856009202850RMEMarcSessaMelo220190208143700.0m     o  d        cr bn    mpcma180918s2014    it      obd   000 0dita d  a(OCoLC)1052784107  a(NNC)13528968  aZCUbengerdacZCUdNyNyRILM  ae-it---1 aSessa, Andrea,eauthor.13aIl melodramma italiano, 1901-1925 :bdizionario bio-bibliografico dei compositori /cAndrea Sessa. 1aFirenze :bLeo S. Olschki editore,c[2014]  a1 online resource (2 volumes (ix, 1009 pages))  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aHistoriae Musicae Cultores,x0073-2516 ;vCXXVI  aIncludes bibliographical references (pages 953-1008).  aAccess limited to subscribers.  aIl melodramma italiano is an unequalled source of detailed information about the figures who defined the golden age of Italian opera. It was conceived with the intention of satisfying scholars and enthusiasts interested in little-known aspects of a period of transition in theater history-from the unification of Italy to the advent of fascism. In addition to familiar composers such as Verdi and Puccini, lesser-known figures, whose careers were intertwined with those of their more famous colleagues but whose memory survives (at best) at the local level, are included; among them are not only musicians-conductors, bandleaders and kapellmeister, organists, and music teachers-but lawyers, judges, doctors, and engineers who had a passion for the stage. Entries on Italian and foreign composers working in the chosen time period and active in the Mediterranean theater circuit (particularly in Nice, Malta, Corfu, Dalmatia) represent the most important body of material in these volumes. Each quoted work contains a description of literary sources and the plot. The two volumes count altogether 1323 biographical entries from Gennaro Abbate (1874-1954) to Guglielmo Zuelli (1859-1941). They are enriched with a comprehensive bibliography. The first volume ends with an appendix that lists repertoire and other relevant information published in the Gazzetta musicale and Trovatore between 1861 and 1900. In this way the two volumes constitute a complete and comprehensive guide to 60 years of Italian opera, specifically highlighting those who made larger and small contributions to it.  aDescription based on print record version. 0aOperazItalyy20th centuryvBio-bibliographyvDictionariesxItalian. 0aComposerszItalyy20th centuryvBio-bibliographyvDictionaries. 7aComposers.2fast0(OCoLC)fst00871620 7aOpera.2fast0(OCoLC)fst01046145 7aItaly.2fast0(OCoLC)fst01204565 7a1900-19992fast 7aBio-bibliographyvDictionaries.2fast0(OCoLC)fst01424029 7aDictionaries.2lcgft08iPrint version:aSessa, Andrea.tMelodramma italiano, 1901-1925.dFirenze : Leo.S. Olschki editore, [2014]z9788822262721w(OCoLC)872369464 0aHistoriae Musicae Cultores (Series) ;v126.403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=ssa2&scope=site01956nam a2200373Ia 4500001001700000005001700017006001900034007001500053008004100068020001500109020001800124035002200142035001800164040006900182050002000251082001600271100002100287245006000308250002100368264004500389300004100434336002600475337002600501338003600527506003500563520053500598588002601133650004001159650006401199650006601263700002401329776013801353856009101491RMEMarcSmithBand20190208122100.0m     o  d        cr bn    mpcma101117s1979    cau     o     000 0 eng d  z0849754011  z9780849754012  a(OCoLC)1042105782  a(NNC)13277909  aOCLCEbengepncOCLCEdOCLCQdOCLCFdOCLCOdOCLCQdNNCdNyNyRILM 4aMT125b.S6 197904a785.1/2/0151 aSmith, Norman E.10aBand music notes /cNorman Smith and Albert Stoutamire.  aRevised edition. 1aSan Diego, Calif. :bKjos West, c�1979.  a1 online resource (xxxvi, 299 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAccess limited to subscribers.  aThis is the most informative book ever published on the subject of music for bands and band music composers. Smith, band director at McNeese State University in Lake Charles, Louisiana, wrote Band music notes together with his McNeese colleague Albert Stoutamire. The revised edition is the result of two years of work, which Smith began just before his retirement from McNeese. The volume is widely used as a primary source of information about composers and compositions of band music, as it provides a comprehensive foundation.0 aPrint version record. 0aBand musicxAnalysis, appreciation. 6aHarmonie (Orchestre), Musique d'xAnalyse et appr�eciation. 7aBand musicxAnalysis, appreciation.2fast0(OCoLC)fst008264361 aStoutamire, Albert.08iPrint version:aSmith, Norman E.tBand music notes.bRev. ed.dSan Diego, Calif. : Kjos West, �1979w(DLC)   79091984w(OCoLC)6057976403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=ban&scope=site02226nam a2200373Ia 4500001001800000005001700018006001900035007001500054008004100069035002200110035001800132040006900150050002100219082002100240100002100261245004200282264005200324300004000376336002600416337002600442338003600468504005700504500004000561506003500601520065400636588002601290650004801316650004301364650004501407655006201452655004401514776020301558856009101761RMEMarcSmithMarch20190208143300.0m     o  d        cr bn    mpcma101122s1986    lau     obdkr 001 0ceng d  a(OCoLC)1055618564  a(NNC)13308403  aOCLCEbengepncOCLCEdOCLCQdOCLCOdOCLCQdOCLCFdNNCdNyNyRILM 4aML105b.S64 199604a785.1/3/09222191 aSmith, Norman E.10aMarch music notes /cNorman E. Smith. 1aLake Charles, La. :bProgram Note Press,c1986.  a1 online resource (xxvi, 559 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references (pages 495-500).  aIncludes discographies and indexes.  aAccess limited to subscribers.  aMarch music notes is the most informative book ever published on the subject of march music for bands and march music composers. Since his retirement as band director at McNeese State University, Smith has devoted himself to this project, which comprises information on over 600 popular marches from three centuries and 380 biographies of composers from 30 different nations. Much of the biographical material has not been published elsewhere. An unusual feature is the lists of popularity polls of famous marches taken in several states and six foreign countries. No other encyclopedic work contains such an array of details on march music culture.0 aPrint version record. 0aBand musicvBio-bibliographyvDictionaries. 0aMarches (Band)xHistory and criticism. 7aMarches (Band)2fast0(OCoLC)fst01009045 7aCriticism, interpretation, etc.2fast0(OCoLC)fst01411635 7aDictionaries.2fast0(OCoLC)fst0142382608iPrint version:aSmith, Norman E.tMarch music notes.dLake Charles, La., U.S.A. (909 W. Claude St., Lake Charles 70605) : Program Note Press, �1986.z9780961734619w(DLC)   87404894w(OCoLC)14260030403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=mar&scope=site03414nam a2200553Ia 4500001001800000005001700018006001900035007001500054008004100069020002800110020003100138035002200169035001800191040007600209043002100285050002100306082002100327100002200348245008700370264004800457300004100505336002600546337002800572338002700600490005400627504006700681520115800748588002601906506003501932650005801967650004902025650005102074650004202125650001702167650001702184650001802201650003802219650003902257651001902296651001402315651003502329651003602364650005802400650004102458651003802499776017802537830005402715856009102769RMEMarcSouthernAf20190208115600.0m     o  d        cr bn    mpcma140926s1982    ctu     obe   001 0ceng d  z0313213399q(lib. bdg.)  z9780313213397q(lib. bdg.)  a(OCoLC)1031786089  a(NNC)13204239  aOCLCEbengepncOCLCEdOCLCQdOCLCFdOCLCOdINARCdOCLCOdNNCdNyNyRILM  an-us---af------ 4aML105b.S67 198204a780/.92/2aB2191 aSouthern, Eileen.10aBiographical dictionary of Afro-American and African musicians /cEileen Southern. 1aWestport, Conn. :bGreenwood Press, c1982.  a1 online resource (xviii, 478 pages)  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebcr2rdacarrier1 aGreenwood encyclopedia of Black music,x0272-0264  aIncludes bibliographical references (pages 447-452) and index.  aWith the Biographical Dictionary of Afro-American and African musicians, Eileen Southern (1920-2002), who served on the faculty of Harvard University and before 1971 was known primarily as a Renaissance scholar, created a long-needed resource and a major research tool. It is the first single comprehensive volume of its kind that "attempts to correlate materials" concerning Afro-American and African professional musicians "from a historical perspective" (Preface). It contains information on well over 1,500 figures, the earliest being Sebastian Rodriguez, born ca. 1642, an African drummer who was active in Mexico and died in El Paso; the birth cutoff date is 1945 (with some obligatory exceptions, such as Kathleen Battle and Wynton Marsalis). Coverage is not limited to the United States and Africa. Sixty-five musicians from Canada, South America, and Europe are included as well. This is not another dictionary confined to jazz musicians, gospel performers, or those engaged in minstrelsy; it is a survey of the lives of black men and women who have contributed to any aspect of musical history, and as such an enormously useful reference book.  aPrint version record.  aAccess limited to subscribers. 0aAfrican American musiciansvBiographyvEncyclopedias. 0aMusicianszAfricavBiographyvEncyclopedias. 6aMusiciens noirs am�ericainsvBiobibliographie. 6aMusicienszAfriquexBiobibliographie.17aMuziek.2gtt17aNegers.2gtt07aMusiker.2swd 7aBiografie2gnd0(DE-588)4006804-3 7aPopmusiker2gnd0(DE-588)4046783-1 7aSchwarze.2swd 7aUSA.2swd 7aAfrika2gnd0(DE-588)4000695-5 7aAmerika2gnd0(DE-588)4001670-5 7aAfrican American musicians.2fast0(OCoLC)fst00799273 7aMusicians.2fast0(OCoLC)fst01030837 7aAfrica.2fast0(OCoLC)fst0123950908iPrint version:aSouthern, Eileen.tBiographical dictionary of Afro-American and African musicians.dWestport, Conn. : Greenwood Press, 1982w(DLC)   81002586w(OCoLC)7306029 0aGreenwood encyclopedia of Black music.x0272-0264403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=baa&scope=site02792nam a2200421Ia 4500001001700000005001700017006001900034007001500053008004100068020002300109020002600132035002200158035001800180040006900198041002300267050001700290082001700307100003200324245013800356246002000494246002400514246002600538264003800564300004000602336002600642337002600668338003600694505020100730506003500931520103500966588002602001650002502027650003702052650001802089655004402107776012802151856009102279RMEMarcSteigOper20190208152100.0m     o  d        cr bn    mpcma100321m19751983gw      od    000 0 ger d  z3795201659q(v. 1)  z9783795201654q(v. 1)  a(OCoLC)1041767751  a(NNC)13280979  aOCLCEbengepncOCLCEdOCLCQdOCLCFdOCLCOdOCLCQdNNCdNyNyRILM0 ageraengafreaita 4aML102.O6bS804a782.1/032191 aStieger, Franz,d1843-1938.10aOpernlexikon =bOpera catalogue = Lexique des op�eras = Dizionario operistico /cFranz Stieger ; [mit e. Einf. von Franz Grasberger].3 aOpera catalogue3 aLexique des op�eras3 aDizionario operistico 1aTutzing :bSchneider,c1975-1983.  a1 online resource (4 volumes in 11)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aT. 1. Titelkatalog: Bd. 1. A-E. Bd. 2. F-N. Bd. 3. O-Z.--T. 2. Komponisten: Bd. 1. A-F., Bd. 2. G-M., Bd. 3. N-Z.--T. 3. Librettisten. Bd. 1. A-F. Bd. 2. G-P. Bd. 3 Q-Z.--T. 4. Nachtr�age (2 v. ).  aAccess limited to subscribers.  aFranz Stieger's Opernlexikon is one of the most frequently consulted of all opera catalogues. It also contains ballets, oratorios, and other stage works, all listed by title, composer, and librettist. Lists of serious operas, cross-indexing of titles, and identification of librettists are especially noteworthy. The concluding two volumes, titled Nachtr�age, contain corrections as well as additions. With over 60,000 titles of stage works, the Opernlexikon exceeds every other published opera catalogue in size. It provides the place and date of every work's premiere (when known), along with an identification of its genre and number of acts. The Opernlexikon is especially valuable for works written and performed before 1920. A short introduction by Franz Grasberger, librarian of the music division of the �Osterreichische Nationalbibliothek, highlights the catalogue's value in light of previously unpublished information. Grasberger also provides biographical information, not available elsewhere, on Stieger (1843-1938). 0 aPrint version record. 0aOperavDictionaries. 7aOpera.2fast0(OCoLC)fst0104614517aOpera's.2gtt 7aDictionaries.2fast0(OCoLC)fst0142382608iPrint version:aStieger, Franz, 1843-1938.tOpernlexikon.dTutzing : Schneider, 1975-1983w(DLC)   75522695w(OCoLC)2015910403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=sol&scope=site03213nam a2200469Ia 4500001001800000005001700018006001900035007001500054008004100069020002500110020002200135035002200157035001800179040005400197050002400251100003400275245016200309246003200471250001900503264004200522300003400564336002600598337002600624338003600650500004800686504004100734506003500775520115200810588004701962650005602009650006702065650006002132650004202192650004602234650005302280655002502333655004402358700001902402700006402421776016702485856009102652RMEMarcSuppanBlas20190208122300.0m     o  d        cr bn    mpcma180405s2010    gw      obd   000 0 ger d  z9783980692595q(cl.)  z3980692590q(cl.)  a(OCoLC)1031720598  a(NNC)13212493  aZCUbengcZCUdOCLCOdOCLCQdOCLCFdZCUdNyNyRILM14aML102.B35bS93 20101 aSuppan, Wolfgang,d1933-2015.14aDas Blasmusik-Lexikon :bKomponisten-Autoren-Werke-Literatur /cArmin und Wolfgang Suppan ; herausgegeben in Verbindung mit dem Steirischen Blasmusikverband.3 aLexikon des Blasmusikwesens  aFifth edition. 1aKraichtal :bHeBu-Musikverlag,c2010.  a1 online resource (839 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  a"5. Aufl. des Lexikon des Blasmusikwesens."  aIncludes bibliographical references.  aAccess limited to subscribers.  aIn 1973 the first edition of Das Blasmusik-Lexikon, commissioned by the Bund Deutscher Blasmusikverbände, brought attention to the important sociopolitical and cultural role of wind music in society: from the Baroque period to avant-garde of our day, all the great composers have created masterpieces for wind instruments, from marches to symphonies, from light entertainment to dance music. In the succeeding decades four more editions of the lexicon appeared, each one expanded and revised. The lexicon is now an essential volume in public and research libraries. Its author, musicologist Wolfgang Suppan (1933-2015), served on the executive committee of the Bund Deutscher Blasmusikverbände from 1965 to 1997. With the fourth edition, his son Armin, a conductor and pedagogue highly active with wind music ensembles, joined as contributor. For several reasons, including the development of wind music in the last two decades, the fifth edition is newly conceived in its entirety. To bring the edition in line with international standards, each entry now consists of three parts, with a biographical section followed by works and literature.  aDescription based on print record version. 0aBand musicvBio-bibliographyvDictionariesxGerman. 0aWind instrument musicvBio-bibliographyvDictionariesxGerman. 0aWind ensemblesvBio-bibliographyvDictionariesxGerman. 7aBand music.2fast0(OCoLC)fst00826435 7aWind ensembles.2fast0(OCoLC)fst01175586 7aWind instrument music.2fast0(OCoLC)fst01175602 7aDictionaries.2lcgft 7aDictionaries.2fast0(OCoLC)fst014238261 aSuppan, Armin.1 aSuppan, Wolfgang,d1933-2015.tLexikon des Blasmusikwesens.08iPrint version:aSuppan, Wolfgang, 1933-2015.tBlasmusik-Lexikon.b5. Aufl.dKraichtal : HeBu-Musikverlag, 2010z9783980692595w(DLC)  2011430524w(OCoLC)740281864403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dbl&scope=site03032nam a2200517Ia 4500001001600000005001700016006001900033007001500052008004100067020001800108020001500126029002100141029002100162029002100183029002100204035002200225035001800247040002300265043001200288050002400300082002100324100003400345245004900379250002800428264005800456300003800514336002600552337002600578338003600604504004100640506003500681520097100716588004701687650005001734650006801784650003701852651004701889650003501936650003701971651004002008650004302048650004502091655004402136776024302180856009102423RMEMarcSupSteir20190208151900.0m     o  d        cr bn    mpcma090515s2009    au       bd   000 0 ger    z9783201018883  z32010188801 aCHBISb0103784051 aCHDSBb0054088141 aCHVBKb0998406931 aCHVBKb33045112X  a(OCoLC)1042102746  a(NNC)13302946  aNNCcNNCdNyNyRILM  ae-au---00aML101.A93bS87 200900a780.9436/5032221 aSuppan, Wolfgang,d1933-2015.10aSteirisches Musiklexikon /cWolfgang Suppan.  aSecond revised edition. 1aGraz :bAkademische Druck- u. Verlagsanstalt,c�2009.  a1 online resource (xi, 804 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references.  aAccess limited to subscribers.  aBetween 1962 and 1966 Wolfgang Suppan (1933-2015) conceived the only existing encyclopedia on the musical culture of Styria, an extensive work of seven volumes. Its content was heavily rooted in the collection of the Wamlek family. Hans Wamlek (1892-1959), a writer and composer based in Graz, conceived the vision of the lexicon and had collected original manuscripts, iconography, and correspondence of Styrian composer since the 1930s. Circumstances prevented publication. In 1957 Suppan picked up the threads and transformed the content into the Steirisches Musiklexikon. Forty years later he issued a completely revised edition, which remained a historical reference work focusing on regional aspects. It contains information not found anywhere else (e.g., Franz Liszt's visit to Styria in June 1846, and information on Styria's dynastic musical families) and provides solid entries on the music history of individual cities. It excludes post-1945 developments.  aDescription based on print record version. 0aMusiczAustriazStyriavDictionariesxGerman. 0aMusiczAustriazStyriavBio-bibliographyvDictionariesxGerman. 7aMusic.2fast0(OCoLC)fst01030269 7aAustriazStyria.2fast0(OCoLC)fst01202698 7aMusik.0(DE-588)4040802-42gnd 7aMusiker.0(DE-588)4040841-32gnd 7aSteiermark.0(DE-588)4057092-72gnd 7aMusikzSteiermarkvW�orterbuch.2idsbb 7aMusikerzSteiermarkvW�orterbuch.2idsbb 7aDictionaries.2fast0(OCoLC)fst0142382608iPrint version:aSuppan, Wolfgang, 1933-2015.b2., v�ollig �uberarbeitet und erw. Aufl. der Ausg. 1962-1966.tSteirisches Musiklexikon.dGraz : Akademische Druck- u. Verlagsanstalt, �2009.z9783201018883w(DLC) 2009447754w(OCoLC)377802140403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=sml&scope=site03748nam a2200481Ii 4500001001500000005001700015006001900032007001500051008004100066020002600107020002900133035002100162040002700183042000900210043001200219082001900231100003500250245009300285246002800378250001700406264004700423264001000470300006200480336002600542337002600568338003600594504006700630520179700697506003502494588004802529650005002577650005302627650002802680650003102708650004202739650004502781650004302826650004602869650004502915650004802960776016703008856009103175RMEMarcAusRock20191108094600.0m     o  d        cr bn    mpcma191108t20172017vraac   obe   001 0deng d  a0995385602qpaperback  a9780995385603qpaperback  a(OCoLC)972477458  aAUbengerdadNyNyRILM  aanuc  au-at---04a781.6409942231 aMcFarlane, Ian,d1959-eauthor14aThe encyclopedia of Australian rock and pop /cIan McFarlane ; foreword by Jeff Jenkins.30aAustralian rock and pop  a2nd edition. 1aGisborne, VIC :bThird Stone Press,c2017. 4c�2017  a1 online resource (544 pages) :billustrations, portraits  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references (pages 534-535) and index.  aThe encyclopedia of Australian rock and pop embeds a brief history of pop and rock musical developments Down Under with a wealth of information on personalities, bands, and institutions. This second edition has been completely revised and updated, adding over 160 new articles to the previous 870 entries. With articles on AC/DC, The Avalanches, Olivia Newton-John, and Guy Sebastian, as well as You Am I and Zoot, it is the most comprehensive guide to artists who molded Australian popular music from 1956 to 2016. Each article contains biographical information, line-up details, record releases, career highlights, and album discographies, as well as an authoritative critique on each artist's career. Major entries have references for further reading. This comprehensive approach makes transparent the impact of singers and bands such as Johnny O'Keefe, Marcie Jones, and The Delltones; Sherbet and Daddy Cool, and Human Nature; and personalities such as Darryl Cotton, Johnny Young, Tina Arena, and Kylie Minogue. There is extensive coverage of those who have had long-standing local careers, such as John Farnham, Jimmy Barnes, and Col Joye; those who have enjoyed significant international careers, such as Rick Springfield, Helen Reddy, and The Bee Gees; as well as recognition of lesser-known live bands, such as the eccentrically named The Band Who Shot Liberty Valance, and bands who may not have recorded but still made a contribution to Australian popular music history. The attention to detail reveals itself in facts such as former Australian Prime Minister Paul Keating managing a 1960s rock band. This is an essential work of reference for anyone seeking information on Australian popular music and its impact abroad. A bibliography is included at the end of the encyclopedia.  aAccess limited to subscribers.0 aOnline resource; title from PDF title page. 0aRock musiczAustraliaxHistory and criticism. 0aPopular musiczAustraliaxHistory and criticism. 0aRock groupszAustralia. 0aRock musicianszAustralia. 0aRock musiczAustraliavEncyclopedias. 0aPopular musiczAustraliavEncyclopedias. 0aRock groupszAustraliavEncyclopedias. 0aRock musicianszAustraliavEncyclopedias. 0aRock musiczAustraliavBio-bibliography. 0aPopular musiczAustraliavBio-bibliography.08iPrint version:aMcFarlane, Ian, 1959-tThe encyclopedia of Australian rock and pop.b2nd editiondGisborne, VIC : Third Stone Press, 2017, �2017w(OCoLC)972477458403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=arp&scope=site02744nam a2200349Ii 4500001001900000005001700019006001900036007001500055008004100070020001800111035002100129040003300150100004300183245009700226250002100323264004300344300003900387336002600426337002600452338003600478490001500514520130900529504005701838506003501895588004801930650004701978650003902025650004202064776018202106830001502288856009102303RMEMarcLexProgRock20191108121700.0m     o  d        cr bn    mpcma191108s2013    gw      obe   000 0dger d  a9783943483017  a(OCoLC)862956243  aNyNyRILMbengerdacNyNyRILM1 aHalbscheffel, Bernward,d1953-eauthor10aLexikon Progressive Rock : bMusiker, Bands, Instrumente, Begriffe /cBernward Halbscheffel.  aRevised edition. 1aLeipzig :bHalbscheffel Verlag,c2013.  a1 online resource (iii, 560 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aMusik ;v4  aThe Lexikon Progressive Rock provides more than 500 articles that feature not only classics of prog rock such as Procol Harum, The Nice, Yes, Emerson, Lake & Palmer, Genesis, and King Crimson, but also more recent groups like Dream Theater, Gazpacho, Glass Hammer, Porcupine Tree, Shining, Spock's Beard, and Grand General. Representatives of progressive metal are also included, among them Opeth, Symphony X, and Epica. Although British and American prog mainstream is dominant, the lexicon also offers articles on obscure bands like Ozric Tentacles and The Legendary Pink Dots; progenitors of art rock like Roxy Music and 10cc; and the Canterbury scene with Delivery, Soft Machine, Henry Cow, and Caravan. Halbscheffel addresses currents of retroprog, neoprog, and new artrock. The 2013 edition replaces some earlier articles on foundational musical terms with new articles that are specifically relevant for progressive rock, such as the entry on polyrhythmics. New articles focus on current bands like Nosound, Knight Area, and Flying Colors. Halbscheffel aptly summarizes this all-encompassing approach in the article "Progressive Rock", where he focuses on the history of the genre less as a stylistic history than as a history of a functionally oriented inventory of rock techniques and processes.  aIncludes bibliographical references (pages 555-558).  aAccess limited to subscribers.0 aOnline resource; title from PDF title page. 0aRock musicxHistory and criticismxGerman. 0aRock musicvEncyclopediasxGerman. 0aRock musicvBio-bibliographyxGerman.08iPrint version:aHalbscheffel, Bernward, 1953-tLexikon Progressive Rock : Musiker, Bands, Instrumente, Begriffe.bRevised editiondLeipzig : Halbscheffel, 2013w(OCoLC)862956243 0aMusik ;v4403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=lpr&scope=site02273nam a2200349Ii 4500001001900000005001700019006001900036007001500055008004100070020003200111020003200143035002100175040003800196050002300234050002300257100004300280245008900323264004300412300003400455336002600489337002600515338003600541490001500577504005100592520087100643506003501514588004801549650003801597776016301635830003401798856009101832RMEMarcSachlexRock20191108130400.0m     o  d        cr bn    mpcma191108s2013    gw      obe   000 0dger d  a9783943483024 (v. 1 : pbk.)  a9783943483031 (v. 2 : pbk.)  a(OCoLC)865464980  aOHXbengerdadCGUdZCUdNyNyRILM 4aML3534b.H353 2013 4aML102.R2bH35 20131 aHalbscheffel, Bernward,d1953-eauthor10aSachlexikon Rockmusik : b Instrumente, Technik, Industrie /cBernward Halbscheffel. 1aLeipzig :bHalbscheffel Verlag,c2013.  a1 online resource (861 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aMusik ;v6  aIncludes bibliographical references and index.  aThe Sachlexikon Rockmusik contains 1323 articles on the terminology and topics of rock music and its performance-musical instruments ranging from electric guitar to the theremin; the equipment necessary for concerts and studios, including microphones, amplifiers, and mixing boards; small record companies and market-dominating media corporations; esoteric terms such as "Skunk Stripe", "Fanzine", "Geri Reig", "Mucke und Fliegen", and "Toasting"; genres ranging from AOR to Acid; and terms used in music theory as they pertain to rock. Discographies, bibliographies, and web references complete the articles. The boundaries of rock music are often crossed into pop and jazz. Cross-references provide an extended overview of a topic and help to better understand its context. A bibliography and an index of commercial names and references round off the encyclopedia.  aAccess limited to subscribers.0 aOnline resource; title from PDF title page. 0aRock musicvDictionariesxGerman.08iPrint version:aHalbscheffel, Bernward, 1953-tSachlexikon Rockmusik : Instrumente, Technik, Industrie.dLeipzig : Halbscheffel Verlag, 2013w(OCoLC)865464980 0aMusik (Leipzig, Germany) ;v6403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=srm&scope=site02813nam a2200325Ii 4500001002100000005001700021006001900038007001500057008004100072020002900113020002900142035002100171040003300192050001500225100003600240245006800276264003500344264001000379300005500389336002600444337002600470338003600496504006500532520152500597506003502122588004802157650005102205776014002256856009102396RMEMarcCarlinCountry20200817093100.0m     o  d        cr bn    mpcma200817t20132003nyuo    obek  001 0deng d  a9780415866859qpaperback  a9780415938020qhardcover  a(OCoLC)827973303  aNyNyRILMbengerdacNyNyRILM 4aML102b.C71 aCarlin, Richard,d1956-eauthor14aCountry music : b a biographical dictionary /cRichard Carlin. 1aNew York : bRoutledge,c2013. 4c�2003  a1 online resource (xvii, 497 pages) :bphotographs  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references, discography, and index.  aCountry music features over 700 biographical entries of musicians, comedians, producers, singer/songwriters, and groups. Among them are current performers such as Billy Ray Cyrus and Faith Hill, and those that made history or are historical such as Carolina Tar Heels. Most of the biographical entries include a select discography. Despite its subtitle, the dictionary also offers about 40 subject entries, on song categories such as weepers (songs dripping with heavy sentiment), instruments such as the pedal steel guitar and the banjo, locales such as the Grand Ole Opry, subjects such as the radio, and subgenres such as countrypolitan. A few entries on musical styles are included, among them bluegrass, gospel, honky-tonk, and rockabilly. Indeed, Country music highlights the inclusiveness of country music's connections to folk, rock, Tejano, and other roots genres. Broader aspects of the country music landscape such as record labels, social commentary, and politics are addressed as well, deepening the encompassing approach. The volume contains more than 70 photos which accompany select entries. Cross-referencing allows readers to unravel threads of related entries. Two appendices organize performers and other notables according to subgenres they are associated with and by the instruments that they play. The select bibliography, listing some 150 publications, provides solid coverage of popular and scholarly secondary sources on country music. A comprehensive name index includes song and album titles.  aAccess limited to subscribers.0 aOnline resource; title from PDF title page. 0aCountry musicxBio-bibliographyvDictionaries.08iPrint version:aCarlin, Richard, 1956-tCountry music : a biographical dictionary.dNew York : Routledge, 2013, �2003w(OCoLC)827973303403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=cmb&scope=site02820nam a2200313Ii 4500001001800000005001700018006001900035007001500054008004100069020002400110020002400134035002100158040003300179050002500212100003900237245007800276264006500354300004100419336002600460337002600486338003600512520153200548504004102080506003502121588004802156650003302204776017802237856009102415RMEMarcPareMexico20200817110900.0m     o  d        cr bn    mpcma200825s2007    mx      obd   000 0dspa d  a9789685557795 (t.1)  a9789685557825 (t.2)  a(OCoLC)213356460  aNyNyRILMbengerdacNyNyRILM 4aML101b.M49 P37 20071 aPareyón, Gabriel,d1974-eauthor10aDiccionario enciclopédico de música en México /cGabriel Pareyón. 1aZapopan, Jalisco, Mexico :bUniversidad Panamericana,c2007.  a1 online resource (2 v.; 1132 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  a This two-volume encyclopedia comprehensively covers the musical landscape of Mexico from ca. 1500 to the late 20th century. The Diccionario offers biographies of composers, performers, and musicians of classical, popular, and traditional music, and entries on musical styles, including local indigenous traditions. It contains entries on musical works, institutions of music education, luthiers, music stores, musical events, academic journals, and radio stations, creating a complete view of the development of the musical life of Mexico. It covers cities and regions, as well as the musical relations between Mexico and other countries. "Estados Unidos", for example, details the complex and changing musical interrelations between the United States and Mexico, beginning in the early 20th century, and their transformation throughout the century; the entry also includes a detailed chronology and a list of scholarly publications printed in the U.S. about music in Mexico, which is organized by period, from the Prehispanic to the 20th century. The coverage of the Colonial period, largely derived from the writings of musicologist Robert Murrell Stevenson (1916-2012), is also noteworthy. All of the Diccionario's entries include bibliographic references, and some provide a works list and chronology. Most entries include cross-references, providing further resources on a chosen topic. The Diccionario is an essential reference work for those interested in the different musical traditions and histories of this country.  aIncludes bibliographical references.  aAccess limited to subscribers.0 aOnline resource; title from PDF title page. 0aMusiczMexicovDictionaries.08iPrint version:aPareyón, Gabriel, 1974-tDiccionario enciclopédico de música en México d Zapopan, Jalisco, Mexico : Universidad Panamericana, 2007w(OCoLC)213356460403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dmx&scope=site02005nam a2200301Ii 4500001001800000005001700018006001900035007001500054008004100069020001800110040003300128050002500161100002800186245005400214264006000268300002900328336002600357337002600383338003600409504005900445520090500504506003501409588004801444650003901492650004201531650003901573856009101612RMEMarcVernCanPop20200818085600.0m     o  d        cr bn    mpcma200818s2020    onco    sbek  000 0deng d  a9781475182095  aNyNyRILMbengerdacNyNyRILM 4aML102b.P66 V47 20201 aVernon, Jaimie,eauthor10aCanadian pop music encyclopedia /cJaimie Vernon. 1aScarborough, Ontario, Canada :bBullseye Canada,c2020.  a1 online resource (2 v.)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references and discographies.  aThe Canadian pop music encyclopedia chronicles the history of over 2800 Canadian pop music artists, active from 1929 to the present. Among them, one can find familiar names like Bryan Adams, Celine Dion, The Guess Who, Justin Bieber, and Drake, but also obscure groups such as the U.S.-born duo Aarons & Ackley (active from 1971 to 1974) to the progressive/psychedelic rock band Zylan, based in Halifax, Nova Scotia (active throughout the 1970s). Each entry includes an extensive artist or band biography as well as a comprehensive discography of Canadian domestic releases and is accompanied by photographs. The primary criteria for inclusion in the encyclopedia are artists with at least a year experience and a commercially released recording on vinyl, cassette, CD, or Digital file. This is an essential work of reference for anyone seeking information on Canadian popular music past and present.  aAccess limited to subscribers.0 aOnline resource; title from PDF title page. 0aRock musiczCanadavEncyclopedias. 0aPopular musiczCanadavEncyclopedias. 0aFolk musiczCanadavEncyclopedias.403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=cpm&scope=site02597nam a2200349Ii 4500001001900000005001700019006001900036007001500055008004100070020001800111035002200129040002800151043001200179050002300191100004400214245010600258264006500364300005700429336002600486337002600512338003600538504005100574520114800625506003501773588004801808650003401856650002501890650004301915700003101958776016701989856009102156RMEMarcVietMusInst20211005094000.0m     o  d        cr bn    mpcma200423t20202020si ab   obe   001   eng d  a9789811447617  a(OCoLC)1151771876  aKSUbengerdadNyNyRILM  aa-vt--- 4aML541.V5bM67 20201 aMoran, Terryc(Music teacher),eauthor.10aVietnamese musical instruments :ba monographic lexicon /cTerry Moran ; illustrations by Luke Agati. 1a[Singapore] : b[National Library Board Singapore?], c2020.  a1 online resource (384 pages) :billustrations, maps  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references and index.  a Vietnamese musical instruments is one of the most comprehensive lexicons on this topic. Compiled by Terry Moran, an Australian teacher resident in Singapore, over the course of a 20-year research journey in Vietnam, the lexicon offers 241 individual entries, each accompanied by a hand-drawn illustration by Luke Agati. The lexicon includes aerophones (Họ Hơi), such as the Kèn đá, a 2000-year-old stone bugle discovered in 1994; chordophones (Họ Dây) from the different ethnic minorities across Vietnam; idiophones (Họ Tự Thân Vang), among them the world's sixth oldest playable instrument, a lithophone; and membranophones (Họ Màng Rung), with an impressive 43 pages dedicated to this family of instruments from both the Việt majority and the ethnic minorities. There is also a section on instruments created in 2007 by members of the Khắc Chí Tre Xanh ensemble. Aside from details about instruments, the lexicon offers a brief history of Vietnamese music and some specifics about instrument classifications. Addresses of noteworthy stores and galleries of Vietnamese musical instruments are also indexed.  aAccess limited to subscribers.0 aOnline resource; title from PDF title page. 0aMusical instrumentszVietnam. 0aFolk musiczVietnam. 0aMusiczVietnamxHistory and criticism.1 aAgati, Luke,eillustrator.08iPrint version:aMoran, Terry, tVietnamese musical instruments: a monographic lexicon.d[Singapore] : [National Library Board Singapore?], 2020w(OCoLC)1151771876403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=vmi&scope=site02458nam a2200337Ii 4500001001600000005001700016006001900033007001500052008004100067035002000108040004200128043001200170100003300182245007900215264003200294300003400326336002600360337002600386338003600412500008500448520102000533504004101553506003501594588004801629650005601677650005601733650005201789710006801841776012001909856009102029RMEMarcEnciMuz 20211006083200.0m     o  d        cr bn    mpcma060605s2002    aa      obd   000 0calb d  a(OCoLC)70892678  aNYPbengerdacNYPdUtOrBLWdNyNyRILM  ae-aa---1 aShupo, Sokol,d1954-eauthor10aEnciklopedia e muzikës shqiptare : b vëllimi i parë /cSokol Shupo. 1aTiranë :bAsmus,c[2002].  a1 online resource (318 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAt head of title: Qendra për Dokumentimin dhe Komunikimin e Muzikës Rajonale  a With the Enciklopedia e muzikës shqiptare, Sokol Shupo, an Albanian music researcher and composer who serves on the faculty at the Academy of Arts in Tirana, pays tribute to the many important figures in Albanian music history who are not recognized in other encyclopedias. The encyclopedia offers 186 entries on performers, composers, musicologists, and others active in Albania's music scenes, from Petrika Afezzoli, conductor and a faculty member at the Academy of Arts in Tirana, to the composer Nikolla Zoraqi, who had made an important contribution to the development of new Albanian music. Many of the musicians who received an entry are still active in Albania today. Those who have moved abroad are only included to a limited extent. Given the condition of archives and collections in Albania and the absence of a national music bibliography, this encyclopedia provides the most complete and verified information on the history of Albanian music. It is the first single comprehensive volume of its kind.  aIncludes bibliographical references.  aAccess limited to subscribers.0 aOnline resource; title from PDF title page. 0aComposerszAlbaniavBio-bibliographyvDictionaries. 0aMusicianszAlbaniavBio-bibliographyvDictionaries. 0aMusiczAlbaniavBio-bibliographyvDictionaries.2 aQendra për Dokumentimin dhe Komunikimin e Muzikës Rajonale.08iPrint version:aShupo, Sokol, 1954-tEnciklopedia e muzikës shqiptare.dTiranë : Asmus, [2002]w(OCoLC)70892678403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=emq&scope=site02856nam a2200289Ii 4500001001800000005001700018006001900035007001500054008004100069035001900110040003300129090002100162100003800183245006000221250001700281264006200298300004300360336002600403337002600429338003600455520171000491506003502201588004802236650002502284776016602309856009102475RMEMarcDictMusMod20211005112000.0m     o  d        cr bn    mpcma780601s1825    fr g    od    000   fre d  a(OCoLC)3945187  aDCUbengerdacDCUdNyNyRILM  aML100b.B55 18251 aCastil-Blaze,d1784-1856eauthor.10aDictionnaire de musique moderne /cpar M. Castil-Blaze.  a2nd edition. 1aParis :bAu Magasin de musique de la lyre moderne,c1825.  a1 online resource (2 volumes) :bmusic  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aFirst published in 1821, by its title alone, Castil-Blaze's dictionary appears as a modernized version of Jean-Jacques Rousseau's Dictionnaire de musique. Conceptually in line with the practice of musical lexicography opened by the philosopher of Geneva, in the Dictionnaire de musique moderne Castil-Blaze significantly reshapes the approach. While following Rousseau, the French musicologist, music critic, composer, and music editor came to propose his own definitions. Accordingly the Dictionnaire de musique moderne is characterized by two overarching trends: Castil-Blaze follows Rousseau in terms of entry structure and content (save for some 80 entries which he literally copies), but he updates and makes accessible the entries to a broader readership by focusing on issues that relate to the contemporaneous state of music and doing so with great clarity. This is recognized by a contemporary who has made lexicographic music history himself, François-Joseph Fétis, who asserted: "Containing nothing that is not known to educated musicians, the Dictionnaire de musique moderne contains developments that are a little too considerable for others: with this slight defect ... the book of M. Castil-Blaze deserves praise for the clarity of the definitions and the rectitude of judgement which are distinguished in most of the artists". The second edition, of 1825, contains corrections, such as in the entries on counterpoint and figure. A third, abridged, version exists, printed in 1828 in Brussels and edited by Joseph Henri Mees, who outfitted it with a catalogue of  theorists, composers, and deceased musicians active in the Low Countries and a short instructional text on music pedagogy.  aAccess limited to subscribers.0 aOnline resource; title from PDF title page. 0aMusicvDictionaries.08iPrint version:aCastil-Blaze, 1784-1857, tDictionnaire de musique moderne.b2nd editiondParis : Au Magasin de musique de la lyre moderne, 1825,w(OCoLC)3945187403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dcb&scope=site02901cam a2200325 i 45 0001001700000005001700017006001900034007001500053008004100068010001700109035001900126035001900145035002300164040003800187090001600225245008000241264007700321300007100398336002600469337002600495338003600521520157200557506003502129588004802164650004102212700003102253710005902284776014102343856009102484RMEMarcLekJugMuz20230201142724.0aag   ode   000 0dcr cn    mpcma230131s1984    ci ag   ode   000 0dhrv    a85201848 /MN  a(Sirsi)1444843  a(InU)BAF0667BM  a(OCoLC)ocm12656555  aDLCbengerdacDLCdIULdNyNyRILM  aML100b.L5400aLeksikon jugoslavenske muzike /c[glavni urednik Krešimir Kovačević]. 1aZagreb :bJugoslavenski leksikografski zavod "Miroslav Krleža",c1984.  a1 online resource (2 volumes, 1164 pages) :billustrations, music.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aLeksikon jugoslavenske muzike is the ultimate source documenting musicians and music culture of Yugoslavia in the early 1980s. It includes 5,020 unsigned entries about composers, musicians, ballet artists, pedagogues, music theorists, historians, and ethnomusicologists and historical musicologists as well as entries on music institutions and societies, ensembles, folk music, and diverse genres and instruments from the region. Special attention is paid to the presentation of musical creativity and the musical history and life of major cities. Articles cover concepts and disciplines such as ballet, church music, criticism, musicology, awards, opera, and similar. Kovačević also introduced a specific kind of entries (short articles about individual pieces of music), to cover larger topics, and worked with cross-references. Unlike the Muzička enciklopedija, which is of a general character, the Leksikon jugoslavenske muzike contains a much expanded national structure. Many articles were copied or adapted from the Muzička enciklopedija. Kovačević himself contributed over 800 articles (a full one-sixth of the lexicon), covering such diverse topics as biography, articles about individual musical pieces as well as entries about various ensembles, institutions, festivals, music societies, and cities. This reveals Kovačević's vast personal engagement and enthusiasm to complete this lexicon, which, despite some imperfections, still stands as a valuable source of information pertaining to musical history and culture of Southeastern Europe.  aAccess limited to subscribers.0 aOnline resource; title from PDF title page. 0aMusicxDictionariesxSerbo-Croatian.1 aKovačević, Krešimir.2 aJugoslavenski leksikografski zavod "Miroslav Krleža"08iPrint version:tLeksikon jugoslavenske muzikedZagreb : Jugoslavenski leksikografski zavod "Miroslav Krleža", 1984w(OCoLC)ocm12656555403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=ljm&scope=site03048cam a2200373 45 0  001001700000005001700017006001900034007001500053008004100068010002100109035001800130035001900148035002300167040003300190050001700223245016200240250001200402264006100414300009100475336002600566337002600592338003600618500001500654520153800669506003502207588004802242650004102290650002902331700003602360700003502396700002302431776012902454856009102583RMEMarcMuziEncik20230201142848.0aafgh ode   000 0dcr cn    mpcma230131i19711977ci afgh ode   000 0dhrv    a75978476 /MN/r86  a(Sirsi)533742  a(InU)AER3445BM  a(OCoLC)ocm01060320  aDLCbengerdacDLCdNyNyRILM 0aML100b.M94300aMuzička enciklopedija.cGlavni urednik: Krešimir Kovačević. Članovi redakcije: Ivona Ajanović [i dr.]. Glavni redaktor ilustracija: Koraljka Kos.  a2. izd. 1aZagreb,bJugoslavenski leksikografski zavod,c1971-1977.  a1 online resource (3 volumes, 2244 pages) :billustrations, facsimiles, music, plates.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aYu71 (v.1)  aThe Muzička enciklopedija was first published in two volumes in 1958/1963 under the editorship by the eminent Croatian music historian Josip Andreis (1909-1982), followed by a second edition in three volumes which appeared from 1971 to 1977. Numerous biographical articles describe the life and output of composers along with exhaustive works lists; as well as the activities of many conductors, singers, instrumental virtuosos, music theorists, and critics. In subject articles, historical and contemporary musical instruments are described in detail, as well as all musical genres and forms, such as arias, canzones, cantatas, operas, symphonies, sonatas, and overtures. Many important domestic and foreign music societies, instrumental and dance ensembles, and music festivals and institutions are presented. The second edition features new articles on contemporary, avant-garde, and experimental music and musical personalities, from aleatoricism and dodecaphony to electronic and serial music. This edition also includes articles about artists from the world of pop music as well as jazz. Considering that choreographers and dancers often intersect with music on stage, the editorial board introduced a number of names from this creative field. For the sake of better integration, the folk music of each nation is included in geographical entries, joining the section on art music. The second edition features ample illustrations, increasing the number of artistic contributions in etching and color, selected by Koraljka Kos.  aAccess limited to subscribers.0 aOnline resource; title from PDF title page. 0aMusicvDictionariesxSerbo-Croatian. 0aMusicvBio-bibliography.1 aKovačević, Krešimir,eed.1 aAjanović-Malinar, Ivonaeed.1 aKos, Koraljkaeed.08iPrint version:tMuzička enciklopedijab2. izd.dZagreb : Jugoslavenski leksikografski zavod, 1971-1977w(OCoLC)ocm01060320403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=mej&scope=site03423nam a22003731 4500 001002300000005001700023006001900040007001500059008004100074035002400115010001300139035002400152035002200176035002300198040001900221043002100240050001700261100014300278245024600421250001700667260006800684300005100752336002600803337002600829338003600855506003500891520151400926588004802440650008702488650009002575650009502665776019802760856009102958RMEMarcPedrDiccBioyBib20231208150445.0aa    ode   000 0dcr bn    mpcma231207m18941897sp      ode   000 0dspa d  a(MiU)001466371MIU01  a06008958  a(CaOTULAS)176455621  a(SAZTEC)077401620  a(OCoLC)ocm67401008  cCarPdNyNyRILM  ae-po---ae-sp---04aML106.S7bP31 aPedrell, Felipe,d1841-1922,egeneral editor.0http://id.loc.gov/authorities/names/n868706530http://viaf.org/viaf/sourceID/LC%7Cn8687065300aDiccionario biográfico y bibliográfico de músicos y escritores de música españoles, porugueses e hispano-americanos antiguos y modernos :bacopio de datos y documentos para server a la historia del arte musical en nuestra nación.  a1st edition.  aBarcelona,bTipografía de Víctor Berdós y Feliu,c1894-97  a1 online resource (2 volumes, xix, 715 pages).  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAccess limited to subscribers.  aThe unfinished Diccionario biográfico y bibliográfico was conceived just after the successful Diccionario técnico de la música of 1894. Like the latter, it continued earlier attempts at dictionaries of musical subjects in Spanish that trace back to the mid-19th century (most notably the 1853 Diccionario de música que contiene las voces más by Juan Cid, the 1859 Diccionario de música by Antonio Fargas and Carlos José Soler Melcior, and the 1868 Diccionario técnio: Histórico y biográfico de la música by José Parada y Barreto). With the Diccionario biográfico y bibliográfico, Pedrell sought to make a new and important contribution to Spanish music with a type of publication only previously attempted by Saldoni (1860) and by Parada y Barreto (1868), works that Pedrell held in low regard. As with the Diccionario técnico, the torso reflects musical knowledge at the turn of the century, along with an interest in musical nationalism. Over two dozen articles are substantial in scope and include the results of in-depth source studies and lengthy quotes from contemporaneous and historical sources; one such article is "Alfonso X", which captures the accomplishments of King Alfonso X of Castile (r. 1252-84) whose commissions of music to poems authored by him, Cantigas de Santa Maria, are one of the largest medieval vernacular collections of lyric and narrative verse in praise of Mary. The entry contains substantial quotes from contemporaneous and historical sources.0 aOnline resource; title from PDF title page. 0aMusiczSpainxBio-bibliography.0http://id.loc.gov/authorities/subjects/sh85088762 0aMusizzPortugalxBio-bibliography.0http://id.loc.gov/authorities/subjects/sh85088762 0aMusiczLatin AmericaxBio-bibliography.0http://id.loc.gov/authorities/subjects/sh8508876208iPrint version:aPedrell, Felipe, tDiccionario biográfico y bibliográfico de músicos y escritores de música españolesdBarcelona : Tip. De Berdós y Feliu, 1894-1897w(OCoLC)67401008403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dbp&scope=site03415cam a2200337 45 0  001002000000005001700020006001900037007001500056008004100071035001900112035001900131035002300150040002800173090002000201100014300221245038400364250001200748260004500760300007400805336002600879337002600905338003600931500008100967504007701048506003501125520161401160588004802774650003402822776013002856856009102986RMEMarcPedrDiccTecn20231208150503.0aag   ode   000 0 cr bn    mpcma231207s1894    sp ag   ode   000 0 spa d  a(Sirsi)1453091  a(InU)BAF9326BM  a(OCoLC)ocm07082244  aAZUcAZUdIULdNyNyRILM  aML108b.P3 18941 aPedrell, Felipe,d1841-1922,egeneral editor.0http://id.loc.gov/authorities/names/n868706530http://viaf.org/viaf/sourceID/LC%7Cn8687065310aDiccionario técnico de la música,bescrito con presencia de las obras más notables en este género publicadas en otros países, enriquecido con más de 11,500 voces castellanas y sus correspondencias italianas, Latinas, francesas, alemanas, é inglesa más usuales.cIllustrado con 117 grabados y 51 ejemplos de música y seguido de un suplemento. Por Felipe Pedrell.  a1st ed.  aBarcelona :bIsidro Torres Oriol,c1894.  a1 online resource (xix, 529 pages) :billustrations, musical examples  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  a First published in "La ilustración musical hispano-americana.": cf. Pref.  a"Historia bibliográfica de este género de producciones": p. vii-xiv.  aAccess limited to subscribers.  aThis early music dictionary, conceived between 1892 and 1894, is a treasure trove for music historiographers focusing on the Spanish perspective. Conceived by critic and music historian Felipe Pedrell, considered one of the fathers of contemporary Spanish music and musicology, it contains nearly 10,000 entries, many of which provide definitions of genres, terms, and instruments specific to the Spanish and Hispanic realm, such as romance, copla, yarabí, triste, and vihuela. Pedrell had consulted existing dictionaries as a foundation for his endeavor. At the time one of the key reference works for music researchers, the dictionary saw three further editions, attesting to the wide use and popularity of the work. Indeed, the dictionary has been highly popular due to its accessible language. Pedrell outfitted it with 117 engravings and 52 music examples. A supplement provides additional key terms. In his preface, Pedrell offered the first critical account of international music lexicography since its origins, beginning with the work of Tinctoris, and of Spanish dictionaries up to his time, noting poor quantity and quality. His deep knowledge of lexicographic techniques also surfaces in the delimitations of content and form that a specialized music dictionary should present according to him: the Diccionario técnico de la música was meant to record purely musical meanings, and offer a consistent linguistic style with clarity, accuracy, and conciseness in the definitions. Pedrell saw it as legitimate to copy the definitions of what he regarded as the "most authoritative predecessors".0 aOnline resource; title from PDF title page. 0aMusicvDictionariesxSpanish.08iPrint version:aPedrell, Felipe.tDiccionario técnico de la músicadBarcelona : Impr. De V.Berdós, 1894w(OCoLC)7082244403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dtm&scope=site02552nam 12200397 a 4500001002000000005001700020006001900037007001500056008004100071010001300112020001500125035002000140035002300160035001400183035001700197035001200214040003300226043001200259050002300271082002000294245006900314260004900383300004000432336002600472337002600498338003600524504004100560506003500601520111200636588004801748650003601796650004001832700007801872776011301950856009102063RMEMarcDictAustrMus20231208143455.0a     ode   000 0dcr bn    mpcma231208s1998    at      ode   000 0deng    a99212780  a0195508394  a(OCoLC)39924396  a(OCoLC)ocm39924396  8ARB7324CU  a(NNC)2669274  a2669274  aDLCcDLCdDLCdNNCdNyNyRILM  au-at---00aML101.A9bD53 199800a780/.994/0322102aA dictionary of Australian music /cedited by Warren Bebbington.  aMelbourne :bOxford University Press,c1998.  a1 online resource (xiv, 361 pages).  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references.  aAccess limited to subscribers.  aThis is the first comprehensive reference work on Australian music. With just over 1400 entries written by 125 authorities on the subject, the dictionary covers a wide spectrum of topics, from ancient Aboriginal traditions and European-derived orchestral, operatic, and concert music, to Australian folk, jazz, country, popular, rock, electronic, and experimental music. There are entries on major historical and contemporary figures, including those who have achieved worldwide fame, such as Peter Allen, Percy Grainger, Peggy Glanville-Hicks, Kylie Minogue, Barry Tuckwell, Charles Mackerras, and the three great divas: Nellie Melba, Joan Hammond, and Joan Sutherland. Leading orchestras and ensembles are represented, as well as major pop and rock groups, among them the Seekers, the Bee Gees, AC/DC, and Midnight Oil. In addition to entries on individual composers, performers, and musical works and instruments, the dictionary covers leading musicologists, critics, broadcasters, educators, and researchers. The dictionary thus considers and reflects the diversity of music on the Australian continent.0 aOnline resource; title from PDF title page. 0aMusiczAustraliavDictionaries. 0aMusiczAustraliavBio-bibliography.1 aBebbington, Warren Arthur.0http://id.loc.gov/authorities/names/n8685546908iPrint version:tA dictionary of Australia music.dMelbourne : Oxford University Press, 1998w(OCoLC)39924396403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dau&scope=site02507cam 12200421 a 450000100070000000500170000700600190002400700150004300800410005801000130009902000150011203500200012703500220014703500250016903500140019403500160020803500110022404000330023504300120026805000210028008200280030110000650032924501290039426000560052330000570057933600260063633700260066233800360068849000480072450400540077250600350082652006980086158800480155965000840160777602070169183000960189885600910199489636020231208143520.0aa    obde  000 0dcr bn    mpcma231208t19911991nyua    ode   000 0deng d  a89037076  a0918728975  a(OCoLC)20524476  a(OCoLC)ocm2054476  a(CStRLIN)NYCG91-B790  aAEW9578CU  a(NNC)896360  a896360  aDLCcDLCdDLCdNjRdNyNyRILM  an-us-ny00aML404b.G76 199100a784.19/092/27471bB2201 aGroce, Nancy.0http://id.loc.gov/authorities/names/n8211350210aMusical instrument makers of New York :ba directory of eighteenth-and nineteenth-century urban craftsmen /cby Nancy Groce.  aStuyvesant, NY :bPendragon Press,c[1991], ©1991.  a1 online resource (xxi, 200 pages) :billustrations.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aAnnotated reference tools in music ;vno. 4  aIncludes bibliographical references (p. 188-200).  aAccess limited to subscribers.  aThis biographical dictionary chronicles all the master craftsmen involved in instrument making in New York City, from the obscure work of Geoffry Stafford in 1691 to the zenith of the 1890s, and on to the Great Depression of the 1930s. Many of the 1095 detailed entries focus on nineteenth-century makers, when the city was the largest producer of instruments in the Western Hemisphere, and designs and innovations pioneered by New York artisans influenced and inspired instrument makers throughout the world. Aside from providing a record of these instrument makers, the dictionary offers a historical study of an urban trade that is ultimately tied to the growth and development of the city.0 aOnline resource; title from PDF title page. 0aMusical instrument makerszNew York (State)zNew YorkvBiographyvDictionaries.08iPrint version:aGroce, Nancy.tMusical instrument makers of New York: a directory of eighteenth-and nineteenth-century urban craftsmen.dStuyvesant, NY : Pendragon Press, [1991], ©1991w(OCoLC)20524476 0aAnnotated reference tools in music ;vno. 4.0http://id.loc.gov/authorities/names/n83745402403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=mim&scope=site02586cam a22003491i 4500001001400000003000900014005001700023006001900040007001500059008004100074035002000115035001500135035001600150040003100166043001200197050002400209082001800233245011800251264005400369300005500423336002600478337002600504338003600530504005100566506003500617520131800652588004801970650004102018700002802059776005802087856009102145RMEMarcLatMusNyNyRILM20241025154200.0m     o  d        cr  n         141001s2014    caua    ode   001 0deng d  a(Sirsi)16116301  aebc1793783  aybp12012896  aNhCcYBPcNhCcYBPdNyNyRILM  acl----- 4aML410.L38bL37 201404a780.98/0322300aLatin music :bmusicians, genres, and themes / cIlan Stavans, editor-in-chief ; Joshua Stavans, project manager. 1aSanta Barbara, California : bGreenwood, c[2014]  a1 online resource (2 volumes, xix, xiv, 923 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes bibliographical references and index.  aAccess limited to subscribers.  aLatin music: Musicians, genres, and themes provides an in-depth exploration of the rich and diverse world of Latin music, examining its history, cultural significance, and the wide range of genres it encompasses. The encyclopedia covers the evolution of Latin music from its roots in Indigenous, African, and European traditions to its contemporary global influence. It offers detailed profiles of influential musicians, including iconic figures such as Tito Puente, Celia Cruz, and Carlos Santana, shedding light on their contributions to the development of Latin music and their lasting legacies. The two volumes delve into key genres like salsa, merengue, bachata, tango, and reggaetón, discussing their origins, stylistic characteristics, and cultural impact across different Latin American countries and communities. In addition to genre exploration, Latin music touches on broader themes such as identity, migration, and the ways in which Latin music has become a vehicle for social and political expression. The 244 entries also include socio-political factors that have shaped Latin music's growth and dissemination. This is a key resource for music researchers looking to understand the musical traditions, key figures, and cultural contexts that have defined Latin music and its enduring global appeal.0 aOnline resource; title from PDF title page. 0aMusiczLatin AmericavEncyclopedias.1 aStavans, Ilan,eeditor.08cOriginalz9780313343957z0313343950w(DLC) 2013047509403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=lat&scope=site02383cam a22003251i 4500001002000000003000900020005001700029006001900046007001500065008004100080040002300121050002300144082001600167100003400183245012400217264004700341300004100388336002600429337002600455338003600481504006200517506003500579520102900614588004801643650003201691700003901723776017001762830003401932856009101966RMEMarcMusTheZarSchNyNyRILM20241025141900.0m     o  d        cr  n         900222s1990    nyua    ob    001 0deng d  aDLCcDLCdNyNyRILM00aML128.T5bD27 199000a016.7812201 aDamschroder, David, eauthor.10aMusic theory from Zarlino to Schenker : ba bibliography and guide / cby David Damschroder and David Russell Williams. 1aStuyvesant, NY :bPendragon Press, c1990.  a1 online resource (xliii, 522 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aIncludes "literature supplement": p. 397-447 and indexes.  aAccess limited to subscribers.  aMusic theory from Zarlino to Schenker is a comprehensive resource that provides insight into the history of music theory through 233 entries that profile the field's proponents, from Joseph Adlung to Johann Joseph Fux, from Jean-Philippe Rameau to Bernahrd Ziehn. Each entry provides critical insights into the figures' contributions to music theory, drawing on their respective expertise in harmony, counterpoint, or form, or form. Each entry contains a curated bibliography. Title and chronological indices serve as a valuable reference for scholars, offering an overview of theoretical writings and the milestones of the field over several centuries, from the Renaissance through the early 20th century. By organizing the vast array of materials chronologically and thematically, Music theory helps the researcher understand theoretical thought across different eras. The tome emphasizes the contribution of individuals to music theory and the transformation of concepts, showing how earlier and ideas are interconnected.0 aOnline resource; title from PDF title page. 0aMusic theoryxBibliography.1 aWilliams, David Russell, eauthor.08iPrint version:aDamschroder, David.tMusic theory from Zarlino to Schenker.dStuyvesant, NY : Pendragon Press, 1990w(Sirsi)49404w(InU)AAQ2575BMw(OCoLC)ocm21195293 0aHarmonologia series ; vno. 4403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=mtz&scope=site02266nam a22002531i 4500001001800000005001700018006001900035007001500054008004100069040003700110245004800147264002900195300003800224336002600262337002600288338003600314506003500350520133000385588004801715650004301763700002701806776008801833856009101921RMEMarcShuBioBalk20241025154000.0m     o  d        cr  n         241025s2005    aa      od    00| 0deng d  aNyNyRILMbengerdaepncNyNyRILM00aBiographical dictionary of Balkan composers 1aTirana :bAsmus, c2005.  a1 online resource (ix, 704 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAccess limited to subscribers.  aBiographical dictionary of Balkan composers offers a comprehensive look at the lives and works of 500 composers from countries such as Albania, Bulgaria, Greece, Romania, Serbia, Croatia, and others and from various periods, from the 19th century to the turn of the century. The entries-conceived by a team of authors, translators, and editors-offer insights into the composers' musical achievements, providing information on key compositions and their contributions to the development of music in the Balkans, documenting their education, stylistic evolution, and major works. The dictionary highlights how Balkan composers have drawn from a unique blend of local traditions, Byzantine liturgical music, and Western classical forms to create a distinctive regional repertoire. It also explores the socio-political context in which these composers worked, as well as how national identity and political changes in the Balkans influenced their music. This dictionary is complementary to the Enciklopedia e muzikës shqiptare, Leksikon jugoslavenske muzike, and Muzička enciklopedija, which together make RILM Music Encyclopedias an invaluable resource for anyone interested in the cultural and musical history of the Balkans, illuminating the richness and diversity of this often underrepresented region in music scholarship.0 aOnline resource; title from PDF title page. 1aMusiczBalkan PeninsulavDictionaries.1 aShupo, Sokol,eeditor.08iPrint version:tBiographical dictionary of Balkan composers.dTirana : Asmus, 2005.403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=bdb&scope=site02626cam a22003731i4500 001001700000003000900017005001700026006001900043007001500062008004100077020001800118020001500136035002200151035002400173035001800197035001300215040003800228050002100266100003400287245018700321246017400508250003500682264004600717300003400763336002600797337002600823338003600849506003500885520104400920588004801964650002402012776012502036856009102161RMEMarcTolPanLexNyNyRILM20241028160600.0m     o  d        cr bn         180612s1999    gr      od    000 0dgre d  z9789603030836  z960303083X  a(OCoLC)1042103972  a(OCoLC)on1042103972  a(NNC)13309327  a13309327  aZCUbengerdacZCUdZCUdNyNyRILM 4aML100b.T65 19991 aTolika, Olympia N., eauthor.10aPankosmio lexiko tēs mousikēs : bhistoria, mousikologia, erga, prosōpa, news taseis, archaiotēta, Vyzantio, Anagennēsē, neoteroi chronoi, synchronos kosmos / cOlympia Tolika.1 iParallel title: aWorldwide dictionary of music : bhistory, musicology, works, people, new trends, antiquity, Byzantium, Renaissance, modern era, the contemporary world  aDeuterē ekdosē epzuxēmenē. 1aAthēna : bEkdoseis Stochastēs, c1999.  a1 online resource (578 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAccess limited to subscribers.  aThe Pagkosmio lexiko tīs mousikīs (Worldwide dictionary of music) by Olympia Tolika is the first music dictionary written in the Greek language. It focuses on Greek musical heritage, covering a broad array of topics from antiquity to the present. The author is a musicologist as well as a translator and linguist, who previously published the Epitomo Egkyklopaidiko lexiko tīs Vyzantīs mousikīs (Concise encyclopedic dictionary of Byzantine music). The second edition of Pagkosmio lexiko (the first appeared in 1995) contains 7500 entries with musical terminology, prominent musical works (in the original language with Greek translations), instruments, dances, composers, performers, concert venues, theorists, festivals, trends and schools, publishers, librettists, and many others topics. All aspects of Greek musical life, both national and local, are represented. The volume is a product of the author's personal research and experience, enhanced by the illustrations by Amalia Paraskevopoulos, especially designed for this work.0 aOnline resource; title from PDF title page. 0aMusicvDictionaries08iPrint version:tPankosmio lexiko tēs mousikēs.dAthēna : Ekdoseis Stochastēs, [199]z9789603030836w(OCoLC)880513152403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=plm&scope=site02952pam a2200457 i 4500001001700000003000900017005001700026006001900043007001500062008004100077010001500118020003100133020002800164035002100192035001800213035001300231040004900244042000800293043001200301050002300313082002500336100007500361245009300436264004800529300003900577336002600616337002600642338003600668490006500704506003500769520094400804588004801748600009001796600009001886600008901976600009102065650005902156650010602215830008202321856009102403RMEFrenchArtSongNyNyRILM20251212131719.4m     o  d        cr bn         121221s2013    nyu      e    000 0deng    a2012051289  a9781576472101 (alk. paper)  a1576472108 (alk. paper)  a(OCoLC)823742337  a(NNC)10294200  a10294200  aDLCbengerdacDLCdYDXCPdNhCcYBPdNyNyRILM  apcc  ae-fr---00aML102.S6bD39 201300a782.421680944/032231 aDaykin, Frank,d1958-0http://id.loc.gov/authorities/names/n201207852214aThe encyclopedia of French art song : bFaure, Debussy, Ravel, Poulenc / cFrank Daykin. 1aHillsdale, NY : bPendragon Press, c[2013]  a1 online resource (vi, 739 pages).  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aVox musicae : the voice, vocal pedagogy, and song ; vno. 10  aAccess limited to subscribers.  aA comprehensive reference work dedicated to the French mélodie, with a particular focus on the art songs of Gabriel Fauré, Claude Debussy, Maurice Ravel, and Francis Poulenc. The volume features entries on individual songs, accompanied by discussions of relevant poems, poets, historical and cultural contexts, and specialized terminology. Designed to support singers, pianists, educators, and scholars, the encyclopedia offers interpretive commentary on performance practice, programming considerations, and the intricate interplay between music and text. Extensive cross-referencing facilitates the exploration of thematic and contextual connections across the repertoire. Reflecting the author’s expertise as a pianist, teacher, and musicologist, the work serves as both a pedagogical tool and a resource for research and performance preparation. It makes a significant contribution to the study and appreciation of French art song.0 aOnline resource; title from PDF title page.10aFauré, Gabriel, d1845-1924. tSongs.0http://id.loc.gov/authorities/names/n0007725910aDebussy, Claude, d1862-1918. tSongs.0http://id.loc.gov/authorities/names/n8502395310aRavel, Maurice, d1875-1937. tSongs.0http://id.loc.gov/authorities/names/n8016384210aPoulenc, Francis, d1899-1963. tSongs.0http://id.loc.gov/authorities/names/n80017324 0aSongs, FrenchzFrancevBio-bibliographyvDictionaries. 0aSongsxInterpretation (Phrasing, dynamics, etc.)0http://id.loc.gov/authorities/subjects/sh2010114140 0aVox musicae series ; vno. 10.0http://id.loc.gov/authorities/names/n98048111403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=fas&scope=site02756cam a2200445Ii 4500001001400000003000900014005001700023006001900040007001500059008004100074020001800115020001500133035002100148040008200169043001200251050002400263082001200287100002200299245014300321264003200464300003500496336002600531337002600557338003600583490002700619504004100646506003500687520118900722588004801911650004601959650005102005650002602056650002102082651001602103650002002119651001702139655002302156830004002179856009102219RMEPicVocEtnoNyNyRILM20251212141148.0m     o  d        cr bn         121022s2012    it       bd   000 0 ita d  a9788889009499  a8889009497  a(OCoLC)813926935  aC3LcC3LdOCLCQdOCLCOdZCUdOCLCOdOCLCFdOCLCAdCHVBKdOCLCOdHMUdNyNyRILM  ae-it---14aML102.F66bB78 201204a7802211 aBrunetto, Walter.10aPiccolo vocabolario etnomusicologico : bforme, stili, repertori e contesti della musica di tradizione orale italiana / cWalter Brunetto. 1aRoma : bSquilibri, c2012.  a1 online resource (253 pages).  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aStudi e strumenti ;v1  aIncludes bibliographical references.  aAccess limited to subscribers.  aA landmark reference work for the study of Italian traditional music, this volume offers a coherent, structured, and systematic lexicon devoted entirely to orally transmitted musical traditions. Presenting more than 500 entries, each accompanied by analytical notes, cross-references, and concise bibliographic indications, the Piccolo vocabolario etnomusicologico serves as a pioneering tool designed to support both the cataloguing and indexing of sound documents held in archives and documentation centers and the needs of academic research. Its extensive terminological apparatus—covering oral and written forms, genres and repertories, performance styles, functions, occasions, and cultural contexts—illuminates the richness, diversity, and vitality of Italy’s musical traditions across regions and communities. The work provides an integrated conceptual framework that foregrounds the relationships, continuities, and distinctions among practices, repertoires, and contexts. It stands as an essential guide for students, musicologists, ethnomusicologists, archivists, and cataloguers seeking to navigate the complex and multifaceted universe of Italian traditional musics.0 aOnline resource; title from PDF title page. 0aFolk musiczItalyvDictionariesxItalian. 0aEthnomusicologyzItalyvDictionariesxItalian. 7aEthnomusicology2fast 7aFolk music2fast 7aItaly2fast 7aVolksmusik2gnd 7aItalien2gnd 7aDictionaries2fast 0aStudi e strumenti (Squilibri) ;v1.403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=pve&scope=site02297pam a2200277 i 4500001001100000003000900011005001700020006001900037007001500056008004100071040002800112043001200140100002300152245004400175250002100219264007400240300003800314336002600352337002600378338003600404506003500440520139200475588002601867650003501893856009101928RMEDicGuatNyNyRILM20251212152400.0m     o  d        cr bn    mpcma251212s2024    gt      od    000 0dspa d  aNyNyRILMbengcNyNyRILM  ancgt---1 aGandarias, Igor de10aDiccionario de la música en Guatemala.  aRevised edition. 1aCiudad de Guatemala : bUniversidad de San Carlos de Guatemala, 2024.  a1 online resource (xv, 193 pages)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAccess limited to subscribers.  aA comprehensive reference work dedicated to the musical landscape of Guatemala, the Diccionario is the only resource of its kind to document the country’s diverse musical traditions, institutions, genres, and figures across history. The volume encompasses both popular and classical domains, covering topics from pre-Hispanic sonorities and Indigenous instruments to contemporary popular genres and their cultural impact. It features biographical entries on composers and performers, definitions of musical terms, descriptions of local genres, ensembles, and events, as well as analyses of musical traditions and instruments. Special emphasis is placed on the interaction between Indigenous, colonial, and contemporary influences, offering reflections on Guatemala’s rich musical hybridities—from colonial church music and the national conservatory tradition to electro-acoustic and popular practices rooted in Indigenous heritage. Extensive cross-referencing and thematic bibliographies support the exploration of historical, cultural, and stylistic connections across the repertoire. Designed as both a scholarly and educational resource, the volume serves musicians, researchers, and students interested in the musical heritage of Guatemala and Central America. It stands as an essential contribution to the study and preservation of Guatemala’s multifaceted musical identity.0 aPrint version record. 0aMusiczGuatemalavDictionaries403RME on EBSCO link :uhttps://search.ebscohost.com/direct.asp?db=ril&jid=dmg&scope=site